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Journal Article
Journal of Music Theory (2004) 48 (1): 99–141.
Published: 01 April 2004
...Ramon Satyendra AN INFORMAL INTRODUCTION TO SOME FORMAL CONCEPTS FROM LEWIN’S TRANSFORMATIONAL THEORY1 Ramon Satyendra Since the publication of David Lewin’s Generalized Musical Intervals and Transformations (GMIT),2...
Journal Article
Journal of Music Theory (2018) 62 (2): 359–368.
Published: 01 October 2018
...Roger Graybill Works Cited Cone Edward T. 1967 . “ Beyond Analysis .” Perspectives of New Music 6 / 1 : 33 – 51 . Lewin David . 1969 . “ Behind the Beyond: A Response to Edward T. Cone .” Perspectives of New Music 7 / 2 : 59 – 69 . Lewin David . 1986...
Journal Article
Journal of Music Theory (2001) 45 (1): 1–29.
Published: 01 April 2001
...David Lewin SPECIAL CASES OF THE INTERVAL FUNCTION BETWEEN PITCH-CLASS SETS X AND Y David Lewin 1. Pcset pairs <X,Y> for which IFUNC(X,Y) is constant 1.1.1 Example 1 shows aspects of an imaginary passage for strings (bass...
Journal Article
Journal of Music Theory (2009) 53 (2): 227–254.
Published: 01 October 2009
...Dmitri Tymoczko Taking David Lewin's work as a point of departure, this essay uses geometry to reexamine familiar music-theoretical assumptions about intervals and transformations. Section 1 introduces the problem of “transportability,” noting that it is sometimes impossible to say whether two...
Journal Article
Journal of Music Theory (2010) 54 (2): 143–177.
Published: 01 October 2010
...Robert Peck In Generalized Musical Intervals and Transformations (1987), David Lewin describes the structure of commuting groups for transformation groups that have simply transitive actions. We extend Lewin's notion to transformation groups that have any type of action, including merely transitive...
Journal Article
Journal of Music Theory (2015) 59 (1): 121–181.
Published: 01 April 2015
... by David Lewin and Ian Quinn but uses primarily the phases of Fourier components, unlike Lewin and Quinn, who focus more on the magnitudes. The space defined by phases of the third and fifth components closely resembles the Tonnetz and has a similar common-tone basis to its topology but is continuous...
Journal Article
Journal of Music Theory (2010) 54 (1): 1–4.
Published: 01 April 2010
..., intersubjective acknowledgment, and personal responsibility over one's critical language are introduced as central themes. One of Cavell's “scenes” involves David Lewin, and the friendship of these two figures is subsequently discussed. Lastly, these themes are related to the various articles in the issue, which...
Journal Article
Journal of Music Theory (2016) 60 (2): 213–262.
Published: 01 October 2016
...Jason Yust The discrete Fourier transform on pitch-class sets, proposed by David Lewin and advanced by Ian Quinn, may provide a new lease on life for Allen Forte's idea of a general theory of harmony for the twentieth century based on the intervallic content of pitch-class collections. This article...
Journal Article
Journal of Music Theory (2006) 50 (1): 111–127.
Published: 01 April 2006
...Steven Rings David Lewin Generalized Musical Intervals and Transformations Oxford University Press, 2007: xxxi+258 pp. ($49.95 cloth); David Lewin Musical Form and Transformation: Four Analytic Essays Oxford University Press, 2007: xiv+168 pp. ($45.00 cloth); David Lewin Studies...
Journal Article
Journal of Music Theory (2018) 62 (1): 1–39.
Published: 01 April 2018
... and to a Phenomenological Philosophy, Book II . Translated by Rojcewicz Richard Schuwer André . Dordrecht : Kluwer . Husserl Edmund . 1997 . Thing and Space: Lectures of 1907 . Translated by Rojcewicz Richard . Dordrecht : Kluwer . Kane Brian . 2011 . “ Excavating Lewin’s...
Journal Article
Journal of Music Theory (2005) 49 (1): 1–43.
Published: 01 April 2005
..., and Lewin’s theory of interval-preserving opera- tions. All three of these theories involve as a technical premise various conceptions about the relationship between structural levels. Since I have articulated the question along these particular lines, my study leans heav- ily on the theorizing provided...
Journal Article
Journal of Music Theory (2011) 55 (1): 43–88.
Published: 01 April 2011
...) for interpret- ing progressions of sets belonging to the same T/I equivalence class. Within these spaces, sets are placed in proximity based on contextual inversion. Accord- ing to David Lewin (1993, 7), a “‘contextual’ inversion operation” is “not defined with reference to any pitch...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2003) 47 (1): 103–123.
Published: 01 April 2003
... by Lewin (1959, 1977, 1987) and Morris (1987), as detailed in Part 1 of this article. The progression-vector applications developed in Part 2 are new, drawing on recent work by Block and Douthett (1995) and Scott and Isaacson (1998); this section lays out the main ideas of the article. Finally, Part 3...
Journal Article
Journal of Music Theory (2014) 58 (2): 257–263.
Published: 01 October 2014
... theories. Moreover, symmetry often shapes the choices of repertoire to which transformational theories have been applied. That the music of Schoenberg, Webern, and others features prominently in David Lewin’s earli- est transformational writings is hardly surprising, given that the symmetries...
Journal Article
Journal of Music Theory (2018) 62 (2): 279–338.
Published: 01 October 2018
...: Parallels between Perle and Lewin .” Theory and Practice 33 : 181 – 217 . Callender Clifton Quinn Ian Tymoczko Dmitri . 2008 . “ Generalized Voice-Leading Spaces .” Science 320 / 5874 : 346 – 48 . Cohn Richard . 2012 . Audacious Euphony: Chromaticism and the Triad’s...
Journal Article
Journal of Music Theory (2016) 60 (2): 295–305.
Published: 01 October 2016
...- tion has to do with novel or eccentric analyses. Is it plausible that the chorale in Schoenberg’s Klavierstück op. 11/2 “has the job” of presenting the patterns specified by David Lewin’s famous K-net analysis of the passage (Lewin 1994)? If not, what is one...
Journal Article
Journal of Music Theory (2010) 54 (1): 121–140.
Published: 01 April 2010
... music, especially his twelve-tone composition. And to examine this, he turns to David Lewin’s reading of Moses und Aron: The young David Lewin, in a remarkable discussion of act 1, scene 1 of Moses und Aron, opens with some general remarks, which begin with the observation...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 57–126.
Published: 01 October 2002
... of considerable analytic utility, and whose claims to “neo-Riemannian” sta- tus are surely at least as strong as that of D, are simply absent from Hyer’s group. The most familiar of these is the “diatonic mediant” transfor- mation M, discussed briefly by David Lewin (1987, 175–80) but not a part of Hyer’s...
Journal Article
Journal of Music Theory (2018) 62 (2): 165–204.
Published: 01 October 2018
... Transformations .” Perspectives of New Music 12 / 1 : 45 – 76 . Lewin David . 1977 . “ A Label-Free Development for 12-Pitch-Class Systems .” Journal of Music Theory 21 / 1 : 29 – 48 . Lewin David . 1987 . Generalized Musical Intervals and Transformations . New Haven, CT : Yale...
Journal Article
Journal of Music Theory (2005) 49 (1): 45–108.
Published: 01 April 2005
... of chromaticness, which uses a unit of measure called the “lewin” to mea- sure the degree of “chromatic force”: the higher the number of “lewins,” the more closely a given set-class is understood as sharing the qualities of the prototypes of the chromatic genus.24 Compared to the similarity measures...