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Journal Article
Journal of Music Theory (2019) 63 (1): 139–144.
Published: 01 April 2019
... in Native Amazonians Reveals Cultural Variation in Music Perception .” Nature , no. 7613 : 547 – 50 . Copyright © 2019 by Yale University 2019 Huron David Voice Leading: The Science behind a Musical Art MIT Press , 2016 : vii + 263 pp. ( $38.00 cloth) ...
Journal Article
Journal of Music Theory (2019) 63 (2): 167–207.
Published: 01 October 2019
...Leah Frederick This article constructs generic voice-leading spaces by combining geometric approaches to voice leading with diatonic set theory. Unlike the continuous mod-12 spaces developed by Callender, Quinn, and Tymoczko, these mod-7 spaces are fundamentally discrete. The mathematical...
Journal Article
Journal of Music Theory (2008) 52 (2): 219–249.
Published: 01 October 2008
...-leading spaces, generalized by Callender, Quinn, and Tymoczko, illustrate voice-leading relationships between sets. Though many researchers have noted hints of a relationship between these two types of space, their exact relation remains murky. One way of relating these two spaces involves associating...
Journal Article
Journal of Music Theory (2008) 52 (2): 251–272.
Published: 01 October 2008
...Dmitri Tymoczko In this article, I consider two ways to model distance (or inverse similarity) between chord types, one based on voice leading and the other on shared interval content. My goal is to provide a contrapuntal reinterpretation of Ian Quinn's work, which uses the Fourier transform...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2005) 49 (1): 45–108.
Published: 01 April 2005
.... Buchler, Michael. 1998 . “Relative Saturation of Subsets and Interval Cycles as a Means for Determining Set-Class Similarity.” Ph.D. diss., University of Rochester. Callender, Clifton. 1998 . “Voice-Leading Parsimony in the Music of Alexander Scriabin.” Journal of Music Theory 42 : 219 –34...
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Published: 01 October 2021
Example 21. Accidental inflections and leading-tone (LT) implications.
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Published: 01 October 2021
Example 22. Perfect consonances and leading-tone implications.
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Published: 01 October 2021
Example 23. Contrapuntal context determines leading-tone interpretation.
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Published: 01 October 2021
Example 38. Idioms where the first note is a non-leading-tone member of an imperfect consonance.
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Published: 01 October 2021
Example 42. Common chromatically deflected leading-tone idioms.
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in Approximate Set Theory: Chord Categories, Voicings, and Interval Cycles
> Journal of Music Theory
Published: 01 April 2023
Figure 4.1. Chromatic voice-leading possibilities understood with reference to a diatonic (or equiheptatonic) template. In each column the chromatic voice leadings can be understood as manifestations of the diatonic template at the top. Beneath each column is a heuristic description
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in Approximate Set Theory: Chord Categories, Voicings, and Interval Cycles
> Journal of Music Theory
Published: 01 April 2023
Figure 4.3. The five basic voice-leading transformations: transposition along an extrinsic scale, transposition along the intrinsic scale, neo-Riemannian voice leadings, normal-form preserving perturbations (not needed when chords are TI-related), and the small voice exchange c 0 that swaps
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in Approximate Set Theory: Chord Categories, Voicings, and Interval Cycles
> Journal of Music Theory
Published: 01 April 2023
Figure 5.5. Efficient descending-fifth voice leading connecting quartal voicings, in both diatonic and chromatic space.
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in Approximate Set Theory: Chord Categories, Voicings, and Interval Cycles
> Journal of Music Theory
Published: 01 April 2023
Figure 4.4. Voice leadings at the opening of Schoenberg's op. 11/1. To obtain the progression, apply the perturbation and then the transformation. For example, starting with the first chord, move B to A and then transpose up by four semitones. Almost all the trichords are in the “A” arrangement
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