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Journal Article
Journal of Music Theory (2008) 52 (2): 181–218.
Published: 01 October 2008
... apparatus. I suggest, however, that by using the vantage point of variation, conceived broadly, not just as a technique but as a manner of organizing musical thoughts, new insights can emerge about these passages. This wider conception of variation is sanctioned both by historical precedent (Daube, Koch...
Journal Article
Journal of Music Theory 9930937.
Published: 08 September 2022
..., Löhlein, Portmann, Koch, Galeazzi, Koll­ mann whose writi­ngs inspired Ratner, yet the focus of attent­ion is the Versuch einer Anleitung zur Composition (1782 93) by Heinrich Christoph Koch. From the outs­ et, Burstein declares that his goal is to clar­ify some of Koch s ideas and terms that may seem...
Journal Article
Journal of Music Theory (2000) 44 (1): 127–169.
Published: 01 April 2000
...Jairo Moreno 2000 © Yale University, New Haven, Connecticut 06520 2000 Baker, Nancy. 1983 . Introductory Essay in Composition . New Haven and London: Yale University Press. Partial translation of vols. 2 –3 of Koch (1974). ———. 1992 . “An Ars Poetica for Music: Reicha's System...
Journal Article
Journal of Music Theory (2004) 48 (2): 325–336.
Published: 01 October 2004
... Haven: Yale University Press, Partial translation of Koch 1782 -93. Beach, David and Jürgen Thym, ed. and trans. 1982 . The Art of Strict Musical Composition . New Haven: Yale University Press. Partial translation of Johann Philipp Kirnberger, Die Kunst des reinen Satzes in der Musik. Berlin: G...
Journal Article
Journal of Music Theory (2010) 54 (2): 235–282.
Published: 01 October 2010
..., Wolfgang. 1983 . Grundlagen musikalischer Formen der Wiener Klassik: An Hand der zeitgenössischen Theorie von Joseph Riepel und Heinrich Christoph Koch dargestellt an Menuetten und Sonatensätzen (1750–1790) . Kassel: Bärenreiter. Caplin, William. 1987 . “The `Expanded Cadential Progression...
Journal Article
Journal of Music Theory (2003) 47 (2): 273–304.
Published: 01 October 2003
... Instruments . Trans. William Mitchell. New York: W. W. Norton. Baker, Nancy Kovaleff. 1988 . “Der Urstoff der Musik: Implications for Harmony and Melody in the Theory of Heinrich Koch.” Music Analysis 7/1 : 3 -30. Barnett, Gregory. 2002 . “Tonal Organization in Seventeenth-Century Music Theory...
Journal Article
Journal of Music Theory (2000) 44 (2): 381–450.
Published: 01 October 2000
... Studies , ed. David Brodbeck, 111 –38. Lincoln: University of Nebraska Press. Davis, Shelley. 1980 . “J. G. Lang and the Early Classical Keyboard Concerto.” Musical Quarterly 66 : 45 –61. ______. 1983 . “H. C. Koch, the Classical Concerto, and the Sonata-Form Retransition.” Journal...
Journal Article
Journal of Music Theory (2017) 61 (2): 171–200.
Published: 01 October 2017
... a century. Taking their cue from Heinrich Christoph Koch’s (1983 [1793]) gradual expansion of a simple melodic phrase into a fully fledged sonata exposition,4 writers such as Eugene K. Wolf (1981, 573–96), Jan LaRue (1992, 184), Charles Rosen (1997, 83–88), and Joel...
Journal Article
Journal of Music Theory (2009) 53 (2): 305–328.
Published: 01 October 2009
... integration of three important modern theories of meter: those of L&J, Hasty, and Krebs. But Mirka’s synthetic project goes one step further, also incorporating the views of late-eighteenth-century theorists—primarily Joseph Riepel, Johann Philipp Kirnberger, and Heinrich Koch, but also lesser known...
Journal Article
Journal of Music Theory (2013) 57 (2): 383–418.
Published: 01 October 2013
... a Chromaticized Voice Exchange in Mozart Expositions .” Music Theory Spectrum 19/1 : 1 – 12 . Koch Heinrich Christoph . [1787/1793] 1983 . Introductory Essay on Composition: The Mechanical Rules of Harmony, Sections 3 and 4 . New Haven : Yale University Press . Partial translation by Nancy K...
Journal Article
Journal of Music Theory (2015) 59 (1): 99–119.
Published: 01 April 2015
..., however, received 2013. some thoughtful attention in French-language music schol- arship (Psychoyou 2006), as well as outside music scholar- ship (Salazar 1995, 55–66, 152–63; Koch 2008, 133–60). André Redwood    Mersenne and the Art of Delivery 101 undergirds...
Journal Article
Journal of Music Theory (2014) 58 (1): 67–77.
Published: 01 April 2014
... – 24 . Chua Daniel . 1999 . Absolute Music and the Construction of Meaning . Cambridge : Cambridge University Press . Heartz Daniel . 1990 . Mozart’s Operas . Edited by Bauman Thomas . Berkeley : University of California Press . Koch Heinrich Christoph . 1802...
Journal Article
Journal of Music Theory (2000) 44 (2): 261–322.
Published: 01 October 2000
..., edited by Wye J. Allanbrook, Janet M. Levy, and William P. Mahrt. Stuyvesant, N.Y.: Pendragon Press. Koch, Heinrich Christoph. [1793] 1983 . Introductory Essay on Composition . Trans., with an Introduction, Nancy K. Baker. New Haven and London: Yale University Press. Kirnberger, Johann Philipp...
Journal Article
Journal of Music Theory (2019) 63 (2): 209–229.
Published: 01 October 2019
... part may be found in Galeazzi 2012: 324. See also Churgin 1968: 185 86. 6 If Reicha means by this that the recapitulatory primary theme (P) and transitional (TR) material in particular are presented in their entirety, then this stands in contradis­ tinction to other theorists (e.g., Koch 1793, cited...
Journal Article
Journal of Music Theory (2003) 47 (1): 41–101.
Published: 01 April 2003
...≤ and the Holy Trinity (Steblin 1986). 12. The theorist Heinrich Koch discussed such melodic segmentation in his Versuch einer Anleitung zur Composition (1782–93). Portions of this treatise are translated in Koch (1782–93/1983), where Nancy K. Baker translates “Einschnitt” as “in- cise” (p. xxiii...
Journal Article
Journal of Music Theory (2003) 47 (2): 225–272.
Published: 01 October 2003
... is also uncomfortable with the obvious simplicity of the technique, and recommends to readers that they learn to hide them by varying surface figuration (p. 349). Hein- 266 rich Chritsoph Koch took over Riepel’s usage (without reference to Monte). See Koch 1802, s.v. “Schusterfleck.” 12...
Journal Article
Journal of Music Theory (2018) 62 (1): 41–84.
Published: 01 April 2018
... . Koch Heinrich Christoph . 1782–93 . Versuch einer Anleitung zur Composition . Leipzig : Böhme . Krumhansl Carol L. 1990 . Cognitive Foundations of Musical Pitch . New York : Oxford University Press . Kunert Richard Willems Roel M. Casasanto Daniel Patel Aniruddh...
Journal Article
Journal of Music Theory (2012) 56 (2): 293–298.
Published: 01 October 2012
... Christoph Koch’s Stammakkord explanation of the 6/4 chord as the dissonant eleventh and thir- teenth and of Johann Christian Lobe’s “reductive” approach to embellishing tones. Each of the first two chapters ends with an analytical excursion explor...
Journal Article
Journal of Music Theory (2006) 50 (2): 181–210.
Published: 01 October 2006
.... Heinrich cadence corresponds to the essential expositional closure, Christoph Koch, for example, writes, “The first period and the clarifying period is the post-cadential closing zone. [exposition] thus divides into two sections, namely, one...
Journal Article
Journal of Music Theory (2016) 60 (2): 97–148.
Published: 01 October 2016
..., as the fol- phrase, ending with a cadence. See, for example, Koch lowing discussion makes clear, are not agreed on among 1807, s.v. “Periode”; Reicha 1814, 12; and Wagner [1851] theorists. While the term had been in use long before the 1888, 154. Brody Example 1 Presto...