Search Results for kim

...Will Mason [email protected] Youn Kim . Body and Force in Music: Metaphoric Constructions in Music Psychology . Routledge , 2022 : 172 pp. ( $170.00 hardcover, $52.95 paper, $52.95 ebook). Copyright © 2024 by Yale University 2024 embodiment has become a near...

... within the discipline of music theory than music-theoretic and music-analytic scholarship (Kim 2023 ; VanHandel 2023 ). Most undergraduate textbooks used in music-theory core courses are devoted primarily to explaining pitch structures—or, in Justin London's ( 2020 : 425) formulation, “What We Teach...

... to Heinrich Schenker, Piano Sonata in C minor, Op. 111 , in Beethoven's Last Piano Sonatas: An Edition with Elucidation , translated and edited by John Rothgeb (New York: Oxford University Press, 2015). 9 This colloquy included responses from Clifton Boyd, Sumanth Gopinath, Catrina Kim, Judith...

... . Johnson Mark . 2007 . The Meaning of the Body: Aesthetics of Human Understanding . Chicago : University of Chicago Press . Johnson Mark Larson Steve . 2003 . “‘Something in the Way She Moves’: Metaphors of Musical Motion.” Metaphor and Symbol 18 / 2 : 63 – 84 . Kim Youn...

... of colorblindness in academic discourse across several distinct disciplines, see Crenshaw et al. 2019 . 15 These are Jean Grae, “My Crew” (2003); Lil’ Kim, “Lighters Up” (2005); Lizzo, “Batches & Cookies” (2013); Missy Elliott, “Get Ur Freak On” (2001); Queen Latifah, “U. N. I. T. Y.” (1993); and Salt...

... . Kiesewetter Raphael Georg . 1842 . Die Musik der Araber . Leipzig : Breitkopf und Härtel . Kim Youn . 2003 . “ Theories of Musical Hearing, 1863–1931: Helmholtz, Stumpf, Riemann, and Kurth in Historical Context .” PhD diss., Columbia University . Kintzler Catherine . 1983 . Jean...

... of repeating units. 18 My thanks to choreographer Kim Brandstrup, a colleague at the Center for Ballet and the Arts in 2019–20, for bringing this recording to my attention. 17 The tresillo is an example of a “funky rhythm,” discussed in the section “The Climax in Context.” 16...