...David Carson Berry This article addresses the role played by Allen Forte in establishing the Journal of Music Theory as a journal of record for the American discipline of music theory, as it emerged and evolved in the 1960s. The journal was founded at Yale University in 1957 by editor David...

...Yosef Goldenberg Bibliometric tools and especially content analysis of all 393 articles published in Journal of Music Theory (up to issue 48/1) help to investigate the development of the content of this journal. The articles were classified according to their type, the theoretical aspect...

...Brian Kane Stanley Cavell's thinking on music may appear an odd theme for a special issue of the Journal of Music Theory . According to Cavell, “although I have written very little explicitly about music... something I have demanded from philosophy has been an understanding precisely of what I had...

... Polyphony: A Reappraisal.” Journal of the American Musicological Society 24/2 : 169 -92. ____. 1985-86 . “A Phantom Treatise of the Fourteenth Century? The Ars Nova.” Journal of Musicology 4/1 : 23 -50. ____. 1986 . “On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections...

.... “ Hidden Polyphony: A Reappraisal.” Journal of the American Musicological Society 24/2: 169–92. [1972 winner of the Alfred Einstein Prize of the American Musicological Society.] 1977. “ An Anonymous Treatise dictus de Sancto Martiale: A New Source for Cistercian Music...

...Ian Quinn © 2008 by Yale University 2008 Editor’s note eagle-eyed readers may have noticed a few subtle changes in the previ- ous two issues of the Journal of Music Theory. For one thing, the word “Duke” appeared on the spine...

... for the often ungraspable but omnipotent laws that Webern imagined in the world around him. Works Cited Antokoletz Elliott . 1986 . “ Interval Cycles in Stravinsky’s Early Ballets .” Journal of the American Musicological Society 39 / 3 : 578 – 614 . Babbitt Milton . 1987 . Milton...

... vocal music in the journal Eighteenth-Century Music . © 2014 by Yale University 2014 Works Cited Cohn Richard L. 1992 . “ The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven’s Ninth Symphony .” 19th-Century Music 15 : 188 – 206 . David Hans T...

...’ ” (170). rather than as a fixed point in pitch-class space, this class Journal of Music Theory  55:1, Spring 2011 DOI 10.1215/00222909-1219196  © 2011 by Yale University 43 44 Journal of Music Theory The contextual-inversion spaces...

... and the Cadential Six-Four.” Journal of Music Theory 36 : 187 –98. Cadwallader, Allen and David Gagné. 1998 . Analysis of Tonal Music: A Schenkerian Approach . New York: Oxford University Press. Damschroder, David. 2008 . Thinking about Harmony: Historical Perspectives on Analysis . New York...

... Jonathan Burgoyne John Ashley , 1 – 18 . Heidelberg : Springer . Amiot Emmanuel Sethares William . 2011 . “ An Algebra for Periodic Rhythms and Scales .” Journal of Mathematics and Music 5/3 : 149 – 69 . Bartlette Christopher Aric . 2007 . “ A Study of Harmonic...

... , February . Forte Allen . 2011 . '' The Development of Diminutions in American Jazz. '' Journal of Jazz Studies 7 : 3 – 23 . Kelley Robin D. G. 2009 . Thelonious Monk: The Life and Times of an American Original . New York : Free Press . Larson Steve . 2005...

... like to thank the anonymous reader for this journal, who provided valuable feedback. I owe a huge debt of gratitude to Rick Cohn, who assisted me with the twenty-first-century mathematical expressions and helped me to improve this piece immeasurably. 1 For recent music-theoretical studies...

..., No Chaser.' ” Journal of Music Theory 49 : 209 -39. Anderson, Fred and Paul Steinbeck. 2002 . Exercises for the Creative Musician . Chicago: Many Weathers Music. Block, Steven. 1990 . “Pitch-Class Transformation in Free Jazz.” Music Theory Spectrum 12 : 181 -202. ____. 1993 . “Organized...

... -80. Bukofzer, Manfred. 1947 . Music in the Baroque Era from Monteverdi to Bach . New York: Norton. Burkhart, Charles. 1978 . “Schenker's `Motivic Parallelisms.' ” Journal of Music Theory 22 : 145 -75. Cinnamon, Howard. 1992 . “Third-Related Harmonies as Elements of Contrapuntal...

... and Neo-Riemannian Theory .” Music Theory Online 12 . www.mtosmt.org/issues/mto.06.12.1/mto.06.12.1.capuzzo.pdf . Christensen Thomas . 1992 . “ The Spanish Baroque Guitar and Seventeenth-Century Triadic Theory .” Journal of Music Theory 36 / 1 : 1 – 42 . Cohn Richard . 1988...

... . “ The Performance of Recitative in Late Baroque Opera .” Music and Letters 58/4 : 389 – 402 . Dill Charles . 1995 . “ Eighteenth-Century Models of French Recitative .” Journal of the Royal Musical Association 120/2 : 232 – 50 . Downes Edward O. D. 1961 . “ Secco Recitative in Early...

... teased apart, they are still understood to be governed by a close, causal relationship: performance accents are among the many kinds of phenomenal accents from which we infer periodicity and project Journal of Music Theory  53:1, Spring 2009 DOI 10.1215/00222909...

.... Harris, Ellen T. 2005 . “Silence as Sound: Handel's Sublime Pauses.” Journal of Musicology 22 : 521 -58. Hepokoski, James. 1984 . “Formulaic Openings in Debussy.” Nineteenth-Century Music 8 : 44 -59. Huron, David. 2006 . Sweet Anticipation: Music and the Psychology of Expectation...

... changes in meter) that have a similar look. 1 Much like Handel’s other courantes, this is actually an Italianate corrente, but since Handel retained the French title, I have opted to do the same. This is a common prac- tice in the Handelian literature. Journal of Music Theory  57:1, Spring 2013...