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Journal Article
Journal of Music Theory 9930974.
Published: 08 September 2022
... with an explicit music-anal­ yt­i­cal ori­en­tat­ ion.1 Studies of rap have become prominent in jour­nal pub­li­ca­tions and conf­ere­ nce pre­sent­ at­ ions, and a diverse range of meth­od­olo­ g­ ies have emerged to address the sonic par­ticu­ l­ar­i­ties of this musi­cal prac­tice. Much has changed since Kyle...
Journal Article
Journal of Music Theory 9930889.
Published: 08 September 2022
... (tselostnïy analiz) devel­oped by Leo (Lev) Mazel and Viktor Zuckermann (Tsukkerman). Even the earl­ ie­ st schol­ ar­ship of these the­or­ ists is pepp­ ered with ref­er­ences to topi­cs, with the topi­­cal explor­ at­ ions embedd­ ed within broader con­sid­era­ tions of style, his­tory, and music­ al...
Journal Article
Journal of Music Theory 9930901.
Published: 08 September 2022
..., dif­fi­culty The lang­ uid cha­conne sect­ ion of Georg Friedrich Haas s Blumenstück (2000) requires the work s thirty-two singe­ rs to descend through a series of chords in micro­tonal space. In his fas­tidi­o­ us account of Haas s clashing microt­ onal sys­tems in Blumenstück, Robert Hasegawa (2015: 214...
Journal Article
Journal of Music Theory 9930913.
Published: 08 September 2022
... from gen­eral overv­ iews, new transl­ a­tions, how-tos for music-theo­ r­ et­i­cal pro­ce­dures, line-by-line comm­ en­tar­ies on treat­ ises, to essays with new research all­addressing topi­cs from ancient Greek and medi­ev­ al Latin music-the­o­reti­c­ al tra­dit­ ions, starting with Plato...
Journal Article
Journal of Music Theory 9930876.
Published: 08 September 2022
... of three case stud­ies. The first cons­ id­ers the dis­tinc­ tion that Ab Nasr Muhammad ibn al-Farakh al-F r b draws between the spec­u­la­tive and active parts of music theo­ ry and its influe­ nce on the for­mat­ ion of the dis­cip­ line in the Latin-speak­ing world. The sec­ond con­sid­ers entan­glem­...
Journal Article
Journal of Music Theory 9930925.
Published: 08 September 2022
... of Partimenti (partimenti org), maki­ ng acces­si­ble as many trans­ cript­ ions of regole, partimenti, and solfeggi by vari­o­ us authors. The scope of Music in the Galant Style is the pres­ ent­ a­tion and syst­ em­a­ti­ za­tion of chara­ c­ter­ist­ ic schemes (sche­mata) of eight­ eenth-cent­ ury style...
Journal Article
Journal of Music Theory 9930962.
Published: 08 September 2022
... ury. In Pieces of Tradition, Harrison defi­nes that change with ref­ere­nce to music s pitch dimens­ ion. Broadly, he rec­ogn­ izes a shift away from a strictly binary dis­tinct­ ion between cons­ o­nant and diss­ o­nant sonor­i­ties, toward a more-or-lessdis­so­nant scale of inter­vals and chord...
Journal Article
Journal of Music Theory 9930937.
Published: 08 September 2022
... Journeys through Galant Expositions Oxford University Press, 2020: xi +295 pp. ($45.00 cloth, $44.99 e-book) Danuta Mirka L. Poundie Burstein s Journeys through Galant Expositions makes an import­ ant cont­ rib­ ut­ ion to the field of his­tori­­cally informed music theo­ ry by presenting, in con­sid­era­...
Journal Article
Journal of Music Theory 9930949.
Published: 08 September 2022
... on hard times. Auerbach s aim is noth­ing less than to revive dis­cuss­ ion, and, if pos­sib­ le, faith in the dis­cip­ line of motiv­ ic anal­ ys­is (22). The result is eas­ily the most com­plex and probi­ng treatm­ ent of this subj­ect in decades. The scope of Auerbach s ambi­tion is imme­di­ately...
Journal Article
Journal of Music Theory (2001) 45 (1): 170–176.
Published: 01 April 2001
... as no surprise that Schenker exhibits a pretty low opin- ion of the touring virtuoso as such (the fourth broad category), and he states unequivocally that “. . . it is the great masters of composition who must be considered the best performers!” (4). He goes on to write: We may be sure that Chopin’s...
Journal Article
Journal of Music Theory (2006) 50 (2): 291–301.
Published: 01 October 2006
... musical technologies appeared with the use of various devices for disciplining a pianist’s hands while practicing, including Frédéric Kalkbrenner’s guide-main (hand-guide) and Henri Herz’s “dactyl- ion.” Jackson dwells in particular on Johann Bernhard...
Journal Article
Journal of Music Theory (2001) 45 (1): 151–162.
Published: 01 April 2001
... that “there are certainly also differences [of opin- ion]; whether I will be able finally to decide to sacrifice freedom will de- pend on how they are resolved” (26). He did, however, wish to leave Vienna as early as 1915, and reported his continuing readiness to do so in a 1922 letter to Straube (35). 154 Schenker...
Journal Article
Journal of Music Theory (2010) 54 (1): 37–60.
Published: 01 April 2010
..., the very status of modernist works as art or nonart would necessarily undergo dramatic changes, based on changing critical fashions and changing opin- ions concerning their success. Many certifiably modernist works of serious intent and great ambition (such as Ezra...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 207–283.
Published: 01 October 2002
... y y In relat ion to D : 10 2 4 0 4 6 10 2 4 (0) 6 10 2 4 0...
Journal Article
Journal of Music Theory (2004) 48 (2): 337–354.
Published: 01 October 2004
... at this time as well as earlier in the decade when he was completing the Quartet. In 1873, Clara sent the composer a number of Felix’s poems, asking for his opin- ion on their quality. From this package Brahms selected the text “Meine Liebe ist grün” and set it as the solo lied op. 63/5.9 The first...
Journal Article
Journal of Music Theory (2003) 47 (2): 225–272.
Published: 01 October 2003
... C1 picks up B≤ before moving to G, making the B≤ area of the passage twice as long as the other harmonic areas. So far, we have seen three classes of sequences based on the 7–6 caden- tial prefixion. Using principles of invertible counterpoint, Corelli fash- ioned certain 2–3 forms...
Journal Article
Journal of Music Theory (2006) 50 (2): 143–179.
Published: 01 October 2006
... off by a medial caesura.10 Nor does either of the secondary themes lead to closure in A≤.11 It is only after these submediant sections that Schubert fash- ions extended transitional passages, and in both movements these transitions...
Journal Article
Journal of Music Theory (2008) 52 (2): 273–320.
Published: 01 October 2008
... Studies 2: 33–63. Rink, John. 1999. “Opposition and Integration in the Piano Music.” In The Cambridge Compan- ion to Brahms, ed. M. Musgrave, 79–97. Cambridge: Cambridge University Press. Rosen, Charles. 1990. “Brahms the Subversive.” In Brahms Studies: Analytical and Historical Per...
Journal Article
Journal of Music Theory (2009) 53 (1): 1–56.
Published: 01 April 2009
...- ion an example of Lewin’s generalized interval system (1987, 26). While the group structure is important, I also appreciate the fact that these toggling operations allow for a kind of precision simply unavailable in other metric spaces: for all...