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Journal Article
Journal of Music Theory (2001) 45 (2): 263–343.
Published: 01 October 2001
...Michael Buchler RELATIVE SATURATION OF INTERVAL AND SET CLASSES: A NEW MODEL FOR UNDERSTANDING PCSET COMPLEMENTATION AND RESEMBLANCE Michael Buchler An Introduction...
Journal Article
Journal of Music Theory (2011) 55 (2): 271–281.
Published: 01 October 2011
...Stefano Mengozzi Timothy R. McKinney Adrian Willaert and the Theory of Interval Affect: The Musica Nova Madrigals and the Novel Theories of Zarlino and Vicentino Ashgate, 2010: xiii + 318 pp. $119.95 cloth Stefano Mengozzi Adrian Willaert (ca. 1490–1562) took on the prestigious...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 153–205.
Published: 01 October 2002
.... Further examination of the ic-matrices in Figure 1 reveals important differences in the intervallic content of these pcsets, specifically as re- gards the cycles on which their intervals lie. For example, each member of ic4 in {0,1,2,4,7,8} exists between adjacencies in the (048) interval cycle...
Journal Article
Journal of Music Theory (2001) 45 (1): 1–29.
Published: 01 April 2001
... is helped by my hearing a “middleground” interval function as well in the passage, between {C,D≤,F,G≤} and {B,D,G,E}— or rather a statistical ensemble of intervallic impressions between the lower strings and the violin part as a whole, a statistical ensemble whose normalized function is a good fit...
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Published: 01 October 2021
Example 5. Classification of chromatic semitones based on interval of bass motion. Example 5. Classification of chromatic semitones based on interval of bass motion. More
Journal Article
Journal of Music Theory (2006) 50 (1): 111–127.
Published: 01 April 2006
... not lessen its interpretive and methodological value. 122 Journal of Music Theory A. Pitch intervals are merely one manifestation of “intervallic experi- ence” in music. Intervals between pitches and intervals between the other...
Journal Article
Journal of Music Theory (2009) 53 (2): 227–254.
Published: 01 October 2009
... classes. Instead, we are free to make a wider range of choices about how to group particular motions into more general intervallic categories.27 This moral here is a general one: Intervals, conceived as categories of particular motions, are more flexible than Lewinian intervals...
Journal Article
Journal of Music Theory (2014) 58 (2): 155–178.
Published: 01 October 2014
...David Temperley A corpus analysis of common-practice themes shows that, when an intervallic pattern is repeated with one changed interval, the changed interval tends to be larger in the second instance of the pattern than in the first; the analysis also shows that the second instance...
Journal Article
Journal of Music Theory (2008) 52 (2): 219–249.
Published: 01 October 2008
....” Journal of Music Theory 35 : 93 -173. Lewin, David. 1959 . “Re: Intervallic Relations between Two Collections of Notes.” Journal of Music Theory 3 : 298 -301. ———. 2001 . “Special Cases of the Interval Function between Pitch-Class Sets X and Y.” Journal of Music Theory 45 : 1 -29...
Journal Article
Journal of Music Theory (2016) 60 (2): 181–212.
Published: 01 October 2016
.... To generate additional AC classes from our 〈1,20,30〉-cycle, we might rotate one of the interval cycles while keeping the other two fixed. Two condi- tions must be met to produce an exhaustive list of AC classes for any three- voice aligned cycle. First, the intervallic...
Journal Article
Journal of Music Theory (2008) 52 (2): 251–272.
Published: 01 October 2008
...-Class Set Cartography: Relations between Voice-Leading Spaces and Fourier Spaces.” Journal of Music Theory 52 : 219 -49. Lewin, David. 1959 . “Re: Intervallic Relations between Two Collections of Notes.” Journal of Music Theory 3 : 298 -301. ———. 2001 . “Special Cases of the Interval...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2007) 51 (2): 277–332.
Published: 01 October 2007
..., indicated by q 5 908 or π/2 radians, occurs precisely when two sets have no intervallic content in common.21 Scott and Isaacson’s (1998) ANGLE measures the angle between vectors in a six-dimensional interval-vector space, while Rogers’s (1999) cos Q mea...
Journal Article
Journal of Music Theory (2008) 52 (2): 273–320.
Published: 01 October 2008
... three categories of the texture based on degrees of metrical dissonance: weakly, moderately, and strictly tiered polyphony. The last form is special not only for its rarity but also for the extreme independence of its lines, which create supermetrical dissonance through pitch cells and/or pitch-interval...
Journal Article
Journal of Music Theory (2010) 54 (2): 143–177.
Published: 01 October 2010
...Robert Peck In Generalized Musical Intervals and Transformations (1987), David Lewin describes the structure of commuting groups for transformation groups that have simply transitive actions. We extend Lewin's notion to transformation groups that have any type of action, including merely transitive...
Journal Article
Journal of Music Theory (2010) 54 (2): 179–234.
Published: 01 October 2010
... and imperfect interval, and their respective degrees of stability. I call these three categories perfect, mixed, and imperfect, respectively.25 Where most of my refine- ments lie, however, are within the subcategories of each group. After I discuss the intervallic configurations...
Journal Article
Journal of Music Theory (2016) 60 (1): 23–50.
Published: 01 April 2016
... − 1, where n equals cardinality. This notation identifies pitches solely by their relative height, thereby eschewing any reference to specific interval size and effectively transforming pitches in pitch space into contour pitches in contour space. The variable end-point mechanism this procedure...
Journal Article
Journal of Music Theory (2015) 59 (1): 121–181.
Published: 01 April 2015
... the geometry, the article develops a number of concepts for the analysis of chromatic harmony, including a geometric concept of interval as direction (intervallic axis), a novel approach to triadic voice leading (triadic orbits), and theories of tonal regions. Schubert’s Harmonic Language and Fourier Phase...
Journal Article
Journal of Music Theory (2018) 62 (1): 1–39.
Published: 01 April 2018
...Jonathan De Souza This article develops a transformational approach to the fretboard, starting from the intersection of frets and strings. To overcome formal limitations of earlier models, it extends these two dimensions without limit and then defines varied intervals and transformations...
Journal Article
Journal of Music Theory (2018) 62 (2): 165–204.
Published: 01 October 2018
...Brian Moseley In his late compositions Webern exhibited a predilection for many types of cyclic organization, involving intervals, motives, contours, and twelve-tone rows; in particular, cyclic row organization provided Webern a means of serial structure beyond the row. Much as the twelve-tone...
Journal Article
Journal of Music Theory (2021) 65 (2): 239–285.
Published: 01 October 2021
...Example 5. Classification of chromatic semitones based on interval of bass motion. Example 5. Classification of chromatic semitones based on interval of bass motion. ...
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