...Matthew Arndt REVIEW Robert P. Morgan Becoming Heinrich Schenker: Music Theory and Ideology Cambridge University Press, 2014: xx+275 pp. ($99.00 cloth) Matthew Arndt Robert P. Morgan’s Becoming Heinrich Schenker: Music Theory...

.... As such, the archetypes function as ideologies of the musical text and as ideologies of the reader. The article illustrates these ideas with analyses of Chopin's Nocturne in B, op. 32/1, Chopin's Second Ballade, and Brahms's Rhapsody in E♭, op. 119/4. Ironic Narrative, Ironic Reading...

... and purposive form, eschewing “charms and emotions”; and on the other hand, Hegel’s focus on art’s spirituality, its “ideal content,” in characterizing the specifically musical, which for Hanslick embodies a “full share of ideality.” Clustered ideologically around Kant, Hegel, and Hanslick in closer or more...

... -58. ____. 1993a . “Schenker's Organicism Reexamined.” Intégral 7 : 82 -118. ____. 1993b . Review of Style and Music: Theory, History, and Ideology, by Leonard Meyer. Journal of the American Musicological Society 46/3 : 469 -75. ____. 1994 . Review of Wordless Rhetoric: Musical...

... of Chicago Press. Albrecht, Gary L. 2006 . encyclopedia of Disability . Thousand Oaks, CA: Sage. Aronowitz, Stanley. 1988 . Science as Power: Discourse and ideology in Modern Society . Minneapolis: University of Minnesota Press. Barnes, Colin, Mike Oliver, and Len Barton, eds. 2002...

...? To create works of the same nature as those of the old sound-world which he had only just abandoned” (1952/1991, 212).2 Although Cavell notes the hectic tone of these writings, he stops short of recognizing the coerciveness of the ideology they represented. Happily, that ideology, like...

..., Contrapunctus and Structure in a Machaut Song.” Music Analysis 6/1-2 : 37 -58. ____. 1992 . “Tendencies and Resolutions: The Directed Progression in Ars Nova Music.” Journal of Music Theory 36 : 229 -58. ____. 1996 . “Defending the Dodecachordon: Ideological Currents in Glarean's Modal Theory...

...: Music before 1600, ed. Mark Everist, 41–65. Oxford: Blackwell. 1992. “ Tendencies and Resolutions: The Directed Progression in Ars Nova Music.” Journal of Music Theory 36: 229–58. 1996. “ Defending the Dodecachordon: Ideological Currents...

..., intimidated by those perfect-pitch virtuosos who could sight-read Chopin and write huge orchestral pieces. Modernist ideology provided me with a defense against self-doubt, reassuring me that if I wrote music in a particular way then I would be pushing culture forward, creating music...

... with it all of the historical and ideological entailments that such a cultural construction implies.12 We can also include in the Methodology node Lewin’s careful attention to the poetics of analytical and theoretical writing. By this I mean, first of all, his careful attention to our use...

... surrounding contemporary music.1 This discourse, he argues, is symptomatic of the Promethean “burden of modernism” and corresponds to a situation in which the ideological and technical concerns composers must employ to have a seat at the modernist table “themselves...

...- tance of music analysis: the intuitions and practices of music analysts—who are in many ways the ideological custodians of what Lydia Goehr (1992) has called “the work concept”—are among the things that an account of the ontology of musical works is principally...

... great nuance here. My main point, however, is this: by highlighting Flow 's colorblind ideology, I do not mean to say that white academics cannot study the musical features of a predominantly Black expressive practice, nor that this music is off-limits unless one is going to engage extensively with its...

... and Music: Theory, History, and Ideology . Philadelphia : University of Pennsylvania Press . Mitchell Nathaniel . 2016 . “ The Volta: A Galant Gesture of Culmination .” Paper presented at the annual meeting of the Music Theory Society of the Mid-Atlantic , Philadelphia , April . Narmour...

... it was then that the philosophical and ideological foundations for topical analysis were laid within the method of holistic analysis. Mazel's and Zuckermann's writings from this decade are peppered with references to topics, which they saw as one of many components of musical discourse. Still, attempts to systematize their thinking...

...-analytical about their craft. But when all is said and done, what more do we gain by gazing at jazz improvisations through an interpretative lens whose principal ideological function has, by and large, been to valorize European canonic masterworks of centuries past? Larson, to his credit...

..., and Ideology . Chicago : University of Chicago Press . Réti Rudolph . 1967 . Thematic Patterns in Sonatas of Beethoven , edited by Cooke Deryck . London : Faber . Réti Rudolph . 1978 . The Thematic Process in Music . Westport, CT : Greenwood Press . Rufer Josef...

... : 34 – 37 . Drott Eric . 2006 . `` Class, Ideology and il caso Scelsi .'' Musical Quarterly 89 / 1 : 80 – 120 . Dutton Denis . 2007 . `` Shoot the Piano Player .'' New York Times , February 26 , A21 . Dyer Richard . 2005 . `` After Recording 119 CDs...

... the origin of the term to the Italian popular song “Rosalia, mia cara.”21 A revealing testimony of the cultural ideologies at play in the reception of sequential repetition, Schubart’s essay warrants discussion. Schubart documents in detail the reception of the rosalia among Northern German audiences...

...    Salem on Goldman 445 because they use the same arguments and source materials to support a number of remarkably similar musical observations, all while defending two decidedly different ideological positions. Although Campbell ultimately denies that Boulez’s development of a musical...