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huron

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Journal Article
Journal of Music Theory (2019) 63 (1): 139–144.
Published: 01 April 2019
...Elizabeth Hellmuth Margulis Huron David Voice Leading: The Science behind a Musical Art MIT Press , 2016 : vii + 263 pp. ( $38.00 cloth) Copyright © 2019 by Yale University 2019 Works Cited Huron David . 2006 . Sweet Anticipation: Music and the Psychology...
Journal Article
Journal of Music Theory (2005) 49 (1): 45–108.
Published: 01 April 2005
..., including the qualities of conso- nance and dissonance. Recently, Huron (1994) has proposed “an index of tonal consonance constructed by amalgamating experimental data from three well-known studies.”29 Two of Huron’s explanatory charts are pro- vided in Table 5. The first chart summarizes...
Journal Article
Journal of Music Theory (2013) 57 (2): 419–431.
Published: 01 October 2013
... . Huron David . 1991 . “ The Ramp Archetype and the Maintenance of Passive Auditory Attention .” Music Perception 10/1 : 83 – 91 . Koestler Arthur . 1964 . The Act of Creation . London : Hutchinson . Lerdahl Fred . 2001 . Tonal Pitch Space . New York : Oxford University...
Journal Article
Journal of Music Theory (2014) 58 (2): 155–178.
Published: 01 October 2014
... Press . Huron David . 2006 . Sweet Anticipation . Cambridge, MA : MIT Press . Jaeger T. Florian . 2010 . “ Redundancy and Reduction: Speakers Manage Syntactic Information Density .” Cognitive Psychology 61/1 : 23 – 62 . Klapuri Aansi . 2004 . “ Automatic Music...
Journal Article
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
... structure. Although this research 1981, 1983; Snyder 1990; Pearce and Wiggins 2004; Huron is not directly pertinent here, it is worth citing some rep- 2006; Temperley 2007; and Margulis and Beatty 2008. Ben Duane Agency and Information Content 95 Allegro Moderato...
Journal Article
Journal of Music Theory (2010) 54 (2): 311–324.
Published: 01 October 2010
... Scholar in residence at the University of Edinburgh's Department of Linguistics and English Language. Aniruddh D. Patel Music, Language, and the Brain Deutsch, Diana. 1999 . The Psychology of Music , 2nd ed. San Diego: Academic Press. Huron, David. 2006 . Sweet Anticipation...
Journal Article
Journal of Music Theory (2019) 63 (1): 35–70.
Published: 01 April 2019
... Darcy Warren . 2006 . Elements of Sonata Theory: Norms, Types, and Deformations in the Late Eighteenth-Century Sonata . New York : Oxford University Press . Heyer Allison . 2007 . “ Analysis of Maria Schneider’s Green Piece .” MA thesis , University of Oregon . Huron David...
Journal Article
Journal of Music Theory (2020) 64 (1): 1–36.
Published: 01 April 2020
... Mehrdeutigkeit (multiple meaning) to explain how present chords can imply diverse future progressions.4 We have not always used the word prediction. Instead, we have spoken of expectation (Huron 2006; Meyer 1956), implication (Meyer 1957; Narmour 1990), prospec- tion (Jackendoff 1991; Mirka 2009), and projection...
Journal Article
Journal of Music Theory (2019) 63 (2): 269–281.
Published: 01 October 2019
... 2017; Gjerdingen 2007; Huron 2006; Larson 2012; Margulis 2013; Zbikowski 2002).2 How do different strands of research come together to answer how humans organize musical sounds into something meaningful? How can a sequence of sounds represent an action or a dynamic process central to our human culture...
Journal Article
Journal of Music Theory (2014) 58 (1): 79–101.
Published: 01 April 2014
... Theory .” In The Oxford Handbook of Neo-Riemannian Theories , ed. Gollin Edward Rehding Alexander , 548 – 77 . Oxford : Oxford University Press . Huron David . 1991 . “ Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities .” Music Perception 9 : 135 – 54...
Journal Article
Journal of Music Theory (2018) 62 (2): 205–248.
Published: 01 October 2018
... Brunswick, NJ : Transaction . Houle George . 1987 . Meter in Music, 1600–1800: Performance, Perception, and Notation . Bloomington : Indiana University Press . Huron David B. 2006 . Sweet Anticipation: Music and the Psychology of Expectation . Cambridge, MA : MIT Press...
Journal Article
Journal of Music Theory (2012) 56 (1): 53–86.
Published: 01 April 2012
... : 60 – 115 . Huron David . 1996 . “ T he Melodic Arch in Western Folksongs .” Computing in Musicology 10 : 3 – 23 . ———. 2001 . “ What Is a Musical Feature? Forte’s Analysis of Brahms op. 51/1 Revisited .” Music Theory Online 7/4 : 1 – 69 . www.mtosmt.org/issues/mto.01.7.4...
Journal Article
Journal of Music Theory (2007) 51 (2): 245–276.
Published: 01 October 2007
.... Harris, Ellen T. 2005 . “Silence as Sound: Handel's Sublime Pauses.” Journal of Musicology 22 : 521 -58. Hepokoski, James. 1984 . “Formulaic Openings in Debussy.” Nineteenth-Century Music 8 : 44 -59. Huron, David. 2006 . Sweet Anticipation: Music and the Psychology of Expectation...
Journal Article
Journal of Music Theory (2022) 66 (1): 135–145.
Published: 01 April 2022
... of David Huron's ( 2006 ) ideas—his ITPRA framework, which applies broadly to human perceptual/cognitive interactions with events, and his specific theories about how music induces awe and frisson—play central roles in this chapter. Supporting ideas published in previous decades, primarily those from...
FIGURES
Journal Article
Journal of Music Theory (2018) 62 (1): 41–84.
Published: 01 April 2018
... arabische Stufen: Überlegungen zu einer Reform der harmonischen Analyse .” Zeitschrift der Gesellschaft für Musiktheorie 8 / 3 : 465 – 87 . Holtmeier Ludwig . 2011b . “ Review of Music in the Galant Style by Robert Gjerdingen .” Eighteenth-Century Music 8 / 2 : 307 – 26 . Huron...
Journal Article
Journal of Music Theory (2020) 64 (1): 37–61.
Published: 01 April 2020
... the role of silence in Intermittences? First, acoustic silence gives the attentive listener the oppor- tunity to review and preview the unfolding of the piece. In so doing, it also permits the listener to experience surprise about past events and to antici- pate future ones (Huron 2006). Second, as per my...
Journal Article
Journal of Music Theory (2020) 64 (2): 241–281.
Published: 01 October 2020
... realism that notation represents everything we hear (Huron 2006: 99). supposedly tonic-agnostic diatonic spc models the tonic inside a key signature, making it a tonic-only diatonic spc, or simply a key. To designate the different musical application, the parameters gpcnote, spcnote, and dpnote...
Journal Article
Journal of Music Theory (2004) 48 (2): 219–294.
Published: 01 October 2004
... intervals would be judged dissonant in any tonal context.” Huron 1994 presents a quantitative model of acoustical dissonance in which the 012 tri- chord is the most dissonant of the trichords. Friedman (1990), though he does not emphasize the term “dissonance,” asserts the distinctiveness...
Journal Article
Journal of Music Theory (2010) 54 (1): 37–60.
Published: 01 April 2010
... itiveness of rock music demonstrates its superiority over that could be picked out by the brain. Professor David classical music. Huron, an expert on music cognition at Ohio State Uni- versity, has studied some of the underlying...