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harmony

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Journal Article
Journal of Music Theory (2005) 49 (2): 333–357.
Published: 01 October 2005
.... 1985 . “Bitonality, Mode, and Interval in the Music of Karol Szymanowski.” Journal of Music Theory 29 : 61 –84. Miller, Ron. 1996 . Modal Jazz: Composition and Harmony . 2 vols. Rottenburg: Advance Music. Perle, George. 1995 . The Right Notes . Stuyvesant, NY: Pendragon. Porter...
Journal Article
Journal of Music Theory (2003) 47 (1): 103–123.
Published: 01 April 2003
..., and Jack Douthett. 1994 . “Vector Products and Intervallic Weighting.” Journal of Music Theory 38/1 : 21 -41. Deliège, Célestin. 2001 . “L'harmonie atonale: de l'ensemble à l'échelle” [“Atonal Harmony: From Sets to Scales”]. In Musique contemporaine: Perspectives théoretiques et...
Journal Article
Journal of Music Theory (2006) 50 (1): 77–101.
Published: 01 April 2006
...] 1983 . Theory of Harmony (Harmonielehre) . Translated from the 3rd German ed. by Roy E. Carter. Berkeley: University of California Press. Smith, Larry. 2001 . Orgelbüchlein . Handout compiled for Bethlehem Music Series, April 28 , 2001. Smith, Larry. 2006 . New Fingers for Old Music...
Journal Article
Journal of Music Theory (2012) 56 (2): 293–298.
Published: 01 October 2012
...Nora Engebretsen Nora Engebretsen is associate professor of music theory and assistant dean in the College of Musical Arts at Bowling Green State University. Damschroder David Thinking about Harmony: Historical Perspectives on Analysis. Cambridge University Press , 2008...
Journal Article
Journal of Music Theory (2013) 57 (1): 159–191.
Published: 01 April 2013
...John Roeder Dmitri Tymoczko A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice. New York: Oxford University Press, 2011: xviii+450 pp. ($39.95 cloth) John Roeder In this impressive work, Dmitri Tymoczko, a talented composer and theo- rist, seeks to...
Journal Article
Journal of Music Theory (2005) 49 (2): 301–332.
Published: 01 October 2005
...: Blue Note Records. ———. 1964 . Liner notes to Wayne Shorter, “Juju.” Liberty BST/4BN 84182. Hindemith, Paul. 1945 . Craft of Musical Composition , rev. ed. New York: Associated Music Publishers. Julien, Patricia. 2001 . “The Function of Non-functional Harmony.” Jazz Educators Journal...
Journal Article
Journal of Music Theory (2019) 63 (2): 261–267.
Published: 01 October 2019
...Nathaniel Adam Doll Christopher Hearing Harmony: Toward a Tonal Theory for the Rock Era University of Michigan Press , 2017 : x + 320 pp. ( $90.00 cloth, $39.95 paper) © 2019 by Yale University 2019 Works Cited Biamonte Nicole . 2010 . “ Triadic Modal and...
Journal Article
Journal of Music Theory (2017) 61 (2): 143–170.
Published: 01 October 2017
... bridge sections in a corpus of two hundred rock songs. I begin with an overview of the corpus itself, followed by a discussion of my methodology. I then present the results of my study, which quantifies harmony via two main approaches: the proportion of time spent on a chord root and the average duration...
Journal Article
Journal of Music Theory (2006) 50 (2): 291–301.
Published: 01 October 2006
...Benjamin Steege Myles W. Jackson Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany MIT Press, 2006: x+395 pp. ($40.00 cloth, $23.00 paper) Matthias Rieger Helmholtz Musicus: Die Objektivierung der Musik im 19. Jahrhundert durch Helmholtz' Lehre...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 207–283.
Published: 01 October 2002
... Liszt.” Music Theory Spectrum 8 : 1 -24. ____ 1993 . “Tonal Elements and Unfolding Nontriadic Harmonies in the Second of Schoenberg's Drei Klavierstücke, Op. 11.” Theory and Practice 18 : 127 -70. Cohn, Richard. 1992 . “The Autonomy of Motives in Schenkerian Accounts of Tonal Music...
Journal Article
Journal of Music Theory (2013) 57 (2): 193–243.
Published: 01 October 2013
... scales from functional harmony. After defining “absolute color” in the context of Gluck’s orchestration, Ernst Kurth demonstrates how “absolute” wind instrument colors delineate “absolute” “destructive” harmonic colors in Wagner’s Tristan instrumentation. Finally, Arnold Schoenberg’s functional...
Journal Article
Journal of Music Theory (2006) 50 (2): 143–179.
Published: 01 October 2006
...Peter H. Smith Associative harmony functions as a powerful resource through which Schubert and Brahms fashion continuities within the dialectic of articulation and continuity that stands at the heart of the Viennese sonata style. More specifically, the technique of harmonic cross-reference provides...
Journal Article
Journal of Music Theory (2020) 64 (2): 241–281.
Published: 01 October 2020
... in E ♭ major, D. 899, and Piano Sonata in B ♭ major, D. 960, demonstrate the analytic potential of modal spelled pitch class and the eight types of coordinated transpositions. While previous transformational theories have shed light on third relations in Schubert’s harmony (Cohn 1999), modal spelled...
Journal Article
Journal of Music Theory (2013) 57 (2): 287–320.
Published: 01 October 2013
...Allan Keiler Jean-Philippe Rameau’s understanding of harmony comes to us in the form of a theory that presents many interpretive difficulties. What writers of figured bass manuals were trying to achieve, on the other hand, is often more accessible, though as they go about their practical concerns...
Journal Article
Journal of Music Theory (2015) 59 (1): 121–181.
Published: 01 April 2015
... takes a wider domain of harmonic objects. A number of musical examples show how expanding the domain enables us to extend and refine some the conclusions of neo-Riemannian theory about Schubert’s harmony. Through analysis of the Trio and Adagio from Schubert’s String Quintet and other works using the...
Journal Article
Journal of Music Theory (2017) 61 (1): 111–140.
Published: 01 April 2017
... ideas of key. Starting with Edward Gollin's recent generalization of Moritz Hauptmann's key representations as “multiaggregate cycles”—which he also uncovers on the surface of and in the relations between harmonies in Bartók's music—the article briefly reconsiders Hauptmann's theories and depictions and...
Journal Article
Journal of Music Theory (2011) 55 (1): 1–41.
Published: 01 April 2011
... harmonic procedure, tintinnabulation, sometimes governs melodic procedure and has melodic meaning while also making it possible to define and recognize harmonic areas, distinctions among harmonies, and systematic reasons for cadences. For instance, transformational expressions for Passio show the...
Journal Article
Journal of Music Theory (2006) 50 (2): 211–251.
Published: 01 October 2006
... simultaneously as a local, harmonic event and as a global, formal event. On the local level, it may either prolong one harmony or progress from one to another. On the global level, it can serve a variety of formal functions: highlighting salient cadences; opening a space for virtuosic display; and developing...
Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
.... Like Rameau, he, too, developed an overarching explanatory model of harmony that involves coherent concepts of harmonic functionality and chord morphology. Heinichen's and Rameau's “systems,” however, rest on opposing assumptions. However many speculative aspects it may embrace, Heinichen's music...
Journal Article
Journal of Music Theory (2007) 51 (1): 85–135.
Published: 01 April 2007
...Robert O. Gjerdingen Jean-Jacques Rousseau, eighteenth-century French author and philosopher, was first a musician. As a youth he had been unable to find a qualified music master and hence lacked the training required to excel in his chosen field. He did read carefully the harmony treatise of Jean...