... Gottfried Herder’s rejection of Kant through Hegel, Friedrich Theodor and Robert Vischer, Karl Köstlin, and Johannes Volkelt. Eduard Hanslick, in arriving at his own destination, travels some distance on both paths, collecting along the way, on the one hand, Kant’s rigorous focus on the phenomenon...

... Ethnomusicological Study of Arabic Writings on Music.” Asian Music 18/1 : 164 -96. Burford, Mark. 2006 . “Hanslick's Idealist Materialism.” 19th-Century Music 30/2 : 166 -81. Cook, Nicholas. 2002 . “Epistemologies of Music Theory.” In Cambridge History of Western Music Theory , ed. Thomas...

.... Given the range of possible predecessors he considers, this often leads him to juxtapose, and sometimes conflate, ideas that should remain distinct. While discussing Eduard Hanslick, for instance, he returns to certain previously discussed rhetorical concepts and produces an unfortunate admixture...

... graphical technique. Bryan J. Parkhurst teaches music theory at the University of South Florida. He is also an affiliate faculty member in USF's philosophy program. © 2017 by Yale University 2017 Heinrich Schenker Immanuel Kant Eduard Hanslick organicism biology Works Cited...

... . Carpenter Patricia . 1984 . “ Musical Form and Musical Idea: Reflections on a Theme of Schoenberg, Hanslick, and Kant .” In Music and Civilization: Essays in Honor of Paul Henry Lang , edited by Strainchamps Edmond Maniates Maria Rika Hatch Christopher , 394 – 427 . New York : Norton...

... and scholars in 2004 (for example, Dvorak, Hanslick, and Australian composer Antill); Music Commodification, which will consider music and business, indigenous law and music, changing copyright law, music as a global trade commodity, world music and virtual tech- nology; and Music Communication, which...

... . Göhler Georg . 1926 . “Ernst Kurths Bruckner.” Neue Zeitschrift für Musik 93 / 12 : 682 – 83 . Hanslick Eduard . [1891] 1986 . Vom Musikalisch-Schönen . Translated by Payzant Geoffrey from the 8th ed. Indianapolis, IN : Hackett . Hsu Dolores Menstell . 1966...

...; orig. 1967) by excavating “his- torical starting points,” Scruton weaves the requisite historical engage- ment (with Kant, Hanslick, Langer, Adorno, Kivy, Goodman, Budd, and Raffman, among others) into his text in piece-meal fashion, privileging the synchronic logic of thought over its diachronic...

... University Press. Hanslick, Eduard. [1854] 1957 . The Beautiful in Music . Indianapolis: Bobbs-Merrill. Harrison, Daniel. 1991 . “Max Reger's Motivic Technique: Harmonic Innovations at the Borders of Atonality.” Journal of Music Theory 35/1-2 : 61 -92. ____. 1994 . Harmonic Function...

... . '' Musical Form and Musical Idea: Reflections on a Theme of Schoenberg, Hanslick, and Kant. '' In Music and Civilization: Essays in Honor of Paul Henry Lang , ed. Strainchamps Edmond Maniates Maria Rika Hatch Christopher , 394 – 427 . New York : Norton . ———. 1998 . '' Schoenberg's...

... compositions both in manuscript and in published editions. It also includes much other music, such as the complete Beethoven sonatas with Schenker’s notes for interpretation and fingering. Among the letters are those from [Ferruccio] Busoni, [Eugen] d’Albert, [Wanda] Landowska, [Eduard] Hanslick...

... Journal of Music Theory ardent Wagnerian), who succeeded Hanslick as professor of music history at the University of Vienna. In 1885, Adler published a paper titled Umfang, Methode und Ziel der Musikwissenschaft (Scope, Methods, and Aim...

... by Eduard Hanslick, Peter Kivy, and others) to the most general resonances between musical styles and the values of the cultures that create and perpetu- ate them. (Patel discusses this latter notion in a tentative, self-conscious way, as if it were a new...

... . “ Music as Drama ,” Music Theory Spectrum 10 : 56 – 73 . ———. 1989 . “ Agency in Instrumental Music and Song .” College Music Symposium 29 : 31 – 43 . ———. 1991 . “ Music as Narrative .” Indiana Theory Review 12 : 1 – 34 . ———. 1992 . “ Hanslick’s Animism .” Journal of Musicology...

..., 278).6 And while it was permis- sible for Germanophiles to appreciate Verdi’s last operas (Eduard Hanslick paved the way here), for serious Americans to enjoy Bellini without a knowing wink was definitely infra dig in the age of high modernism. Things were different in Europe. The Mussolini...