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in The Solfeggio Tradition: A Forgotten Art of Melody in the Long Eighteenth Century
> Journal of Music Theory
Published: 01 October 2023
Example 1. Partial paraphrase of Gjerdingen ( 1988 : 26, example 2-11), the opening melody of Mozart's Piano Sonata K. 283, first movement, as a Meyer schema and network of relations, with hexachordal solmization syllables added by the reviewer.
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Journal Article
Journal of Music Theory (2018) 62 (1): 41–84.
Published: 01 April 2018
...Gilad Rabinovitch This article offers a new view of Robert Gjerdingen’s galant schemata by examining underlying principles for the generation of the skeletal contrapuntal strings that may be considered their central feature. It discusses the challenges of subjectivity and circularity in finding...
Journal Article
Journal of Music Theory (2006) 50 (2): 277–290.
Published: 01 October 2006
...David Temperley Robert O. Gjerdingen Music in the Galant Style Oxford University Press, 2007: 514 pp. ($45.00 cloth) is associate professor of music theory at Eastman School of Music. His book Music and Probability was published in 2007 by MIT Press. 2006 2006 Cadwallader...
Journal Article
Journal of Music Theory (2022) 66 (2): 262–272.
Published: 01 October 2022
..., Germany : Wissenschaftliche Buchgesellschaft . Gjerdingen Robert . 1988 . A Classic Turn of Phrase: Music and Psychology of Convention . Philadelphia : University of Pennsylvania Press . Gjerdingen Robert . 2007 . Music in the Galant Style . New York : Oxford University Press...
Journal Article
Journal of Music Theory (2013) 57 (1): 119–129.
Published: 01 April 2013
...Robert O. Gjerdingen Robert O. Gjerdingen is the author of several books, articles, and reviews in the fields of music theory, music perception, and eighteenth-century musical style. He has served on the editorial boards of Music Theory Spectrum , the Journal of Music Theory...
Journal Article
Journal of Music Theory (2007) 51 (1): 3–4.
Published: 01 April 2007
...Robert O. Gjerdingen 2007 2007 introduction
in the fall of 2007, at the edge of the Black Forest and nearly within sight
of the Alps, I met a group of scholars who shared my interest in partimenti. We
were in the old university town...
Journal Article
Journal of Music Theory (2007) 51 (1): 85–135.
Published: 01 April 2007
...Robert O. Gjerdingen Jean-Jacques Rousseau, eighteenth-century French author and philosopher, was first a musician. As a youth he had been unable to find a qualified music master and hence lacked the training required to excel in his chosen field. He did read carefully the harmony treatise of Jean...
Journal Article
Journal of Music Theory (2023) 67 (2): 356–368.
Published: 01 October 2023
...Example 1. Partial paraphrase of Gjerdingen ( 1988 : 26, example 2-11), the opening melody of Mozart's Piano Sonata K. 283, first movement, as a Meyer schema and network of relations, with hexachordal solmization syllables added by the reviewer. ...
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Journal Article
Journal of Music Theory (2022) 66 (1): 63–91.
Published: 01 April 2022
...-evident across institutional traditions. These practices are, however, historically contingent constructs, as has been highlighted by recent critiques. Gjerdingen ( 2019 , 2020 ), for example, has criticized modern music theory pedagogy for teaching students “about” harmony rather than teaching them...
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Journal Article
Journal of Music Theory (2019) 63 (2): 269–281.
Published: 01 October 2019
... by Ramachandran V. S. , 2nd ed., 130 – 36 . Oxford : Elsevier . Gjerdingen Robert . 1992 . “ Revisiting Meyer’s ‘Grammatical Simplicity and Relational Richness.’ ” In Cognitive Bases of Musical Communication , edited by Jones Mari Riess Holleran Susan , 225 – 48 . Washington, DC...
Journal Article
Journal of Music Theory (2015) 59 (1): 1–61.
Published: 01 April 2015
... characterize in terms of a core vocabulary of fifteen melodic formulas. Appendix 1 presents a roster of these formulas, which captures a unique fingerprint of recitative, distinct from the comparable inventory of homophonic phrase schemas in Robert Gjerdingen’s Music in the Galant Style . These recitative...
Journal Article
Journal of Music Theory (2010) 54 (2): 235–282.
Published: 01 October 2010
...': A Category for the Analysis of Classical Form.” Journal of Musicological Research 7 : 215 -57. Fodor, Jerry. 1983 . The Modularity of Mind: An Essay on Faculty Psychology . Cambridge: MIT Press. Gjerdingen, Robert O. 2007 . Music in the Galant Style: Being an Essay on Various Schemata...
Journal Article
Journal of Music Theory (2017) 61 (2): 171–200.
Published: 01 October 2017
... of ‘Sonata Form’: The Evidence of the Sketchbooks .” In Beethoven’s Compositional Process , ed. Kinderman William , 14 – 19 . Lincoln : University of Nebraska Press . Gjerdingen Robert O. 1988 . A Classic Turn of Phrase: Music and the Psychology of Convention . Philadelphia...
Journal Article
Journal of Music Theory (2009) 53 (2): 305–328.
Published: 01 October 2009
.... ($55.00 cloth) 2009 2009 Caplin, William. 1998 . Classical Form . Oxford: Oxford University Press. DeBellis, Mark. 2009 . “Perceptualism, Not Introspectionism: The Interpretation of Intuition-Based Theories.” Music Perception 27 : 121 –30. Gjerdingen, Robert. 2007 . Music...
Journal Article
Journal of Music Theory (2007) 51 (1): 1.
Published: 01 April 2007
... of tonality. We hope this special
issue will make a valuable contribution to the way that story gets told in future
iterations.
I am grateful to Robert O. Gjerdingen, a member of JMT’s editorial
board, for selecting and shaping these articles as they grew from conference
presentations...
Journal Article
Journal of Music Theory (2011) 55 (1): 155–160.
Published: 01 April 2011
... and American Experimental Music , by Lewis George E. . Journal of Music Theory 51 : 333 – 40 . Temperley David . 2006 . Review of Music in the Galant Style , by Gjerdingen Robert O. . Journal of Music Theory 50 : 277 – 90 . Winkler Peter . 1978 . '' Toward a Theory...
Journal Article
Journal of Music Theory (2023) 67 (2): 251–284.
Published: 01 October 2023
... as an embellished version of the former, as shown in Example 11 , means eliminating a schema that should be given significance because it is repeated so often. When it comes to schemata, we should be very careful about reducing things out. As I mentioned earlier, my schemata are not (like Gjerdingen's) harmonic...
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Journal Article
Journal of Music Theory (2024) 68 (1): 1–34.
Published: 01 April 2024
... content. In musical contexts this applies to the relationship between stock musical structures and the meanings they communicate. According to Robert Gjerdingen and Janet Bourne ( 2015 : para. 1.1.2), the information conveyed by musical constructions can vary, ranging from the general “evocation...
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Journal Article
Journal of Music Theory (2023) 67 (2): 333–338.
Published: 01 October 2023
..., and I appreciate that Stoia acknowledges both approaches to listening (152). Where might the research in the pages of Sweet Thing lead? As with the literature on schema theory that serves as a methodological influence (e.g., Gjerdingen 2007 ), this book could engender work that combines music...
Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
... Tonality , trans. Robert Gjerdingen. Princeton, NJ: Princeton University Press. Originally published as Untersuchungen über die Enstehung der harmonischen Tonalität. Kassel: Bärenreiter, 1968. D'Alembert, Jean Le Rond. 1757 . Systematische Einleitung in die musicalische Setzkunst, nach den...
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