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Journal Article
Journal of Music Theory (2018) 62 (1): 41–84.
Published: 01 April 2018
...Gilad Rabinovitch This article offers a new view of Robert Gjerdingen’s galant schemata by examining underlying principles for the generation of the skeletal contrapuntal strings that may be considered their central feature. It discusses the challenges of subjectivity and circularity in finding...
Journal Article
Journal of Music Theory (2006) 50 (2): 277–290.
Published: 01 October 2006
...David Temperley Cadwallader, Allen and David Gagne. 1998 . Analysis of Tonal Music: A Schenkerian Approach . New York: Oxford University Press. Caplin, William. 1998 . Classical Form . Oxford: Oxford University Press. Gjerdingen, Robert. 1988 . A Classic Turn of Phrase: Music...
Journal Article
Journal of Music Theory (2007) 51 (1): 85–135.
Published: 01 April 2007
...Robert O. Gjerdingen Jean-Jacques Rousseau, eighteenth-century French author and philosopher, was first a musician. As a youth he had been unable to find a qualified music master and hence lacked the training required to excel in his chosen field. He did read carefully the harmony treatise of Jean...
Journal Article
Journal of Music Theory (2007) 51 (1): 3–4.
Published: 01 April 2007
...Robert O. Gjerdingen 2007 2007 introduction in the fall of 2007, at the edge of the Black Forest and nearly within sight of the Alps, I met a group of scholars who shared my interest in partimenti. We were in the old university town...
Journal Article
Journal of Music Theory (2013) 57 (1): 119–129.
Published: 01 April 2013
...Robert O. Gjerdingen Works Cited Davison Archibald T . 1926 . Music Education in America. What Is Wrong with It? What Shall We Do about It? London : Harper . Dubois Théodore . 1921 . Réalisations des basses et chants du traité d’harmonie . Paris : Heugel...
Journal Article
Journal of Music Theory (2019) 63 (2): 269–281.
Published: 01 October 2019
... 2017; Gjerdingen 2007; Huron 2006; Larson 2012; Margulis 2013; Zbikowski 2002).2 How do different strands of research come together to answer how humans organize musical sounds into something meaningful? How can a sequence of sounds represent an action or a dynamic process central to our human culture...
Journal Article
Journal of Music Theory (2010) 54 (2): 235–282.
Published: 01 October 2010
... . “The `Expanded Cadential Progression': A Category for the Analysis of Classical Form.” Journal of Musicological Research 7 : 215 -57. Fodor, Jerry. 1983 . The Modularity of Mind: An Essay on Faculty Psychology . Cambridge: MIT Press. Gjerdingen, Robert O. 2007 . Music in the Galant Style: Being...
Journal Article
Journal of Music Theory (2015) 59 (1): 1–61.
Published: 01 April 2015
... characterize in terms of a core vocabulary of fifteen melodic formulas. Appendix 1 presents a roster of these formulas, which captures a unique fingerprint of recitative, distinct from the comparable inventory of homophonic phrase schemas in Robert Gjerdingen’s Music in the Galant Style . These recitative...
Journal Article
Journal of Music Theory (2017) 61 (2): 171–200.
Published: 01 October 2017
.... Gjerdingen (1988, 2007) and Dmitri Tymoczko (2011), have not dealt with Formenlehre proper. In addition, the recent flourishing of Formenlehre research has left a significant subfield behind, for neither Caplin nor Hepokoski and Darcy (and very few of the studies...
Journal Article
Journal of Music Theory (2009) 53 (2): 305–328.
Published: 01 October 2009
.... ($55.00 cloth) 2009 2009 Caplin, William. 1998 . Classical Form . Oxford: Oxford University Press. DeBellis, Mark. 2009 . “Perceptualism, Not Introspectionism: The Interpretation of Intuition-Based Theories.” Music Perception 27 : 121 –30. Gjerdingen, Robert. 2007 . Music...
Journal Article
Journal of Music Theory (2007) 51 (1): 1.
Published: 01 April 2007
... of tonality. We hope this special issue will make a valuable contribution to the way that story gets told in future iterations. I am grateful to Robert O. Gjerdingen, a member of JMT’s editorial board, for selecting and shaping these articles as they grew from conference presentations...
Journal Article
Journal of Music Theory (2011) 55 (1): 155–160.
Published: 01 April 2011
... and American Experimental Music , by Lewis George E. . Journal of Music Theory 51 : 333 – 40 . Temperley David . 2006 . Review of Music in the Galant Style , by Gjerdingen Robert O. . Journal of Music Theory 50 : 277 – 90 . Winkler Peter . 1978 . '' Toward a Theory...
Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
... Tonality , trans. Robert Gjerdingen. Princeton, NJ: Princeton University Press. Originally published as Untersuchungen über die Enstehung der harmonischen Tonalität. Kassel: Bärenreiter, 1968. D'Alembert, Jean Le Rond. 1757 . Systematische Einleitung in die musicalische Setzkunst, nach den...
Journal Article
Journal of Music Theory (2007) 51 (1): 137–159.
Published: 01 April 2007
...: Morano. Gingras, Bruno. 2008 . “Partimento Fugue in Eighteenth-Century Germany: A Bridge between Thoroughbass Lessons and Fugal Composition.” Eighteenth Century Music 5 : 51 -74. Gjerdingen, Robert O. 2005. Monuments of Partimenti. http://facultyweb.at.northwestern.edu/music/gjerdingen...
Journal Article
Journal of Music Theory (2007) 51 (1): 51–83.
Published: 01 April 2007
.... Gasparini, Francesco. 1708 . L'armonico pratico al cembalo . Venice: A. Bortoli. Facs. New York: Broude Brothers, 1967. Gjerdingen, Robert O. 2007 . Music in the Galant Style . New York: Oxford University Press. ____, ed. Monuments of Partimenti. http://faculty-web.at.northwestern.edu/music...
Journal Article
Journal of Music Theory (2016) 60 (2): 97–148.
Published: 01 October 2016
... . 3rd ed. New York : Holt, Rinehart and Winston . Gjerdingen Robert O. 2007 . Music in the Galant Style . Oxford : Oxford University Press . Gossett Philip . 1989 . “Carl Dahlhaus and the ‘Ideal Type.’” Nineteenth-Century Music 13 / 1 : 49 – 56 . Green Douglass M...
Journal Article
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
.... © 2012 by Yale University 2012 I am grateful to Robert Gjerdingen and Ian Quinn for their helpful comments on earlier drafts of this article. Works Cited Altmann Wihelm , ed. 1920 . Johannes Brahms im Briefwechsel mit Breitkopf und Härtel, Bartolf Senff, J. Rieter-Biedermann...
Journal Article
Journal of Music Theory (2012) 56 (2): 169–223.
Published: 01 October 2012
... Grove, IL : Waveland Press . Gjerdingen Robert O. ( 1988a ). A Classic Turn of Phrase: Music and the Psychology of Convention . Philadelphia : University of Pennsylvania Press . ———. ( 1988b ). “ Concrete Musical Knowledge and a Computer Program for Species Counterpoint...
Journal Article
Journal of Music Theory (2003) 47 (1): 125–154.
Published: 01 April 2003
..., and Leonard B. Meyer. 1960 . The Rhythmic Structure of Music . Chicago: University of Chicago Press. Georgiades, Thrasybulos. 1951/ 1977 . “Zur Musiksprache der Wiener Klassiker.” In Kleine Schriften , 33 -43. Tutzing: Schneider. Gjerdingen, Robert. 1988 . A Classic Turn of Phrase: Music...
Journal Article
Journal of Music Theory (2014) 58 (2): 155–178.
Published: 01 October 2014
... Approach to Sixteenth-Century Counterpoint . Englewood Cliffs, NJ : Prentice-Hall . Gjerdingen Robert . 1987 . A Classic Turn of Phrase: Music and the Psychology of Convention . Philadelphia : University of Pennsylvania Press . Huron David . 2006 . Sweet Anticipation . Cambridge...