Skip Nav Destination
Close Modal
1-20 of 41 Search Results for
gjerdingen
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
Journal of Music Theory (2018) 62 (1): 41–84.
Published: 01 April 2018
...Gilad Rabinovitch This article offers a new view of Robert Gjerdingen’s galant schemata by examining underlying principles for the generation of the skeletal contrapuntal strings that may be considered their central feature. It discusses the challenges of subjectivity and circularity in finding...
Journal Article
Journal of Music Theory (2006) 50 (2): 277–290.
Published: 01 October 2006
...David Temperley Robert O. Gjerdingen Music in the Galant Style Oxford University Press, 2007: 514 pp. ($45.00 cloth) is associate professor of music theory at Eastman School of Music. His book Music and Probability was published in 2007 by MIT Press. 2006 2006...
Journal Article
Journal of Music Theory (2022) 66 (2): 262–272.
Published: 01 October 2022
..., Germany : Wissenschaftliche Buchgesellschaft . Gjerdingen Robert . 1988 . A Classic Turn of Phrase: Music and Psychology of Convention . Philadelphia : University of Pennsylvania Press . Gjerdingen Robert . 2007 . Music in the Galant Style . New York : Oxford University Press...
Journal Article
Journal of Music Theory (2013) 57 (1): 119–129.
Published: 01 April 2013
...Robert O. Gjerdingen Robert O. Gjerdingen is the author of several books, articles, and reviews in the fields of music theory, music perception, and eighteenth-century musical style. He has served on the editorial boards of Music Theory Spectrum , the Journal of Music Theory...
Journal Article
Journal of Music Theory (2007) 51 (1): 3–4.
Published: 01 April 2007
...Robert O. Gjerdingen 2007 2007 introduction
in the fall of 2007, at the edge of the Black Forest and nearly within sight
of the Alps, I met a group of scholars who shared my interest in partimenti. We
were in the old university town...
Journal Article
Journal of Music Theory (2007) 51 (1): 85–135.
Published: 01 April 2007
...Robert O. Gjerdingen Jean-Jacques Rousseau, eighteenth-century French author and philosopher, was first a musician. As a youth he had been unable to find a qualified music master and hence lacked the training required to excel in his chosen field. He did read carefully the harmony treatise of Jean...
Journal Article
Journal of Music Theory (2022) 66 (1): 63–91.
Published: 01 April 2022
... the fundamental bass theory associated with Rameau (Masci 2013 : 12–14). Choron's own contribution was his published editions of partimenti by Italian masters, hence securing their dissemination in early nineteenth-century France (Gjerdingen 2020 : 42–45). 9 The core of the Parisian tradition, based...
FIGURES
Journal Article
Journal of Music Theory (2019) 63 (2): 269–281.
Published: 01 October 2019
... 2017; Gjerdingen 2007; Huron 2006; Larson 2012; Margulis 2013; Zbikowski 2002).2 How do different strands of research come together to answer how humans organize musical sounds into something meaningful? How can a sequence of sounds represent an action or a dynamic process central to our human culture...
Journal Article
Journal of Music Theory (2015) 59 (1): 1–61.
Published: 01 April 2015
... characterize in terms of a core vocabulary of fifteen melodic formulas. Appendix 1 presents a roster of these formulas, which captures a unique fingerprint of recitative, distinct from the comparable inventory of homophonic phrase schemas in Robert Gjerdingen’s Music in the Galant Style . These recitative...
Journal Article
Journal of Music Theory (2010) 54 (2): 235–282.
Published: 01 October 2010
...': A Category for the Analysis of Classical Form.” Journal of Musicological Research 7 : 215 -57. Fodor, Jerry. 1983 . The Modularity of Mind: An Essay on Faculty Psychology . Cambridge: MIT Press. Gjerdingen, Robert O. 2007 . Music in the Galant Style: Being an Essay on Various Schemata...
Journal Article
Journal of Music Theory (2017) 61 (2): 171–200.
Published: 01 October 2017
... of ‘Sonata Form’: The Evidence of the Sketchbooks .” In Beethoven’s Compositional Process , ed. Kinderman William , 14 – 19 . Lincoln : University of Nebraska Press . Gjerdingen Robert O. 1988 . A Classic Turn of Phrase: Music and the Psychology of Convention . Philadelphia...
Journal Article
Journal of Music Theory (2009) 53 (2): 305–328.
Published: 01 October 2009
.... ($55.00 cloth) 2009 2009 Caplin, William. 1998 . Classical Form . Oxford: Oxford University Press. DeBellis, Mark. 2009 . “Perceptualism, Not Introspectionism: The Interpretation of Intuition-Based Theories.” Music Perception 27 : 121 –30. Gjerdingen, Robert. 2007 . Music...
Journal Article
Journal of Music Theory (2007) 51 (1): 1.
Published: 01 April 2007
... of tonality. We hope this special
issue will make a valuable contribution to the way that story gets told in future
iterations.
I am grateful to Robert O. Gjerdingen, a member of JMT’s editorial
board, for selecting and shaping these articles as they grew from conference
presentations...
Journal Article
Journal of Music Theory (2011) 55 (1): 155–160.
Published: 01 April 2011
... and American Experimental Music , by Lewis George E. . Journal of Music Theory 51 : 333 – 40 . Temperley David . 2006 . Review of Music in the Galant Style , by Gjerdingen Robert O. . Journal of Music Theory 50 : 277 – 90 . Winkler Peter . 1978 . '' Toward a Theory...
Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
... Tonality , trans. Robert Gjerdingen. Princeton, NJ: Princeton University Press. Originally published as Untersuchungen über die Enstehung der harmonischen Tonalität. Kassel: Bärenreiter, 1968. D'Alembert, Jean Le Rond. 1757 . Systematische Einleitung in die musicalische Setzkunst, nach den...
Journal Article
Journal of Music Theory (2007) 51 (1): 137–159.
Published: 01 April 2007
...: Morano. Gingras, Bruno. 2008 . “Partimento Fugue in Eighteenth-Century Germany: A Bridge between Thoroughbass Lessons and Fugal Composition.” Eighteenth Century Music 5 : 51 -74. Gjerdingen, Robert O. 2005. Monuments of Partimenti. http://facultyweb.at.northwestern.edu/music/gjerdingen...
Journal Article
Journal of Music Theory (2007) 51 (1): 51–83.
Published: 01 April 2007
... continuing the model of realization
suggested by Durante. Incidentally, this realization corresponds to the typi-
cal “Prinner” schema of the galant style, as described by Gjerdingen (2007,
45–60). For the first cadence in bar 5, Catelani chooses an unusual ascending...
Journal Article
Journal of Music Theory (2016) 60 (2): 97–148.
Published: 01 October 2016
... . 3rd ed. New York : Holt, Rinehart and Winston . Gjerdingen Robert O. 2007 . Music in the Galant Style . Oxford : Oxford University Press . Gossett Philip . 1989 . “Carl Dahlhaus and the ‘Ideal Type.’” Nineteenth-Century Music 13 / 1 : 49 – 56 . Green Douglass M...
Journal Article
Agency and Information Content in Eighteenth and Early Nineteenth-Century String-Quartet Expositions
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
.... © 2012 by Yale University 2012 I am grateful to Robert Gjerdingen and Ian Quinn for their helpful comments on earlier drafts of this article. Works Cited Altmann Wihelm , ed. 1920 . Johannes Brahms im Briefwechsel mit Breitkopf und Härtel, Bartolf Senff, J. Rieter-Biedermann...
Journal Article
Journal of Music Theory (2012) 56 (2): 169–223.
Published: 01 October 2012
..., and rhythmic pat-
terns. The study of syntax, however, has not been limited to individual musical
elements, such as notes. For instance, it has figured prominently in important
recent work that aims to characterize musical style in terms of psychological
schemata (Gjerdingen 1988a, 2007). This line...
1
