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Journal Article
Journal of Music Theory (2020) 64 (1): 63–103.
Published: 01 April 2020
...Julian Hook This article employs concepts from diatonic set theory, transformation theory, and neo-Riemannian theory in an investigation of sequences in generic (mod-7) pitch space. Sequences may be described using generic transposition operators , mod-7 analogs of the more familiar mod-12...
Journal Article
Journal of Music Theory (2019) 63 (2): 167–207.
Published: 01 October 2019
...Leah Frederick This article constructs generic voice-leading spaces by combining geometric approaches to voice leading with diatonic set theory. Unlike the continuous mod-12 spaces developed by Callender, Quinn, and Tymoczko, these mod-7 spaces are fundamentally discrete. The mathematical...
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in Approximate Set Theory: Chord Categories, Voicings, and Interval Cycles
> Journal of Music Theory
Published: 01 April 2023
Figure A4. Quinn's primary and secondary generic prototypes for dyads through hexachords. All are interval cycles or near-interval cycles. The numbers in the leftmost column represent chord-size. For unshaded cells the characteristic voicing is close position. For lightly shaded cells it is (2
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Journal Article
Journal of Music Theory (2001) 45 (1): 162–169.
Published: 01 April 2001
...Roger Kamien The Masterwork in Music: A Yearbook , 3 vols. Heinrich Schenker edited by William Drabkin translated by Ian Bent, Alfred Clayton, William Drabkin, Richard Kramer, Derrick Puffet, John Rothgeb, and Hedi Siegel Studies in Music Theory and Analysis vols. 5, 8, and 10 Ian Bent, general...
View articletitled, The Masterwork in Music: A Yearbook , 3 Vols. Heinrich Schenker Edited by William Drabkin Translated by Ian Bent, Alfred Clayton, William Drabkin, Richard Kramer, Derrick Puffet, John Rothgeb, and Hedi Siegel Studies in Music Theory and Analysis Vols. 5, 8, and 10 Ian Bent, <span class="search-highlight">General</span> Ed. New York: Cambridge University Press, 1994, 1996, 1997
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for article titled, The Masterwork in Music: A Yearbook , 3 Vols. Heinrich Schenker Edited by William Drabkin Translated by Ian Bent, Alfred Clayton, William Drabkin, Richard Kramer, Derrick Puffet, John Rothgeb, and Hedi Siegel Studies in Music Theory and Analysis Vols. 5, 8, and 10 Ian Bent, <span class="search-highlight">General</span> Ed. New York: Cambridge University Press, 1994, 1996, 1997
Journal Article
Journal of Music Theory (2000) 44 (1): 171–229.
Published: 01 April 2000
... of Spectral Modifications on Orchestral Instrument Tones.” Computer Music Journal 2 : 24 -31. Hanninen, Dora. 1996 . “ General Theory for Context-Sensitive Music Analysis: Applications to Four Works for Piano by Contemporary American Composers .” Ph.D. diss., University of Rochester. ———. 1997...
Journal Article
Journal of Music Theory (2001) 45 (2): 345–433.
Published: 01 October 2001
... Psychology of Human Audition. Oxford: Clarendon Press. Brown, Matthew, and Douglas Dempster. 1989 . “The Scientific Image of Music Theory.” Journal of Music Theory 33/1 : 65 -106. Cadwallader, Allen. 1988 . “Prolegomena to a General Description of Motivic Relationships in Tonal Music...
Journal Article
Journal of Music Theory (2006) 50 (1): 111–127.
Published: 01 April 2006
...Steven Rings David Lewin Generalized Musical Intervals and Transformations Oxford University Press, 2007: xxxi+258 pp. ($49.95 cloth); David Lewin Musical Form and Transformation: Four Analytic Essays Oxford University Press, 2007: xiv+168 pp. ($45.00 cloth); David Lewin Studies...
View articletitled, <span class="search-highlight">Generalized</span> Musical Intervals and Transformations; Musical Form and Transformation: Four Analytic Essays; Studies in Music with Text
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for article titled, <span class="search-highlight">Generalized</span> Musical Intervals and Transformations; Musical Form and Transformation: Four Analytic Essays; Studies in Music with Text
Journal Article
Journal of Music Theory (2009) 53 (2): 227–254.
Published: 01 October 2009
... Transformations.” Music Theory Online 10/3. http://mto.societymusictheory.org/issues/mto.04.10.3/mto.04.10.3.callender.pdf . Callender, Clifton, Ian Quinn, and Dmitri Tymoczko. 2008 . “Generalized Voice Leading Spaces.” Science 320 : 346 –48. Crowe, Michael J. 1994 . A History of Vector Analysis...
Journal Article
Journal of Music Theory (2012) 56 (1): 1–52.
Published: 01 April 2012
... of Music Theory 41 : 277 – 32 . Callender Clifton Quinn Ian Tymoczko Dmitri . 2008 . “ Generalized Voice Leading Spaces .” Science 320 : 346 – 48 . Chew Elaine . 2000 . Towards a Mathematical Model of Tonality . Ph.D. diss. , MIT . Clark Suzannah . 2002...
Journal Article
Journal of Music Theory (2010) 54 (2): 143–177.
Published: 01 October 2010
...Robert Peck In Generalized Musical Intervals and Transformations (1987), David Lewin describes the structure of commuting groups for transformation groups that have simply transitive actions. We extend Lewin's notion to transformation groups that have any type of action, including merely transitive...
Journal Article
Journal of Music Theory (2014) 58 (2): 179–233.
Published: 01 October 2014
...Marek Žabka This article introduces basics of a theory of generated tone systems. It is built on an explicit conceptualization of the notion of comma and yields illuminative insights into diverse areas of music-theoretical discourse. Superchromatic and chromatic comma lattices lead to well-known...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 285–345.
Published: 01 October 2002
...Ciro Scotto 2002 © Yale University, New Haven, Connecticut 06520 2002 REVIEW ARTICLE
The Conflict Between Particularism and
Generalism in Andrew Mead’s Introduction to
the Music of Milton Babbitt
Ciro Scotto
An Introduction to the Music...
View articletitled, The Conflict between Particularism and <span class="search-highlight">Generalism</span> in Andrew Mead's Introduction to the Music of Milton Babbitt
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for article titled, The Conflict between Particularism and <span class="search-highlight">Generalism</span> in Andrew Mead's Introduction to the Music of Milton Babbitt
Image
in Approximate Set Theory: Chord Categories, Voicings, and Interval Cycles
> Journal of Music Theory
Published: 01 April 2023
Image
in Approximate Set Theory: Chord Categories, Voicings, and Interval Cycles
> Journal of Music Theory
Published: 01 April 2023
Figure 1.2. Generated pentachords when the generating interval g is 2, 3.5, and 5. The first produces a close-position voicing, the second produces the voicing (2, 1, 1, 2), and the third produces the open-position voicing.
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in Fuzzy Family Ties: New Methods for Measuring Familial Similarity between Contours of Variable Cardinality
> Journal of Music Theory
Published: 01 April 2022
Figure 3. Generalized CAS transformational tree diagram.
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in Approximate Set Theory: Chord Categories, Voicings, and Interval Cycles
> Journal of Music Theory
Published: 01 April 2023
Figure 1.3. Cyclic voicings for chords of size 3–7, with generating intervals. C , T , and Q stand for the clustered, tertian, and quartal voicings.
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Journal Article
Journal of Music Theory (2006) 50 (2): 143–179.
Published: 01 October 2006
.... In a second type, it involves a more general sense of continuity between formal sections. The study of harmonic cross-reference in the three-key expositions of Schubert's Quartettsatz and String Quintet and Brahms's Second Symphony and Clarinet Trio reveals a tension between functional distinctions...
Journal Article
Journal of Music Theory (2010) 54 (1): 5–23.
Published: 01 April 2010
...-garde art) from its more stringent critics. I then explain how my early work, while sharing Cavell's general aims, diverges from his specific claims. This involves considering some ways in which false beliefs can contribute to human flourishing. I then explore general objections to redemptive narratives...
Journal Article
Journal of Music Theory (2013) 57 (1): 1–45.
Published: 01 April 2013
... acoustiques (1974-85). Habitually regarded as an exemplar of spectral music, Grisey’s cycle may be understood as participating in a number of additional generic contexts at the same time. Taking such generic overdetermination into account not only sheds light on the range of conflicting interpretations...
Journal Article
Journal of Music Theory (2015) 59 (2): 273–320.
Published: 01 October 2015
... and the emergence of a group structure, whose generators—named transpositio and transformatio —are also characteristic musical motions and relations. The proposed analytical methodology is probed in a couple of short pieces of Bartók's Mikrokosmos and in the third movement of his Piano Sonata. The article argues...
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