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exponent

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Journal Article
Journal of Music Theory (1 April 2007) 51 (1): 161–186.
Published: 01 April 2007
... practice. Prominent musicians and teachers like Pietro Raimondi, Pietro Platania, and Raimondo Boucheron tried to merge the partimento tradition with the harmonic and formal innovations of their own era. Raimondi and Platania, significant exponents of the late Neapolitan school of composition, searched for...
Journal Article
Journal of Music Theory (1 October 2013) 57 (2): 245–286.
Published: 01 October 2013
... component of Euler’s theory is what he calls the exponent of a consonance. The exponent is the least common multiple of any set of num- bers (Euler 1739, 58–59; 1960, 103).3 We begin here by considering binary ratios. When ratios are properly reduced such that they have no common factors, the least...
Journal Article
Journal of Music Theory (1 October 2009) 53 (2): 163–190.
Published: 01 October 2009
Journal Article
Journal of Music Theory (1 October 2011) 55 (2): 265–270.
Published: 01 October 2011
... extends beyond theorists who explicitly refer to Halm to take in the work of more than one “undeclared Halm exponent” (175). Rothfarb effectively conveys a sense of Halm’s personality as it unfolded through his interactions with others—among them, his brother-in-law Gus- tav Wynecken (1875...
Journal Article
Journal of Music Theory (1 April 2011) 55 (1): 155–160.
Published: 01 April 2011
... improvi- sation, and they remain the field’s leading exponents to this day.1 In the last twenty years, meanwhile, the landscape of jazz scholarship has been dramat- ically transformed by the onset of the so-called “new jazz studies,” a culturally focused interdisciplinary movement that has rather...
Journal Article
Journal of Music Theory (1 October 2002) 46 (1-2): 57–126.
Published: 01 October 2002
Journal Article
Journal of Music Theory (1 October 2005) 49 (2): 277–299.
Published: 01 October 2005
.... The solo piano rag is sometimes broken down into three categories: (1) “classic ragtime,” including the work of Scott Joplin, James Scott, and Joseph Lamb; (2) “advanced ragtime,” including the work of Artie Matthews; and (3) “novelty ragtime,” whose most famous exponents...
Journal Article
Journal of Music Theory (1 October 2011) 55 (2): 167–220.
Published: 01 October 2011
... various authors dis- cussed in this essay, including not only Kant and Hegel (obviously) and their exponents but also Hanslick. Kant’s Critique of Judgment teaches that a judgment of taste (Geschmack- surteil) is based on the...
Journal Article
Journal of Music Theory (1 April 2011) 55 (1): 1–41.
Published: 01 April 2011
... of notating, without exponents, the operation of moving k STEPs “backward” from a referential member INDEX of integer-set S, following the conception of inversion in a GIS (Lewin 1987, 51). Figure 2 illustrates this. In the cyclically organized integer space...
Journal Article
Journal of Music Theory (1 April 1999) 43 (1): 21–82.
Published: 01 April 1999
... to largest, optionally using an exponent to indicate multiple occurrences of a given memberset size. For the parti- tions given above, FRMT(p) = 1335 = 1325, FRMT(conj) = C, and 12 FRMT(disj) = 111111111111 = 1 . For A12 there are 77 different possi- ble partition...
Journal Article
Journal of Music Theory (1 April 2017) 61 (1): 59–109.
Published: 01 April 2017