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Journal Article
Journal of Music Theory (2004) 48 (1): 25–68.
Published: 01 April 2004
...Walter Everett DEEP-LEVEL PORTRAYALS OF DIRECTED AND MISDIRECTED MOTIONS IN NINETEENTH-CENTURY LYRIC SONG Walter Everett All students of the history of the arts recognize the great awakenings brought by the dawn...
Journal Article
Journal of Music Theory (2018) 62 (2): 347–358.
Published: 01 October 2018
...Yayoi U. Everett Works Cited Briscoe James . 2004 . New Historical Anthology of Music by Women . Bloomington : Indiana University Press . Clendinning Jane Marvin Elizabeth . 2016 . The Musician’s Guide to Theory and Analysis . 3rd ed. New York : Norton . Cox...
Journal Article
Journal of Music Theory (2011) 55 (1): 161–166.
Published: 01 April 2011
...Allan F. Moore Allan F. Moore is professor of popular music at the University of Surrey. His monograph Song Means: Analysing and Interpreting Recorded Song will be published in 2011. He is working on books on Anglo-Celtic folk song and on the music of U2. Everett Walter...
Journal Article
Journal of Music Theory (2019) 63 (1): 1–34.
Published: 01 April 2019
... Methodologies for Rock Music: Harmonic and Voice-Leading Strategies in Tori Amos’s ‘Crucify.’ ” In Expression in Pop-Rock Music: Critical and Analytical Essays , edited by Everett Walter , 63 – 92 . New York : Routledge . Butler David . 1989 . “ Describing the Perception of Tonality in Music...
Journal Article
Journal of Music Theory (2017) 61 (2): 143–170.
Published: 01 October 2017
...-Robinson 2009, 94). Prior authors note that a chorus usually has a thicker texture than a verse (Everett 2009, 145), often through the addition of background singers (Stephenson 2002, 135). The lyrics of a chorus are said to normally deliver a general message...
Journal Article
Journal of Music Theory (2016) 60 (2): 149–180.
Published: 01 October 2016
... common explanations of rock’s IV–I progressions. Walter Everett has suggested that IV–I progressions are structurally inferior to V–I progressions, but this IV–I progression clearly plays the role of authentic cadence answering a prior half cadence on V.1 Ken 1  Everett (2008, 139) considers I...
Journal Article
Journal of Music Theory (2000) 44 (2): 495–498.
Published: 01 October 2000
... reading. Walter Everett brings a Schenkerian-derived approach to another overlooked repertoire: the intensely chromatic songs of Paul Simon’s 1970s solo career, before 1986’s Graceland revived his fortunes. Much of Everett’s analysis proceeds from comments made by Simon in inter- views about his...
Journal Article
Journal of Music Theory (2021) 65 (2): 375–386.
Published: 01 October 2021
... of rock music, if not popular music more generally. Temperley cites Allan Moore's Rock: The Primary Text , Ken Stephenson's What to Listen for in Rock , and Walter Everett's The Foundations of Rock as important precursors of his book (8). Among these, Stephenson's is the most similar because...
Journal Article
Journal of Music Theory (2004) 48 (1): 143.
Published: 01 April 2004
... CONTRIBUTORS Guy Capuzzo is Assistant Professor of Music Theory at the University of North Carolina—Greensboro. Walter Everett is Professor of Music and Chair of the Department of Music The- ory at the University of Michigan School of Music, Theatre & Dance. He...
Journal Article
Journal of Music Theory (2010) 54 (1): 75–90.
Published: 01 April 2010
..., and reviewer Everett Helm feared it might signify the end of 5  Early on, “Music Discomposed” was cited by Leo Tre- otherwise have been sympathetic than his insistence that itler (1969, 5; 1982, 153) and Joseph Kerman (1980, 321), philosophy allow modernist art . . . to become a problem...
Journal Article
Journal of Music Theory (2019) 63 (1): 35–70.
Published: 01 April 2019
... . Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven . New York : Oxford University Press . Everett Walter . 2001 . The Beatles as Musicians: The Quarry Men through “Rubber Soul.” New York : Oxford University Press . Hepokoski James...
Journal Article
Journal of Music Theory (2016) 60 (2): 281–294.
Published: 01 October 2016
...- edent, and on Moore’s own more limited earlier effort in Rock: The Primary Text ([1993] 2001). Song Means also surpasses other theory-minded monographs that feature wide-ranging topics and large popular corpuses—Stephenson 2002, Tagg 2009, Everett 2009—at least...
Journal Article
Journal of Music Theory (2020) 64 (2): 283–291.
Published: 01 October 2020
... in Psychology 8: 1314. doi .org/10.3389/fpsyg.2017.01314. Maus, Fred Everett. 1989. Agency in Instrumental Music and Song. College Music Symposium 29: 31 43. McClary, Susan. 2004. Modal Subjectivities: Self-Fashioning in the Italian Madrigal. Berkeley: University of California Press. Merleau-Ponty, Maurice...
Journal Article
Journal of Music Theory (2000) 44 (2): 451–485.
Published: 01 October 2000
... in the deep middle- ground. 5. Walter Everett interprets the voice leading differently; see Everett 1990, 162–63. The main difference is in the fact that he does not take mm. 39–48 as a parenthet- ical event postponing the resolution of the structural dominant arrived at in m. 38, but rather...
Journal Article
Journal of Music Theory (2019) 63 (2): 261–267.
Published: 01 October 2019
... from a song by Radiohead (the group cited by Doll as the inspiration for his dis- sertation) to excerpts from artists as diverse as Puddle of Mudd, Betty Everett, Björk, and Eminem in the span of only a few pages. This pace and variety are stimulating, and the breadth of the examples illustrates...
Journal Article
Journal of Music Theory (2006) 50 (1): 25–63.
Published: 01 April 2006
... are problematic for the method as a whole (e.g., Smyth 1999; Everett 2004), but others are not necessarily so (Beach 1983). The other direction is para-Schenkerian studies, most notably metatheoretical studies (e.g., Zbikowsky 1997), which reflect the influence...
Journal Article
Journal of Music Theory (2006) 50 (2): 181–210.
Published: 01 October 2006
....” Music Perception 3 : 327 -92. Maus, Fred Everett. [1988] 1997 . “Music as Drama.” In Music and Meaning , ed. Jenefer Robinson, 105 -30. Ithaca, NY: Cornell University Press. Niiniluoto, Ilkka. 1999 . Critical Scientific Realism . Oxford: Oxford University Press. Putnam, Hilary. 1981...
Journal Article
Journal of Music Theory (2013) 57 (1): 1–45.
Published: 01 April 2013
..., for instance, Bauer 1997; Metzer 2000, may seem jarring, given that they are widely taken as rep- esp.103–108; Reyland 2008; and Uno Everett 2009. resenting two antithetical poles in recent French social theory, I would contend that the divergent perspectives 4...
Journal Article
Journal of Music Theory (2021) 65 (1): 39–80.
Published: 01 April 2021
... and to promote study of more diverse repertoires, Yayoi Uno Everett ( 2019 ), Philip A. Ewell ( 2019 , 2020 ), Ellie M. Hisama ( 2019 ), and Joseph Straus ( 2019 ) have provided recent reminders that we still have far to go in exposing and rooting out the systemic racism, sexism, homophobia, ableism, and other...
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Journal Article
Journal of Music Theory (2013) 57 (2): 321–371.
Published: 01 October 2013
... York : Oxford University Press . Leydon Rebecca . 1996 . “ Narrative Strategies and Debussy’s Late Style .” Ph.D. diss. , McGill University . Marx Adolphe Bernhard . 1859 . Ludwig van Beethoven: Leben und Schaffen . Berlin : Otto Janke . Maus Fred Everett . 1988...