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Journal Article
Journal of Music Theory (2010) 54 (1): 141.
Published: 01 April 2010
... Erratum for Tymoczko, Dmitri. 2009. “Generalizing Musical Intervals,” Journal of Music Theory 53: 227–54 . Due to a production error, a line of text was missing in the printed version of this article on p. 234, immediately preceding Figure 4. The affected sentence should read...
Journal Article
Journal of Music Theory (2000) 44 (1): 45–79.
Published: 01 April 2000
... of manuscript error may arise.46 Cor-
recting the underlying counterpoint may suggest a solution at the surface
56
14 *a *b 15
ent sa roit. 6. Ce que
a: T-Ca parsed
b: counterpoint showing expectation...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 347–363.
Published: 01 October 2002
..., Hyer’s discussion of Schenker is full of howlers. For
one thing, Hyer allies himself with the Beethoven-mongers by discussing
Schenker in his section on Classical tonal practice while excluding him
from sections on Baroque and Romantic music. But this, as we have seen,
is a common error...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 364–368.
Published: 01 October 2002
..., Hyer’s discussion of Schenker is full of howlers. For
one thing, Hyer allies himself with the Beethoven-mongers by discussing
Schenker in his section on Classical tonal practice while excluding him
from sections on Baroque and Romantic music. But this, as we have seen,
is a common error...
Journal Article
Journal of Music Theory (2001) 45 (1): 170–176.
Published: 01 April 2001
...
realizes this interpretation is not written in stone; on the contrary, there
are a myriad of choices open to a performer as to how this can be done:
What must be regarded as the most fateful error in the performance of a
musical work of art is the general view on the meaning of a composer’s...
Journal Article
Journal of Music Theory (2022) 66 (2): 255–261.
Published: 01 October 2022
... does not appear. As a specialist, I did not find this chapter particularly helpful for research, although it does perhaps suggest routes for seminar discussion. I was also rather puzzled by the inclusion of chapter 5, “Boethius's Error in the De institutione musica , 4.6.” In this short chapter...
Journal Article
Journal of Music Theory (2001) 45 (1): 204–227.
Published: 01 April 2001
... an error of his own in listing the young Schenker as a piano student
of Karol Mikuli, Chopin’s eminent pupil and editor. The evidence sug-
gests, rather, that Schenker was a pupil of Mikuli in the same sense that
a few students at Juilliard were pupils of Maria Callas: they sang—or, in
Schenker’s case...
Journal Article
Journal of Music Theory (1999) 43 (2): 349–358.
Published: 01 October 1999
... segment, were a copying
error, the following alignments in the rest of the passage would be mis-
354
aligned—the cello part would be shifted by two sixteenths. Since the
following alignment is correct, however, and “correcting” the “wrong”
alignment would require not only taking out the two extra...
Journal Article
Agency and Information Content in Eighteenth and Early Nineteenth-Century String-Quartet Expositions
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
..., taken from lines in the exposition corpus
that would establish either leading or subordinate agents. Information content was computed
using the model described below. Error bars show standard error.
marks of sounds governed by intelligent agents is surely their lack of simple
predictability...
Journal Article
Journal of Music Theory (2010) 54 (2): 179–234.
Published: 01 October 2010
... Rehearing Machaut’s Motets 183
sonorities (‘scribal error’ disposes of them when they do)” (1986, 42).14 At her
first-reduction level, she accounts for a dissonance as a displacement within
the contrapunctus framework.15
To assess the stability of her three different sonority...
Journal Article
Journal of Music Theory (2014) 58 (1): 79–101.
Published: 01 April 2014
...). In this
manner, book reviews tend to be overdetermined—or at least this one aspires
86 Journal of Music Theory
to be—in that they are made for summary, praise, critique, error identifica-
tion, and so forth: one structure, multiple uses.
Cohn’s emphasis...
Journal Article
Journal of Music Theory (2020) 64 (2): 297–308.
Published: 01 October 2020
... of presentation, the application as demonstrated clearly promises much. By monitoring a student s practice session for faithful rendering of the score and advising on errors as needed, SmartMusic provides an always avail- able, nonjudgmental training partner for student musicians. Gonzales dis- covered...
Journal Article
Journal of Music Theory (2022) 66 (2): 303–314.
Published: 01 October 2022
... final issue, and in my view the most substantial, is its large number of typographical errors and general production issues. Although typos are an inevitability of publishing, their presence here is noteworthy because in many cases they impede the comprehension of Ohriner's descriptions or arguments...
FIGURES
Journal Article
Journal of Music Theory (2001) 45 (1): 176–190.
Published: 01 April 2001
... Composition,” that “this concep-
tion of a bridge contradicts the premise of Counterpoint I, wherein the
error of conflating counterpoint and free composition is seen to be fun-
damental to the failure of earlier texts” (5, n.9). But there is no such con-
flation here. Of course there are connections...
Journal Article
Journal of Music Theory (2003) 47 (1): 215–222.
Published: 01 April 2003
... after I submitted my review:
I did not mention two articles by Matthew Brown in which Schenker’s
theory of mixture is discussed.1 I suspect that these were among Hyer’s
sources, because Brown makes the same error as Hyer regarding the rela-
tion between mixture and chromaticism in Schenker’s...
Journal Article
Journal of Music Theory (2017) 61 (1): 59–109.
Published: 01 April 2017
...), and for
context of my arguments is his statement that music is worse if we desire to “save Schenker as a philosopher”
“true” (wahr) insofar as it is “something spontaneously (267). In my view, what Nicholas Cook calls “the wide
arising [aus sich selbst entstandenen] and operating abso spread error of turning...
Journal Article
Journal of Music Theory (2000) 44 (1): 81–99.
Published: 01 April 2000
..., but from the psy-
chologist’s to understand human behavior and perception. Riemann
writes in the opening sentence of “Musikalische Logik” that he has often
perceived errors when listening to music, and that the discrepancy be-
tween music theory and perception is the impulse behind his work...
Journal Article
Journal of Music Theory (2006) 50 (1): 111–127.
Published: 01 April 2006
...
by GMIT, surveying productive sites for future work and critique.
Part I: The Books, and Oxford’s Editions of Them
Edward Gollin provided expert guidance for Oxford’s reprint of GMIT. Errors
have been corrected throughout, including the typos noted in Rahn...
Journal Article
Journal of Music Theory (2023) 67 (1): 171–186.
Published: 01 April 2023
... Incidentally, example 6.4 has an error in the tenor from m. 103 to m. 108. The tenor sings “c d c rest b” not “c c d c rest b.” This is not corrected in Zayaruznaya 2018 , example 14.4 (299). 17 The contrapunctus manuals identify the usual two-voice progressions to stable sonorities as minor third...
Journal Article
Journal of Music Theory (2001) 45 (1): 162–169.
Published: 01 April 2001
... indicates, “the music examples have
been photographically reproduced from the first edition of Meisterwerk”
in order “to avoid the risk of introducing printers’ errors into Schenker’s
graphs” (I, XIV)14 This method works well except for several graphs of
Mozart’s Symphony in G Minor, K. 550, first...
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