... vols. in 4). Hildesheim: G. Ohms, 1974, vol. 2 and 4 (music). Zaslaw, Neal, ed. 1996 . Mozart's Piano Concertos: Text, Context, Interpretation. Ann Arbor: University of Michigan Press. THE LARGE-SCALE FORMAL ROLE OF THE SOLO ENTRY THEME IN THE EIGHTEENTH-CENTURY CONCERTO...

... of modulatory work falls on episodes, rendering alteration of the subject largely unnecessary.) The eight enchained entries of the subject, which are numbered and aligned in Example 1 for ease of comparison, replicate the essential harmonic and durational structure...

... Grove must begin with a theorist or treatise title, readers of MTBZ may simply thumb through the dictionary or literature supplement to find an unexpected item of interest or a point of entry into the field. The central strength of MTBZ...

...), as well as official documents, the latter chiefly to illuminate Schenker’s student years” (VIII). To present a picture in Schenker’s own words as far as possible, “[diary-]entries and letter-extracts of greater importance are quoted literally.”3 The quoted passages are placed in per- spective through...

... are those weakly placed quarter-notes that fill in the interval of a third (e.g., m. 9, voice 1, etc The consonant stability of the whole is reinforced by the fact that the first eight entries join the texture as its lowest note, forming a ‘root- position’ triad; subsequent entries also enter as the tonic...

... served by the newest edition of the celebrated music encyclopedia. Especially encouraging are the short entries by William Drabkin on various technical terms (listed above). A few of these are new, but most are revisions of Drabkin’s en- tries in the previous (1980) edition. The improvements...

... lexical survey of the differing ways tonality has been invoked by theorists since the days of Choron and Fétis, see the comprehensive entry on Tonalität by Michael Beiche ( 1992 ). While Beiche cites Fétis frequently in this entry, it is indicative that he fails to note any of the ways tonality...

...Figure 30. The basic melody of Electric Counterpoint ii (a) and its spectrum with that of the canon entries (b). ...

... Abstracts of Music Literature (since 1967), and Music Index (since 1975). Only IIMP goes back to 1957, and even it lacks abstracts and indication of document types for JMT items up to volume 38.3 RILM entries include articles alone...

... can be reduced in half on account of Theorem 1. Thus an exhaustive table of trichord pairs and their PROGVs can be compressed without loss into (174/2) + 19 = 106 entries. The same approach compresses the 108900 distinct trichord-to-tetra- chord pairs into a table with 446 entries; by Theorem 1...

... inverse, and an occurrence of a caption of a row or column within the body of the same row or column corresponds to a multiplication by the identity. The ab- sence of foreign entries demonstrate closure. Figure 3a supplies an illus- tration. The occurrence of T0 in the table’s second row, third column...

..., nothing lacking. Nonetheless, a performance with the vocal final movement is an overwhelming experience and lead, in my case, to the conclusion that the work is incomplete when done without voice. The vocal entry clarifies the dramatic course of the preceding movements and creates the impression...

.... But the “simulated keys” of E major/minor, F major/minor, and G major/minor are also chromatic; Schenker writes dto. (“ditto”) in each case, following his entry for E≤. Schenker explains what he means by “a chromatic key” at the first appear- ance of such a key in the table, in his entry for D≤ major/minor...

... DOI 10.1215/00222909-2008-004  © 2008 by Yale University 7 8 Journal of Music Theory many entries in a “theory forum,” dedicated to ideas that did not warrant a full-length article, two special-topics forums...

... triply related to the dotted-half pulse of the measure level and moving upward in duple relationships to 2-, 4-, and 8-measure levels. The 4- and 8-measure lev- els are articulated by fugal entries alternating between D minor and A minor.8 Example...

... labels from generalized forms 33 of a and b in Figure 16 and present them as an ordered sextuple Tx, Ty, Tx + y, Im, Im + x, Im + x + y. The first two entries provide the transpositions in the upper rank of the K-nets in Figure 16...

... in a gradual and cumulative entanglement of tritone-related canonical entries (alternating sections built on transposed rows with sections of inverted rows) toward two climatic moments, resembling the overall textural and formal layout of the first movement of Bartók's Music for Strings Percussion and Celesta...