...Brian Alegant; Donald McLean 2001 © Yale University, New Haven, Connecticut 06520 2001 ON THE NATURE OF ENLARGEMENT Brian Alegant and Donald McLean Introduction This paper shows how the transformational...

... treatment in the works, and how this treatment, then, in part underlies the unique character of each piece. I shall concentrate on the manner in which the I–V motion of the opening formal section is later enlarged and modified in the two works, and specifically how it operates in deep middleground...

... that generate sound, but metallic objects also predominate in terms of sheer number. To balance this unequal proportion, it was necessary to enlarge the representation of the two remaining material categories: leather and wood. Beside adding a whole arsenal of percussive instruments—such as rat- tles...

... that the bass is of the correct pitch class. This kind of octave generalization is allowed for in Parncutt’s root model. In this model, intervals are regarded as root supports if they cor- respond to those between the fundamental and its harmonics, irrespective of octave enlargements or reductions...

... where Schenker marveled at the sweeping effect conveyed by the beginning of the Andante of Mozart’s “Haffner” Symphony, No. 35 (K. 385), and showed how a relatively simple opening gesture was enlarged from within by certain elaborative strategies.14 Gagné pursues the implications of Schenker’s...

... an enlarged image of pitch vibrations for an audience. Works Cited Currie James . 2012 . Music and the Politics of Negation . Bloomington : Indiana University Press . Mukerji Chandra . 2009 . Impossible Engineering: Technology and Territoriality on the Canal du Midi . Princeton...

... focus on timbre. “Part 2. Spectrum” contains three chapters that serve as case studies that test and enlarge the theoretical framework developed in part 1, focusing on the reception of free-jazz musicians such as John Coltrane and Pharoah Sanders, the cultural tensions between differing schools...

... enlargement of the skeletal melodic structure of mm. 1–5. And in both sections, Hancock makes use of local progressions that embellish at a distance value of 1. Hancock’s compositions shaped significantly the expanding harmonic 352 resources available to jazz composers and improvisers...

... 666 3 Level 2 enlargement 66 6 66 767 5 5 4 4 II...

... movement of Beethoven’s Third Symphony, a moment that he calls “a poetic vision” (HL, 207/162). He describes mm. 392–97, reproduced in Example 2, as “a realiza- tion in enlarged proportions” of the “originary idea” in Example 3 (Uridee; HL, 208/163). This idea itself elaborates a “largely conceived...

... relief. If nothing else, the third beat thereby gains a good deal of counter- stress. Heinrich Schenker referred to such introductory upper-voice figures, which show a remarkable capacity for motivic enlargement and thematic networking, as reaching-over figures...

... of Monet’s Impression: Sunrise is surely wasted in its black-and-white 3  5-inch format), but enlarging to legibility the bilingual handbill for a 1791 Viennese concert shown as volume 2, figure 29-1 (again, citing one of many possible examples), would be welcome and give the reader pleasure...

... or another of the primary chords” [15]. Riemann also surveys the logical meaning of diatonic sev- enth chords in this section. Section 3, on cadential expansion, explains how the dialectical stages can be enlarged and the entire process perpet- uated at different levels of musical structure. Section 4...

... of a decisive release 1  A portion of this chapter, titled “Ten Propositions about 2 In Music as Discourse Agawu has already enlarged Language and Music,” is actually a reworking of a section this list of classical topics from twenty-seven items to of Agawu 1999, 141–46. sixty-one...

... drawn me to it and kept me enthralled, and my experience has only been height- ened and broadened by the time I have spent studying it. Perhaps by em- phasizing the physical side of playing music by Webern and Babbitt—or Schoenberg and Carter, for that matter—I can enlarge an appreciation...

..., 125) enlarges on these ideas noting that “the final interval of the vocal line, the falling perfect fifth from the “heimfand,” is complemented by an unmistakable, conclusive cadence to E≤-major—the key traditionally associated with heroic virtues. The protagonist has won a victory over...

... be found in marginally more legible versions in other publications. 23 But it would have behooved the publishers to either spread these analytic diagrams across an entire opening or provide a companion website to this volume where these examples could be posted as PDF files capable of being enlarged...

... : 5 –44. Geiringer, Karl. 1982 . Brahms: His Life and Work . 3d ed., rev. and enlarged. New York: Da Capo Press. Goldman, Richard. 1951 . “Current Chronicle.” Musical Quarterly 37 : 87 –89. Grave, Floyd K. 1985 . “Metrical Displacement and the Compound Measure in Eighteenth-Century...

..., when new material derived from this idea appears. Further reflective correspondences to the head can be found, as well. Like the head, Adderley’s solo begins with phrases that aim upward from , though in the solo he emphasizes and not . In the solo, he expands and∞ enlarges the upbeat...

... Bartók’Polymodality 307 turn to a more flexible notion of polymodality, which models combinations of intervallically consistent, nondiatonic scale strata. I develop the analytical framework of affinity spaces for this enlarged notion of polymodality by gen- eralizing the central properties of the Dasian...