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in Periodicity-Based Descriptions of Rhythms and Steve Reich's Rhythmic Style
> Journal of Music Theory
Published: 01 October 2021
Figure 25. The initial ostinato for Variations as it appears in an early sketch (a) and in the final version (b).
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Journal Article
Journal of Music Theory (2017) 61 (2): 289–296.
Published: 01 October 2017
...Ruth I. DeFord Grant Roger Mathew , Beating Time and Measuring Music in the Early Modern Era , Oxford University Press , 2014 : viii + 309 pp. ( $45.00 cloth) Copyright © 2017 by Yale University 2017 Works Cited Bank J. A. 1972 . Tactus, Tempo, and Notation...
Journal Article
Journal of Music Theory (2007) 51 (1): 137–159.
Published: 01 April 2007
... Continuo Realization of Da sventura a sventura (1690): An Analysis and Observations Relating to Late Seventeenth-Century Keyboard Practices.” Early Keyboard Journal 4 : 51 -60. Dellaborra, Mariateresa. 2007 . “'Musico pratico al cimbalo': Paisiello e le Regole per bene accompagnare il partimento...
Journal Article
Journal of Music Theory (2009) 53 (2): 255–304.
Published: 01 October 2009
... the Late Sixteenth to the Early Eighteenth Century.” Ph.D. diss., City University of New York. ____. 2007 . “Theories of Chromaticism from the Late Sixteenth to the Early Eighteenth Century.” Theoria 14 : 5 –40. Aron, Pietro. [1529] 1970 . Toscanello in Musica . Translated by Peter Bergquist...
Journal Article
Agency and Information Content in Eighteenth and Early Nineteenth-Century String-Quartet Expositions
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
...: Problems of Style and Chronology , ed. Badura-Skoda Eva Branscombe Peter , 209 – 75 . New York : Cambridge University Press . Agency and Information
Content in Eighteenth- and
Early Nineteenth-Century
String-Quartet Expositions...
View articletitled, Agency and Information Content in Eighteenth and <span class="search-highlight">Early</span> Nineteenth-Century String-Quartet Expositions
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for article titled, Agency and Information Content in Eighteenth and <span class="search-highlight">Early</span> Nineteenth-Century String-Quartet Expositions
Journal Article
Journal of Music Theory (2013) 57 (1): 151–158.
Published: 01 April 2013
..., Design and Rhetoric appeared in 2010. Schmalfeldt Janet In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music . Oxford University Press , 2011 : xi+333 pp. ( $49.95 cloth ) © 2013 by Yale University 2013 Works Cited...
View articletitled, In the Process of Becoming: Analytical and Philosophical Perspectives on Form in <span class="search-highlight">Early</span> Nineteenth-Century Music
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for article titled, In the Process of Becoming: Analytical and Philosophical Perspectives on Form in <span class="search-highlight">Early</span> Nineteenth-Century Music
Journal Article
Journal of Music Theory (2002) 46 (1-2): 207–283.
Published: 01 October 2002
... -340. Forte, Allen. 1983 . “Foreground Rhythm in Early Twentieth-Century Music.” Music Analysis 2 : 239 -68. Gauldin, Robert. 1999 . “Reference and Association in the Vier Lieder, Op. 2, of Alban Berg.” Music Theory Spectrum 21 : 32 -42. Gerson, A. and J. L. Goldstein. 1978...
Journal Article
Journal of Music Theory (2024) 68 (1): 1–34.
Published: 01 April 2024
...Matthew L. C. Boyle Abstract The critical reception of early nineteenth-century Italian opera has long focused on its supposed cloying sweetness. This sweetness, often framed as amorous, shaped the discourse and affective experiences of primo ottocento opera. Stendhal, for instance, likened...
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Journal Article
Journal of Music Theory (2021) 65 (2): 325–374.
Published: 01 October 2021
...Figure 25. The initial ostinato for Variations as it appears in an early sketch (a) and in the final version (b). ...
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Journal Article
Journal of Music Theory (2022) 66 (2): 189–222.
Published: 01 October 2022
... to topics, with the topical explorations embedded within broader considerations of style, history, and musical structure and discourse. By the early 1960s, a culture of topical analysis, one that emphasized topics' expressive and formal functions, was in place, and over the next decade it began to transform...
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Journal Article
Journal of Music Theory (2023) 67 (2): 285–331.
Published: 01 October 2023
... Migration, traditional blues traveled with them, but the faster pace of urban life engendered new approaches to blues that reflected the new environment, and rhythm and blues emerged in the early postwar period as an urbanized transformation of the earlier genre. Rhythm and blues was loud, emphatically...
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Journal Article
Journal of Music Theory (2009) 53 (1): 57–94.
Published: 01 April 2009
... of metrical dissonance but is also informed by William Caplin's theory of formal functions, by Robert Philip's categorization scheme for tempo rubato in early recordings, and by research in meter perception and empirical performance analysis. Several addenda to Krebs's taxonomy of metrical consonance...
View articletitled, Metrical Dissonance and Directed Motion in Paderewski's Recordings of Chopin's Mazurkas
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for article titled, Metrical Dissonance and Directed Motion in Paderewski's Recordings of Chopin's Mazurkas
Includes: Supplementary data
Journal Article
Journal of Music Theory (2018) 62 (1): 85–118.
Published: 01 April 2018
...Benedict Taylor Sibelius’s late tone poem Tapiola is routinely held up as an exceptional example of a piece that is both monothematic and monotonal. Nevertheless, the broader notion of tonality transmitted by Tapiola invites deeper investigation, since tonality by the early twentieth century...
Journal Article
Journal of Music Theory (2006) 50 (2): 253–275.
Published: 01 October 2006
...) poetical context. A range of late-eighteenth- and early-nineteenth-century thought on both sequential progression and harmonic analysis in general, by Emanuel Aloys Förster, Johann Philipp Kirnberger, and Gottfried Weber, among others, is assayed. Opportunities for chromaticism within the 5 and 6 phases...
Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
... nonetheless remains directly indebted to musical practice and consistently rejects that esprit du système that is so characteristic of Rameau's theory. While Rameau, acting in the modern, scientific spirit of the early Enlightenment, attempts to derive all aspects of his theory from a few fundamental...
Journal Article
Journal of Music Theory (2008) 52 (1): 123–149.
Published: 01 April 2008
...Jennifer Bain The music of Hildegard of Bingen (1098-1179) has often been described as standing outside medieval chant traditions. This article argues that although many features of her music deviate from early chant, her repertoire conforms instead in remarkable ways with a late chant style, which...
Journal Article
Journal of Music Theory (2010) 54 (1): 5–23.
Published: 01 April 2010
...-garde art) from its more stringent critics. I then explain how my early work, while sharing Cavell's general aims, diverges from his specific claims. This involves considering some ways in which false beliefs can contribute to human flourishing. I then explore general objections to redemptive narratives...
Journal Article
Journal of Music Theory (2012) 56 (2): 121–167.
Published: 01 October 2012
... a more detailed and more nuanced account of supposition than has thus far been available by attending not only to Rameau’s own writings but also to the writings of his early critics and to the musical repertories that were these writers’ frame of reference. Nathan John Martin holds a Social...
Journal Article
Journal of Music Theory (2013) 57 (2): 193–243.
Published: 01 October 2013
...Jeffrey DeThorne Correlating particular instrumental colors with pitch chromaticism, three early twentieth-century scholars demonstrate how a methodical use of colorful winds, less colorful strings, and wind-string mixtures informed actual orchestrational practices. After demonstrating how Wagner’s...
Journal Article
Journal of Music Theory (2013) 57 (2): 245–286.
Published: 01 October 2013
...Roger Mathew Grant The music-theoretical formulations of the early modern mathematician Leonhard Euler (1707-83) are customarily remembered—and often dismissed—for their unconventional rankings of the consonances. A closer examination of Euler’s writings, however, reveals that he intended his...
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