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dissonant prolongation

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Journal Article
Journal of Music Theory (2016) 60 (1): 1-21.
Published: 01 April 2016
...Robert P. Morgan Taking my own Schenker-derived view of dissonant prolongations as a point of departure, this article attempts to clarify this phenomenon by considering it in relation to tonal prolongation. This is accomplished in three ways: by reconsidering Schenker's mature attitude toward...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 207-283.
Published: 01 October 2002
...- cerns functions in the prolongational structure and not, for example, cadential effects. In tonality, the consonance-dissonance and the scale-degree condition, as described by Straus, form a two-stage stability system. The factors underlying these conditions are chord construction and chord...
Journal Article
Journal of Music Theory (2017) 61 (1): 29-57.
Published: 01 April 2017
...Diego Cubero The concept of prolongation in Schenkerian analysis broadly describes the elaboration of a vertical sonority. Among the most basic ways to prolong a chord is by arpeggiating it, such that it governs the time span of its arpeggiation. In Heinrich Schenker's writings, however, there are...
Journal Article
Journal of Music Theory (2009) 53 (1): 57-94.
Published: 01 April 2009
... of metrical dissonance but is also informed by William Caplin's theory of formal functions, by Robert Philip's categorization scheme for tempo rubato in early recordings, and by research in meter perception and empirical performance analysis. Several addenda to Krebs's taxonomy of metrical consonance...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2008) 52 (2): 273-320.
Published: 01 October 2008
... : 127 -70. Morgan, Robert. 1976 . “Dissonant Prolongation: Theoretical and Compositional Precedents.” Journal of Music Theory 20 : 49 -91. Notley, Margaret. 2005 . “Plagal Harmony as Other: Asymmetrical Dualism and Instrumental Music by Brahms.” Journal of Musicology 22 : 90 -130...
Journal Article
Journal of Music Theory (2006) 50 (2): 211-251.
Published: 01 October 2006
.... Cambridge: Cambridge University Press. Mies, Paul. 1970 . Der Krise der Konzertkadenz bei Beethoven . Bonn: Bouvier. Morgan, Robert. 1976 . “Dissonant Prolongation: Theoretical and Compositional Precedents.” Journal of Music Theory 20 : 49 -91. Mueter, John. 1982 . “An Unpublished Cadenza...
Journal Article
Journal of Music Theory (2006) 50 (1): 77-101.
Published: 01 April 2006
... of interactions of prolongational, associative, or stretto-like musical figurations in the prelude. These “differences” in orientation become creative and expressive of newly available content, multiplying interactions of composition and text, reception and analysis. © 2008 by Yale University 2008...
Journal Article
Journal of Music Theory (2000) 44 (1): 1-43.
Published: 01 April 2000
... chord tone. This is distinct from the phenomenon of an ex- panded dissonant sonority such as a dominant or diminished seventh chord, in which top-voice and bass form a dissonant interval but are nev- ertheless both part of the prolonged harmony.4 In an outer-voice conflict, melody and bass seem to...
Journal Article
Journal of Music Theory (1999) 43 (1): 135-163.
Published: 01 April 1999
... one of the richest topics of research in the field; and much that is useful and productive has come out of it, including innovative ideas on tonal pairing, symmetrical pitch formations (in particular, equal octave division), and dissonant prolongations. Yet the field remains wide open, with little...
Journal Article
Journal of Music Theory (2006) 50 (2): 143-179.
Published: 01 October 2006
....” In Schenker Studies , ed. Hedi Siegel, 125 -45. Cambridge: Cambridge University Press. Morgan, Robert P. 1976 . “Dissonant Prolongation: Theoretical and Compositional Precedents.” Journal of Music Theory 20 : 49 -91. Notley, Margaret. 2005 . “Plagal Harmony as Other: Asymmetrical...
Journal Article
Journal of Music Theory (2001) 45 (2): 233-261.
Published: 01 October 2001
...: Cambridge University Press. Williamson, John. 1996 . “ Wolf's Dissonant Prolongations .” In Kinderman and Krebs 1996. Youens, Susan. 1992 . Hugo Wolf: The Vocal Music . Princeton: Princeton University Press. CHASING RAINBOWS: WOLF’S “PHÄNOMEN” AND IDEAS OF...
Journal Article
Journal of Music Theory (2003) 47 (2): 273-304.
Published: 01 October 2003
... set of abstract categories was used in German treatises to define and explain a diverse collection of the- oretical topics: diminution, dissonance treatment, harmony (chord types, harmonization, mode/key), and periodicity. In addition to Kirnberger, ex- amples from the writings of Christoph...
Journal Article
Journal of Music Theory (2000) 44 (1): 45-79.
Published: 01 April 2000
.... Jahrhundert: Untersuchungen zum Terminus, zur Lehre und zu den Quellen . Wiesbaden: Franz Steiner. Schulenberg, David. 1986 . “Modes, Prolongation and Analysis.” Journal of Musicology 4 : 303 -29. Wegman, Rob C. 1998 . “`Das Musikalische Hören' in the Middle Ages and Renaissance: Perspectives...
Journal Article
Journal of Music Theory (2001) 45 (1): 190-204.
Published: 01 April 2001
...- nance/dissonance, passing, Zug, Urlinie, delay, and unity. A distinction between absolute and contextual dissonance sets up the discussion of “passing.” If “in traditional accounts, consonance and dissonance de- scribe the intervallic relation between two tones, . . . Schenker’s working 194...
Journal Article
Journal of Music Theory (2004) 48 (1): 69-98.
Published: 01 April 2004
.... Martino, Donald. 1961 . “The Source Set and its Aggregate Formations.” Journal of Music Theory 5/2 : 224 -73. Morgan, Robert. 1976 . “Dissonant Prolongation: Theoretical and Compositional Precedents.” Journal of Music Theory 20 : 49 -91. Marvin, Elizabeth West and LaPrade, Paul A. 1987...
Journal Article
Journal of Music Theory (2001) 45 (2): 483-487.
Published: 01 October 2001
... dissonant harmonies. Intervallic patterns, the result of harmonic sequences, also either prolong a chord or expand the motion between two Stufen. Exercises in analysis require students to identify linear progressions and intervallic patterns and explain their function (prolongation or connection...
Journal Article
Journal of Music Theory (2004) 48 (1): 25-68.
Published: 01 April 2004
... : 147 -78. ____. 1995 . Review of Warren Darcy, Wagner's Das Rheingold. 19th Century Music 18/3 : 277 -90. Meyer, Leonard B. 1956 . Emotion and Meaning in Music . Chicago: University of Chicago Press. Morgan, Robert. 1976 . “Dissonant Prolongation: Theoretical and Compositional...
Journal Article
Journal of Music Theory (2005) 49 (1): 45-108.
Published: 01 April 2005
....” Journal of Music Theory 38 : 79 –102. ———. 1998 . “Some Ideas about Voice-Leading between Pcsets.” Journal of Music Theory 42 : 15 –72. Malmberg, C. F. 1918 . “The Perception of Consonance and Dissonance.” Psychological Monographs 25 / 2 : 93 –133. Morris, Robert D. 1979–80 . “A...
Journal Article
Journal of Music Theory (2000) 44 (2): 451-485.
Published: 01 October 2000
... motive” by which he refers to certain very basic tonal configurations that appear in deep middleground and that can then be copied and elaborated at more local levels. Because of the nature of hierarchical networks, first-level prolongations [=those prolongations that can occur at the first level...
Journal Article
Journal of Music Theory (2013) 57 (2): 287-320.
Published: 01 October 2013
... created, each class sharing some distinctive feature, most commonly a dissonance. We can think of these as dissonant- class paradigms. Heinichen, and many others, present these dissonant-class paradigms arranged by successively larger dissonant intervals. One such...