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dissolution

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Journal Article

Liquidation and Its Origins

Áine Heneghan

Journal of Music Theory (2019) 63 (1): 71–102.

DOI: https://doi.org/10.1215/00222909-7320474

Published: 01 April 2019

... to translations by Schoenberg himself, members of his circle, and later commentators, the author examines liquidation alongside “dissolution” ( Auflösung ), “obligations,” and “obligatory” forms. While the received interpretation of the term emphasizes the elimination or removal of features, the sources reveal...

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Mozart and Enlightenment Semiotics

Danuta Mirka

Journal of Music Theory (2014) 58 (1): 67–77.

DOI: https://doi.org/10.1215/00222909-2413589

Published: 01 April 2014

... of signification: topical signification based upon a conventional thesaurus and affective signification that defies convention. Mozart’s dissolution of the siciliano topic into distinc- tive features, demonstrated by Rumph in the analysis of “Vedrai carino,” has...

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Absolute Color, Fluctuating Mischfarben , and Structurally Functional “Gypsy” Orchestration

Jeffrey DeThorne

Journal of Music Theory (2013) 57 (2): 193–243.

DOI: https://doi.org/10.1215/00222909-2323470

Published: 01 October 2013

... into seemingly unconnected details (1907, qtd. in Painter 1995, 237). Hirschfeld criticizes both Debussy’s dissolution of the parts and Mahler’s hypostatization of them. When the unified whole is compromised, the logical structure is disrupted by intense sensations...

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Journal Article

The End(s) of Genre

Eric Drott

Journal of Music Theory (2013) 57 (1): 1–45.

DOI: https://doi.org/10.1215/00222909-2017097

Published: 01 April 2013

... to indicate to which genre a given works belongs. More dubious, however, is Dahlhaus’s assumption of a causal relation linking genre to work title, such that the dissolution of the former spells the desuetude of the latter. By this logic, the proliferation of works...

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Journal Article

Debussy: The Origins of a Method

Mark McFarland

Journal of Music Theory (2004) 48 (2): 295–324.

DOI: https://doi.org/10.1215/00222909-48-2-295

Published: 01 October 2004

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Journal Article

Special Collections: Renewing Set Theory

Jason Yust

Journal of Music Theory (2016) 60 (2): 213–262.

DOI: https://doi.org/10.1215/00222909-3651886

Published: 01 October 2016

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Are There Two Tonal Practices in Nineteenth-Century Music?

Robert P. Morgan

Journal of Music Theory (1999) 43 (1): 135–163.

DOI: https://doi.org/10.2307/3090692

Published: 01 April 1999

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Danses Fantastiques : Metrical Dissonance in the Ballet Music of P. I. Tchaikovsky

Matthew Bell

Journal of Music Theory (2021) 65 (1): 107–137.

DOI: https://doi.org/10.1215/00222909-9124750

Published: 01 April 2021

... the dissolution of the waltz as such, precipitating a shift to a new meter and tempo for the final section of the number. In Example 6 , the dancer's movements articulate a silent—imagined—musical pulse. When the dissonance surfaces during the passage shown in Example 8 , the 3-layers that were once aurally...

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Downward Arpeggiations: Prolongational Issues and Their Expressive Implications

Diego Cubero

Journal of Music Theory (2017) 61 (1): 29–57.

DOI: https://doi.org/10.1215/00222909-3855712

Published: 01 April 2017

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Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata

Joel Galand

Journal of Music Theory (2013) 57 (2): 383–418.

DOI: https://doi.org/10.1215/00222909-2323515

Published: 01 October 2013

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Journal Article

A Cognitive Theory of Musical Meaning

Candace Brower

Journal of Music Theory (2000) 44 (2): 323–379.

DOI: https://doi.org/10.2307/3090681

Published: 01 October 2000

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Schoenberg's “SINGLE SECOND OF MAXIMUM SPIRITUAL Excitement”: COMPRESSION AND EXPANSION IN ERWARTUNG , Op. 17

Kathryn Whitney

Journal of Music Theory (2003) 47 (1): 155–214.

DOI: https://doi.org/10.1215/00222909-47-1-155

Published: 01 April 2003

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Bartók's Polymodality: The Dasian and Other Affinity Spaces

José Oliveira Martins

Journal of Music Theory (2015) 59 (2): 273–320.

DOI: https://doi.org/10.1215/00222909-3136020

Published: 01 October 2015

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Heinichen, Rameau, and the Italian Thoroughbass Tradition: Concepts of Tonality and Chord in the Rule of the Octave

Ludwig Holtmeier

Journal of Music Theory (2007) 51 (1): 5–49.

DOI: https://doi.org/10.1215/00222909-2008-022

Published: 01 April 2007

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On the Prosody of German Lyric Song

Robert Snarrenberg

Journal of Music Theory (2014) 58 (2): 103–154.

DOI: https://doi.org/10.1215/00222909-2781749

Published: 01 October 2014

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Journal Article

Parametric Interaction in Tonal Repertoires

Christopher Brody

Journal of Music Theory (2016) 60 (2): 97–148.

DOI: https://doi.org/10.1215/00222909-3651814

Published: 01 October 2016

... manipulation of the motive by means of repetition, variation, extension, fragmentation, or dissolution. I also reject those explanations which are based upon phrases, phrase-groups, periods, double periods, themes, antecedents, and consequents...

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