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displacement

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Journal Article
Journal of Music Theory (2013) 57 (1): 87–118.
Published: 01 April 2013
...Channan Willner Hemiolas are by definition metrically dissonant, in durational disagreement with the notated meter. But when extended metrical shifts (known also as afterbeats or afterbeat displacement ) displace a composition in part or in whole to the right (in order to emphasize the closing beat...
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Published: 01 April 2021
Example 7. Franco-Italian metric type and displacement dissonance in the trio. Tchaikovsky, Nutcracker , act 1, no. 9, Waltz of the Snowflakes, mm. 148–56. More
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Published: 01 October 2021
Example 18. Imperfect consonances displaced by syncopations. More
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Published: 01 April 2023
Figure 1.7. Using octave displacements to create “smeared” quartal and quintic voicings. A . A rootless G 7 voicing. B . A quintal hexachordal voicing. More
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Published: 01 April 2023
Figure 1.5. Eddie Harris's “Freedom Jazz Dance” opens with an octave-displaced open-position pentatonic voicing; the rest of the phrase hints at two other open-position pentatonic voicings. More
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Published: 01 April 2023
Figure 5.2. Octave displacements relating the close, tertian, and (3, 2, 1) or (1, 2, 3) voicings. Either the second lowest note moves up by an octave or the second highest note moves down by an octave. More
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Published: 01 October 2023
Figure 1. Gradual flexible approach to “fixed register” of twelve-tone chords in “Rycerze,” from Iłłakowicz Songs : (a) octave displacement of single notes, chord 1; (b) displacement of intrachordal segments, chord 2; (c) interchordal replication of segments. More
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Published: 01 April 2023
Figure 6.1B. A transformational graph relating pentachordal voicings, using different octave displacements. More
Journal Article
Journal of Music Theory (2008) 52 (2): 219–249.
Published: 01 October 2008
... voice leading with motion through Fourier space. Voice-leading displacements of each of the six interval classes can be associated with specific changes of position in each of the six Fourier spaces for twelve-tone equal temperament. Likewise, displacement spaces, showing all of the sets that can...
Journal Article
Journal of Music Theory (2021) 65 (1): 11–16.
Published: 01 April 2021
... through whole-body displacement is different in kind from that required to create music through displacement of air molecules. The essay focuses on different conceptions of beats, of the counting numbers that represent them, of precise temporal regularity, and of the relationship between meter...
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Published: 01 April 2023
Figure 1.6. The first theme of Mozart's Symphony no. 40, I, K. 550, opens with an octave-displaced tertian voicing of the G melodic minor scale. More
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Published: 01 April 2023
Figure 6.1A. A transformational graph relating pentachordal voicings. Moving along the pentagon transposes along the chord; moving between pentagons relates voicings by octave displacement. More
Journal Article
Journal of Music Theory (2021) 65 (1): 139–169.
Published: 01 April 2021
... displaced temporally—and general patterns of motivic development and metric manipulation. Balanchine's use of funky rhythms resonates with his characteristic on-top-of-the-beat step timing, offbeat visual accentuation, and jazz-dance-inspired movements, attesting to the adoption of both Africanist...
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Journal Article
Journal of Music Theory (2021) 65 (1): 39–80.
Published: 01 April 2021
...Rebecca Simpson-Litke Abstract This article examines some of the complex interactions between salsa music and dance by focusing on physical interpretations of specific types of metric ambiguities and disruptions. It explores both the fairly frequent displacement dissonances that arise when...
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Published: 01 April 2023
as an octave-displaced quartal or nearly quartal voicing. J 5 is the neo-Riemannian voice leading preserving the chromatic cluster (shown with open note heads). More
Journal Article
Journal of Music Theory (2021) 65 (1): 107–137.
Published: 01 April 2021
...Example 7. Franco-Italian metric type and displacement dissonance in the trio. Tchaikovsky, Nutcracker , act 1, no. 9, Waltz of the Snowflakes, mm. 148–56. ...
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Journal Article
Journal of Music Theory (2014) 58 (1): 67–77.
Published: 01 April 2014
.... As Rumph points out, the gavotte and the learned style share the same figura, which he calls “the metrical displacement of duple meter” (95). “From the opening bars, the fourth-species suspensions emphasize the third beat, estab...
Journal Article
Journal of Music Theory (2000) 44 (1): 1–43.
Published: 01 April 2000
... but as part of a tonic whose fifth is temporarily displaced; this is the interpretation indicated by the graph in ex. 4b.12 Yet in the motivic dimension—and I would argue in this case even in the prolongational dimension—the 6/3 chord does have an additional B-minor resonance to it. This resonance arises...
Journal Article
Journal of Music Theory (2009) 53 (1): 57–94.
Published: 01 April 2009
... of the layers of motion active in the piece.14 Of the two categories of metrical dissonance, grouping dissonance and displacement dissonance, the latter is more strongly relevant to Chopin’s mazurkas.15 Displacement dissonance occurs when two layers...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2023) 67 (1): 1–70.
Published: 01 April 2023
...Figure 1.7. Using octave displacements to create “smeared” quartal and quintic voicings. A . A rootless G 7 voicing. B . A quintal hexachordal voicing. ...
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