Skip Nav Destination
Close Modal
1-20 of 85
Search Results for dialogue
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
Music in Dialogue: Conversational, Literary, and Didactic Discourse about Music in the Renaissance
Available to Purchase
Journal of Music Theory (2008) 52 (1): 41–74.
Published: 01 April 2008
...Cristle Collins Judd This article takes Thomas Morley's A Plaine and Easie Introduction to Practicall Musicke (1597) as a point of departure for exploring a group of sixteenth-century texts that place music, especially as represented by musical notation, within the form of a dialogue. Music...
View articletitled, Music in <span class="search-highlight">Dialogue</span>: Conversational, Literary, and Didactic Discourse about Music in the Renaissance
View
PDF
for article titled, Music in <span class="search-highlight">Dialogue</span>: Conversational, Literary, and Didactic Discourse about Music in the Renaissance
Journal Article
Rameau’s Changing Views on Supposition and Suspension
Available to Purchase
Journal of Music Theory (2012) 56 (2): 121–167.
Published: 01 October 2012
... pratique (1760), with particular attention to the extensive discussion of the topic in the “Art de la basse fondamentale” (c. 1737–43). To a considerable degree, Rameau’s conception of supposition was worked out in dialogue with his critics. Retracing that dialogue helps to clarify a number of points...
Journal Article
Philosophy Recomposed: Stanley Cavell and the Critique of New Music
Available to Purchase
Journal of Music Theory (2010) 54 (1): 75–90.
Published: 01 April 2010
... and audience in an era that demands an unprecedented trust in the musical object. It thus engages its audience in its own critical project, in an open dialogue with traditional forms and functions. Both works suggest that modernist music can escape the cycle of justification between the musical object and its...
Journal Article
Toward a Predictive Theory of Theme Types
Available to Purchase
Journal of Music Theory (2020) 64 (1): 1–36.
Published: 01 April 2020
..., sonata theory s main hermeneutic strategies closely resemble Meyer s (1956) in Emotion and Meaning in Music: identify style-specific norms, assume that they regulate a listener s expecta- tions, treat the music as a dialogue between what a listener expects to happen and what actually happens, and focus...
Journal Article
Performative Analysis: Reimagining Music Theory for Performance by Jeffrey Swinkin
Available to Purchase
Journal of Music Theory (2018) 62 (1): 155–164.
Published: 01 April 2018
...
performance and analysis to interact without the former unduly dictating the
latter: “Analysis and performance run parallel and not perpendicular, as it
were—they are coequal interpretive enterprises. A performance that takes
inspiration from an analysis responds to it—engages in dialogue with it—rather...
Journal Article
Introduction
Free
Journal of Music Theory (2008) 52 (1): 3–8.
Published: 01 April 2008
... of the dialogue format in sixteenth-century
music theory treatises. Just as Fuller unravels the role of the musical incipits
and examples provided by Hucbald (which she also did so illuminatingly in
her 1996 article on Heinrich Glarean’s Dodecachordon), Judd focuses...
Journal Article
A Theory of Virtual Agency for Western Art Music by Robert S. Hatten
Available to Purchase
Journal of Music Theory (2020) 64 (2): 283–291.
Published: 01 October 2020
... be reinterpreted in terms of virtual subjectivity (chaps. 5 6). A conflict between internal and external agents could be an inner dialogue, and an actorial drama might be embedded within a narrative consciousness whose perspective would color characters and events (chap. 7). Hatten s approach to musical...
Journal Article
Interpreting Hucbald on Mode
Available to Purchase
Journal of Music Theory (2008) 52 (1): 13–40.
Published: 01 April 2008
... Ecclesiasticarum Documenta, Series Major Fontes VII-XII, 6 vols. Rome: Herder. Cited as CAO. Huglo, Michel. 1969 . “L'auteur du `Dialogue sur la Musique' attribué à Odon.” Revue de Musicologie 55/2 : 119 -71. Lipphardt, Walther. 1965 . Der Karolingische Tonar von Metz . Liturgiewissenschaftliche...
Journal Article
Agency and Information Content in Eighteenth and Early Nineteenth-Century String-Quartet Expositions
Available to Purchase
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
... Horn
8
Example 1. Ber lioz, Symphonie Fantastique, mvt. III, mm. 1–4, which contains an
obvious dialogue between two virtual agents
intention, animacy, interaction, and causality to stimuli that lack them—has
since been observed in several other studies.1...
Journal Article
Feinting Repeats, Repeating Feints: The Developmental “Double Return” in Brahms and Sonata Theory Typology
Available to Purchase
Journal of Music Theory (2023) 67 (1): 71–98.
Published: 01 April 2023
...-rondo is clearly one of the forms with which Brahms's finales can be considered to be “in dialogue,” and at least a few of them can be categorized as such, though it is worth noting the greater predilection in this composer's output for birotational designs for this movement (as Table 1b shows...
FIGURES
| View All (15)
Journal Article
Dvořák and Subordinate Theme Closure: “Positive” Analytic Results for a “Negative” Approach to Romantic Form
Available to Purchase
Journal of Music Theory (2020) 64 (2): 203–240.
Published: 01 October 2020
... practices that Horton s (2017b) essay focuses on remain in closer dialogue with classical con- ventions.13 Before considering the entire expositional trajectory of Brahms s 210 J O U R N A L o f M U S I C T H E O R Y 14 I refer to these symphonies to stress my point rhetori- cally; they are not part...
Journal Article
Building Blocks: Repetition and Continuity in the Music of Stravinsky
Available to Purchase
Journal of Music Theory (2012) 56 (2): 285–291.
Published: 01 October 2012
... . 2008 . “ Patternicity .” Scientific American 299/6 : 48 . Stravinsky Igor . 1964 . “ Dialogue about JFK .” New York Times , 6 December . Reprinted in Igor Stravinsky and Robert Craft, Themes and Episodes, 56–59. New York: Knopf, 1966 . Taruskin Richard . 2011 . “ Catching...
Journal Article
Form as Harmony in Rock Music
Available to Purchase
Journal of Music Theory (2023) 67 (1): 199–206.
Published: 01 April 2023
..., prechorus, postchorus, intro, and outro. Nobile presents his work in dialogue with other rock scholarship, frequently acknowledging it and occasionally disagreeing with it. Nobile's work is distinguished by its focus on structural analysis and structural listening, by its adaptation of Schenkerian...
Journal Article
The Presentism of Tonal Hearing
Available to Purchase
Journal of Music Theory (2024) 68 (1): 141–148.
Published: 01 April 2024
... best practice is to use the work of contemporaneous theorists (and pedagogues) as a reference point; we should attempt to analyze music in terms that these theorists articulated, or at least in terms that they would recognize. 7 In recent years, this dialogue between past and present has led to real...
Journal Article
Of Beginnings and Ends: A Corpus-Based Inquiry into the Rise of the Recapitulation
Available to Purchase
Journal of Music Theory (2017) 61 (2): 171–200.
Published: 01 October 2017
...
von Athen—were composed, sonata form was a firmly established norm. Hepo-
koski’s view of the forms of these overtures as being in dialogue with sonata
form is therefore both a plausible and productive frame for interpretation.7
Yet, as with any dialogic form...
Journal Article
Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata
Available to Purchase
Journal of Music Theory (2013) 57 (2): 383–418.
Published: 01 October 2013
... in dialogue with a community-
1 “Toute œuvre est l’œuvre de bien d’autres choses qu’un Theory: the mediation of the individual utterance (parole)
‘auteur through implicit conventions (langue) shared by composer
and public alike...
Journal Article
Introduction
Free
Journal of Music Theory (2021) 65 (1): 3–9.
Published: 01 April 2021
... Analysis for Music Scholars .” Dance Chronicle 36 , no. 2 : 196 – 217 . Smith Marian . 2005 . “ Counts and Beats: Moments in the Dialogue between Music and Dance .” In Proceedings of Sound Moves: An International Conference on Music and Dance , 176 – 86 . London : University...
Journal Article
Cycles in Webern’s Late Music
Available to Purchase
Journal of Music Theory (2018) 62 (2): 165–204.
Published: 01 October 2018
... Humplik , translated by Cardew Cornelius . Bryn Mawr, PA : Presser . Whittall Arnold . 1996 . “ Music–Discourse–Dialogue: Webern’s Variations, op. 30 .” In Webern Studies , edited by Bailey Kathryn , 264 – 91 . New York : Cambridge University Press . ...
Journal Article
Action and Agency Revisited
Available to Purchase
Journal of Music Theory (2013) 57 (2): 321–371.
Published: 01 October 2013
... . “ The Structure and Function of Musical Theory: I .” College Music Symposium 5 : 49 – 60 . BaileyShea Matthew . 2007 . “ The Struggle for Orchestral Control: Power, Dialogue, and the Role of the Orchestra in Wagner’s Ring .” 19th-Century Music 31 : 3 – 27 . Bekker Paul . 1911...
Journal Article
Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre : A Study of Operatic Convention in Wagnerian Music Drama
Available to Purchase
Journal of Music Theory (2021) 65 (2): 287–323.
Published: 01 October 2021
... subjects.” 26 Loge's narrative monologue unfolds in two parts—Darcy's ( 1993 : 147–57) episodes 8 and 9—separated by a short recitative dialogue between Loge and the other gods. 27 Sequential motion by major thirds is a well-known chromatic technique in Wagner's mature works. In neo...
FIGURES
| View All (17)
1
