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dialogue

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Journal Article
Journal of Music Theory (2008) 52 (1): 41–74.
Published: 01 April 2008
...Cristle Collins Judd This article takes Thomas Morley's A Plaine and Easie Introduction to Practicall Musicke (1597) as a point of departure for exploring a group of sixteenth-century texts that place music, especially as represented by musical notation, within the form of a dialogue. Music and...
Journal Article
Journal of Music Theory (2012) 56 (2): 121–167.
Published: 01 October 2012
... pratique (1760), with particular attention to the extensive discussion of the topic in the “Art de la basse fondamentale” (c. 1737–43). To a considerable degree, Rameau’s conception of supposition was worked out in dialogue with his critics. Retracing that dialogue helps to clarify a number of points...
Journal Article
Journal of Music Theory (2010) 54 (1): 75–90.
Published: 01 April 2010
... artwork and audience in an era that demands an unprecedented trust in the musical object. It thus engages its audience in its own critical project, in an open dialogue with traditional forms and functions. Both works suggest that modernist music can escape the cycle of justification between the musical...
Journal Article
Journal of Music Theory (2018) 62 (2): 347–358.
Published: 01 October 2018
... . Kaija Saariaho: Visions, Narratives, Dialogues . Farnham : Ashgate . Hutcheon Linda . 1988 . A Poetics of Postmodernism: History, Theory, Fiction . New York : Routledge . Lochhead Judy . 2016 . Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis...
Journal Article
Journal of Music Theory (2008) 52 (1): 13–40.
Published: 01 April 2008
...) is well conceived, but in diver­ 7 The “student” in the early-eleventh-century Dialogus de sos modos seems looser and more evocative of repertory musica, for example, is astounded that a properly marked than...
Journal Article
Journal of Music Theory (2018) 62 (1): 155–164.
Published: 01 April 2018
... interpretive enterprises. A performance that takes inspiration from an analysis responds to it—engages in dialogue with it—rather than instantiates it” (40). A performative attitude toward Schenkerian analysis in particular is the subject of chapter 2 (“Two Interpretive Roles which poses the...
Journal Article
Journal of Music Theory (2018) 62 (2): 165–204.
Published: 01 October 2018
... Humplik Josef . 1967 . Letters to Hildegard Jone and Josef Humplik , translated by Cardew Cornelius . Bryn Mawr, PA : Presser . Whittall Arnold . 1996 . “ Music–Discourse–Dialogue: Webern’s Variations, op. 30 .” In Webern Studies , edited by Bailey Kathryn , 264 – 91 . New...
Journal Article
Journal of Music Theory (2008) 52 (1): 3–8.
Published: 01 April 2008
...- ously considered routine: the use of the dialogue format in sixteenth-century music theory treatises. Just as Fuller unravels the role of the musical incipits and examples provided by Hucbald (which she also did so illuminatingly in her 1996 article on Heinrich...
Journal Article
Journal of Music Theory (2020) 64 (2): 283–291.
Published: 01 October 2020
... mentioned earlier, agential play involving the first three levels can be reinterpreted in terms of virtual subjectivity (chaps. 5 6). A conflict between internal and external agents could be an inner dialogue, and an actorial drama might be embedded within a narrative consciousness whose perspective would...
Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
... Jackson Timothy , 322 – 51 . Cambridge : Cambridge University Press . Hepokoski James . 2016 . “ Sonata Theory, Secondary Themes and Continuous Expositions: Dialogues with Form-Functional Theory .” Music Analysis 35 , no. 1 : 44 – 74 . Hepokoski James Darcy Warren...
Journal Article
Journal of Music Theory (2012) 56 (2): 285–291.
Published: 01 October 2012
...: Norton. Shermer, Michael. 2008. “Patternicity.” Scientific American 299/6: 48. Stravinsky, Igor. 1964. “Dialogue about JFK.” New York Times, 6 December. Reprinted in Igor Stravinsky and Robert Craft, Themes and Episodes, 56–59. New York: Knopf, 1966. Taruskin,  richard. 2011. “Catching Up...
Journal Article
Journal of Music Theory (2020) 64 (2): 203–240.
Published: 01 October 2020
... Smith Peter H. , 217 – 51 . Bloomington : Indiana University Press . Hepokoski James . 2016 . “ Sonata Theory, Secondary Themes, and Continuous Expositions: Dialogues with Form-Functional Theory .” Music Analysis 35 , no. 1 : 44 – 74 . Hepokoski James...
Journal Article
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
... Horn 8 Example 1. Ber lioz, Symphonie Fantastique, mvt. III, mm. 1–4, which contains an obvious dialogue between two virtual agents intention, animacy, interaction, and causality to stimuli that lack them—has since been observed in several other studies.1...
Journal Article
Journal of Music Theory (2020) 64 (1): 1–36.
Published: 01 April 2020
... regulate a listener s expecta- tions, treat the music as a dialogue between what a listener expects to happen and what actually happens, and focus on deferred or frustrated expectations as the main locus of meaning. Even Hepokoski and Darcy s (2006: 11) defini- tion of deformation as an imaginative...
Journal Article
Journal of Music Theory (2013) 57 (2): 321–371.
Published: 01 October 2013
... Milton . 1965 . “ The Structure and Function of Musical Theory: I .” College Music Symposium 5 : 49 – 60 . BaileyShea Matthew . 2007 . “ The Struggle for Orchestral Control: Power, Dialogue, and the Role of the Orchestra in Wagner’s Ring .” 19th-Century Music 31 : 3 – 27...
Journal Article
Journal of Music Theory (2020) 64 (2): 241–281.
Published: 01 October 2020
... Systems’ .” Journal of Music Theory Pedagogy 6 : 137 – 51 . Houlahan Micheál Tacka Philip . 1994 . “ Continuing the Dialogue: The Potential of Relative Solmization for the Music Theory Curriculum at the College Level .” Journal of Music Theory Pedagogy 8 : 221 – 25...
Journal Article
Journal of Music Theory (2014) 58 (1): 25–56.
Published: 01 April 2014
...” Peter H. Smith    Schumann’s Continuous Expositions 31 that nevertheless recall, and remain in dialogue with, past practice, in this case the eighteenth-century practice of continuous exposition. I hasten to add that my point is not to deny that Schumann develops an alternative to tonal...
Journal Article
Journal of Music Theory (2013) 57 (2): 383–418.
Published: 01 October 2013
... in dialogue with a community- 1 “Toute œuvre est l’œuvre de bien d’autres choses qu’un Theory: the mediation of the individual utterance (parole) ‘auteur through implicit conventions (langue) shared by composer and public...
Journal Article
Journal of Music Theory (2016) 60 (1): 51–88.
Published: 01 April 2016
... that Schumann composed his three op. 41 string quartets least among Schenkerians, Drabkin (2002, 837) observes both as a unified set and in dialogue with this “A-minor that “Schenker provided substantial analyses neither of...
Journal Article
Journal of Music Theory (2008) 52 (2): 181–218.
Published: 01 October 2008
... composi- 3  Simon Keefe has produced a network of studies that build tional substance. Moreover, the emphasis of “virtuosity” upon Koch’s formulation of the concerto as dialogue. See in has shifted since the late...