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Journal Article
Journal of Music Theory (2015) 59 (1): 99–119.
Published: 01 April 2015
... (1636–37), emphasizes delivery ( pronuntiatio or actio ) rather than style ( elocutio ) as the basis for comparing the two disciplines. As such, it offers a notable contrast to the more familiar analogies put forth by the German theorists who have tended to dominate our perspective. At the heart...
Journal Article
Journal of Music Theory (2016) 60 (2): 281–294.
Published: 01 October 2016
... are their one-word titles—“Style,” “Friction,” “Persona,” “Syntheses,” and so on—which unfortunately do not always correspond in obvious ways to the topics within. For instance, “Shape” does not include discussion of melody— that comes instead in “Delivery...
Journal Article
Journal of Music Theory (2008) 52 (2): 181–218.
Published: 01 October 2008
... on Composition . New Haven: Yale University Press. Partial translation of Koch 1782–93. Bauer, Wilhelm A., Otto Erich Deutsch, J. H. Eibl, and Ulrich Konrad, eds. 2005 . Mozart: Breife und Aufzeichnungen: Gesamtausgabe . Expanded ed., vol. 3 . Kassel: Bärenreiter. Beghin, Tom. 2007 . “ `Delivery...
Journal Article
Journal of Music Theory (2018) 62 (1): 145–154.
Published: 01 April 2018
... a delivery vehicle. What follows, then, is an abbreviated and selective exercise offering scattered observations about each of the lessons. Lesson 1 defines the linear progression and then exemplifies its work- ing in music by Schubert and Bach (Brahms and Mozart...
Journal Article
Journal of Music Theory (2001) 45 (1): 151–162.
Published: 01 April 2001
... in the Oster Collection that Schenker became dissatisfied with delays expe- rienced in getting the later issues into print, in spite of his prompt delivery of copy. 14. Vol. I, 1925; Vol. II, 1926; Vol. III, 1930. 15. Her moving account of Schenker’s last words, which she recorded in the last pages...
Journal Article
Journal of Music Theory (2008) 52 (1): 75–122.
Published: 01 April 2008