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delivery
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Journal Article
Journal of Music Theory (2015) 59 (1): 99–119.
Published: 01 April 2015
... (1636–37), emphasizes delivery ( pronuntiatio or actio ) rather than style ( elocutio ) as the basis for comparing the two disciplines. As such, it offers a notable contrast to the more familiar analogies put forth by the German theorists who have tended to dominate our perspective. At the heart...
Journal Article
Journal of Music Theory (2023) 67 (2): 339–347.
Published: 01 October 2023
... the Popular Singing Voice (2020) by Victoria Malawey aims to do this by “providing a systematic approach for discussing the wide-ranging and often ineffable aspects of vocal delivery in popular music recordings” (2). There are many challenges that any such approach needs to overcome. First, one needs...
Journal Article
Journal of Music Theory (2022) 66 (2): 303–314.
Published: 01 October 2022
... by the exigencies of hip-hop's compositional process(es) and live performance. Chapter 8 analyzes how Talib Kweli's supposedly “off-beat” delivery can be reconciled with more general features represented by the corpus. This chapter addresses issues of microtiming and quantization that are vital rhythmic topics...
FIGURES
Journal Article
Journal of Music Theory (2016) 60 (2): 281–294.
Published: 01 October 2016
... are their one-word titles—“Style,” “Friction,” “Persona,” “Syntheses,” and
so on—which unfortunately do not always correspond in obvious ways to the
topics within. For instance, “Shape” does not include discussion of melody—
that comes instead in “Delivery...
Journal Article
Journal of Music Theory (2008) 52 (2): 181–218.
Published: 01 October 2008
... on Composition . New Haven: Yale University Press. Partial translation of Koch 1782–93. Bauer, Wilhelm A., Otto Erich Deutsch, J. H. Eibl, and Ulrich Konrad, eds. 2005 . Mozart: Breife und Aufzeichnungen: Gesamtausgabe . Expanded ed., vol. 3 . Kassel: Bärenreiter. Beghin, Tom. 2007 . “ `Delivery...
Journal Article
Journal of Music Theory (2018) 62 (1): 145–154.
Published: 01 April 2018
... entailments of that reading is to risk saying something banal,
something flat. Analytic results simply do not travel well when jettisoned from
a delivery vehicle. What follows, then, is an abbreviated and selective exercise
offering scattered observations about each...
Journal Article
Journal of Music Theory (2001) 45 (1): 151–162.
Published: 01 April 2001
..., in spite of his prompt delivery of copy.
14. Vol. I, 1925; Vol. II, 1926; Vol. III, 1930.
15. Her moving account of Schenker’s last words, which she recorded in the last pages
of his diary, is reproduced on p. 46.
16. Aside from the Schenkers’ own entertaining—occasions on which guests clearly...
Journal Article
Journal of Music Theory (2021) 65 (2): 375–386.
Published: 01 October 2021
... and effects available as well as the timbral variety within individual instrumental parts—and within vocal parts as well, because a much wider range of vocal timbres and techniques is acceptable in rock performance practice (e.g., vocal fry, very nasal timbres, unpitched delivery) than in classical...
Journal Article
Journal of Music Theory (2023) 67 (1): 171–186.
Published: 01 April 2023
... poems in Machaut's motet oeuvre due to musical factors, such as when absence of a rest at the end of a final tenor talea shortens the space for text delivery or the terminus prevents what has been regular phase overlap. Tenor factors explain, for instance, why in the triplum text of Machaut's M7...
Journal Article
Journal of Music Theory (2008) 52 (1): 75–122.
Published: 01 April 2008
... be common; in
specialized matters let the style be proper to each. Let the distinctive quality of
each subject be respected.20 (Gallo 1971, 72)
In further comments about oral delivery, Geoffroi mentions such
performative—but probably not musical—techniques as a “caustic voice...