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debussy

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Journal Article
Journal of Music Theory (2004) 48 (2): 219–294.
Published: 01 October 2004
.... Holdsworth, Allan. 1993 . Just for the Curious . Miami: Warner. Howat, Roy. 1983 . Debussy in Proportion. New York: Cambridge. Huron, David. 1994 . “Interval-class content in equally tempered pitch-class sets: Common scales exhibit optimum tonal consonance.” Music Perception 11 : 289 -305...
Journal Article
Journal of Music Theory (2004) 48 (2): 295–324.
Published: 01 October 2004
... . “Approaching Debussy's Ondine.” Cahiers Debussy 6 : 22 -35. Hasty, Christopher. 1986 . “On the Problems of Succession and Continuity in Twentieth-Century Music.” Music Theory Spectrum 7 : 58 -74. Hopkins, G. W. 1980 . “Stockhausen, Karlheinz.” In The New Grove Dictionary of Music and Musicians...
Journal Article
Journal of Music Theory (2016) 60 (2): 213–262.
Published: 01 October 2016
... proposes the use of phase spaces and Quinn's harmonic qualities in analysis of a wide variety of twentieth-century styles. The main focus is on how these ideas relate to scale-theoretic concepts and the repertoires to which they are applied, such as the music of Debussy, Satie, Stravinsky, Ravel...
Journal Article
Journal of Music Theory (2004) 48 (1): 69–98.
Published: 01 April 2004
... University. Carpenter, Patricia. 1983 . “Grundgestalt as Tonal Function.” Music Theory Spectrum 5 : 15 -38. Cohn, Richard. 1997 . “Neo-Riemannian Operations, Parsimonious Trichords, and their Tonnetz Representations.” Journal of Music Theory 41/1 : 1 -66. Debussy, Claude. 1987 [1884-1918...
Journal Article
Journal of Music Theory (2014) 58 (2): 179–233.
Published: 01 October 2014
... of generated heptachords leading to an attractive scalar model. The theoretical model is illustrated by analyses of chromatic passages from music by Mozart, Chopin, and Debussy. A preliminary version of this article was presented at the Clough Memorial Conference, New Haven, Connecticut, June 13, 2012. I...
Journal Article
Journal of Music Theory (2016) 60 (1): 1–21.
Published: 01 April 2016
... main claim, that three songs by Hugo Wolf ending on nontonic chords suggest that they contain Schenkerain prolongations, being at once dissonant and tonal. The article ends by considering three tonal works by Brahms, Debussy, and Schoenberg that, though tonal and not completely dissonant, contain...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 207–283.
Published: 01 October 2002
... Spectrum 14 : 150 -70. Don, Gary W. 2001 . “Brilliant Colors Provocatively Mixed: Overtone Structures in the Music of Debussy.” Music Theory Spectrum 23 : 61 -73 Dubiel, Joseph. 1990 . “When You are a Beethoven: Kinds of Rules in Schenker's Counterpoint.” Journal of Music Theory 34 : 291...
Journal Article
Journal of Music Theory (2011) 55 (1): 147–153.
Published: 01 April 2011
... Polignac (1865–1943) and Her Salon . London : Hamish Hamilton . d'Indy Vincent . 1912 . Cours de composition musicale (1897–98) , ed. Sérieyx Auguste . Vol. 1 . Paris : Durand . Forte Allen . 1991 . '' Debussy and the Octatonic. '' Music Analysis 10 : 125 – 69...
Journal Article
Journal of Music Theory (2001) 45 (2): 491.
Published: 01 October 2001
... 2001 © Yale University, New Haven, Connecticut 06520 2001 CONTRIBUTORS Mark Anson-Cartwright is Assistant Professor of Music at Hofstra University. Matthew Brown is Associate Professor of Music Theory at the Eastman School of Music. His book on Debussy's Iberia...
Journal Article
Journal of Music Theory (2005) 49 (2): 333–357.
Published: 01 October 2005
... . “The Consecutive-Semitone Constraint on Scalar Structure: A Link Between Impressionism and Jazz.” Intégral 11 : 135 –79. ———. 2004 . “Scale Networks and Debussy.” Journal of Music Theory 48 : 219 –94. Waters, Keith. 2000 . “What Is Modal Jazz?” Jazz Educator's Journal 33/1 : 53 –55...
Journal Article
Journal of Music Theory (2007) 51 (2): 245–276.
Published: 01 October 2007
... . “Formulaic Openings in Debussy.” Nineteenth-Century Music 8 : 44 -59. Huron, David. 2006 . Sweet Anticipation: Music and the Psychology of Expectation . Cambridge: MIT Press. Iser, Wolfgang. 1978 . The Act of Reading: A Theory of Aesthetic Response . Baltimore: Johns Hopkins University Press...
Journal Article
Journal of Music Theory (2013) 57 (1): 159–191.
Published: 01 April 2013
..., Tymoczko uses it effec- tively to analyze passages by Debussy, Ravel, and others. A pragmatic diffi- culty arises, though: the larger the collection, the harder it is to imagine its space and its near neighbors. He shows a clever way of representing nearly even collections in two- or three...
Journal Article
Journal of Music Theory (2018) 62 (1): 85–118.
Published: 01 April 2018
... Donald Francis . 1939 . Essays in Musical Analysis . Vol. 6 . London : Oxford University Press . Tymoczko Dmitri . 2004 . “ Scale Networks and Debussy .” Journal of Music Theory 48 / 2 : 219 – 94 . Tymoczko Dmitri . 2011 . A Geometry of Music: Harmony and Counterpoint...
Journal Article
Journal of Music Theory (2007) 51 (2): 187–210.
Published: 01 October 2007
... Press. Pomeroy, D. Boyd. 2004 . “Tales of Two Tonics: Directional Tonality in Debussy's Orchestral Music.” Music Theory Spectrum 26 : 87 -118. Rameau, Jean-Philippe. [1722] 1971 . Treatise on Harmony . Translated and edited by Philip Gossett. New York: Dover. Robertson, Ritchie. 2007...
Journal Article
Journal of Music Theory (2013) 57 (2): 193–243.
Published: 01 October 2013
... the relatively homogeneous orchestration of Brahms and Bruckner, Rob- ert Hirschfeld specifically criticizes Mahler’s and Debussy’s instrumentation for overexposing disruptive detail: “dissecting,” “unraveling,” “splitting,” “ana- lyzing,” and “dissolving” the whole...
Journal Article
Journal of Music Theory (2001) 45 (1): 162–169.
Published: 01 April 2001
... or Beethoven directly by some affront to the name of art by Debussy, Ravel, Stravinsky, or some such . . . ” (II, 130). Schenker analyzes two examples of music composed during the twentieth-century, a passage from Stravinsky’s Piano Con- certo (1923–24) and Reger’s Variations and Fugue on a Theme by Bach...
Journal Article
Journal of Music Theory (2015) 59 (1): 183–190.
Published: 01 April 2015
... supports and cuts across the structural relationships dictated by these norms. Similarly, the analysis of Debussy’s “Harmonie du soir,” from Cinq poèmes de Baudelaire (chap. 5), illustrates a nuanced understanding of text-music relation- ships, which goes far beyond...
Journal Article
Journal of Music Theory (2006) 50 (1): 25–63.
Published: 01 April 2006
... Movement of Webern's Piano Variations Opus 27.” Journal of Music Theory 39/1 : 47 –76. Oster, Ernst. 1960 . “A New Concept of Tonality (?)” Journal of Music Theory 4/1 : 85 –98. Parks, Richard. 1985 . “Tonal Analogues as Atonal Resources and Their Relation to Form in Debussy's Chromatic...
Journal Article
Journal of Music Theory (2004) 48 (1): 25–68.
Published: 01 April 2004
Journal Article
Journal of Music Theory (2010) 54 (1): 5–23.
Published: 01 April 2010
... in the atonal style of my teachers but had received next to no useful information about contemporary tonal composition: Debussy, jazz, Stravinsky, and Sho­ stakovich were closed books to me, impervious to the analytical methods of my teachers. Nor did music theory seem particularly promising...