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Journal Article
Journal of Music Theory (2016) 60 (2): 181–212.
Published: 01 October 2016
...Philip Stoecker In this article I investigate aligned cycles. First identified by Alban Berg in a letter to Arnold Schoenberg and later discussed by George Perle and David Headlam, an aligned cycle is when two (or more) interval cycles unfold in the same direction in a note-against-note alignment...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 153–205.
Published: 01 October 2002
.... Christopher Hatch and David W. Bernstein. Chicago: University of Chicago Press. Buchler, Michael. 1997 . “ Relative Saturation of Subsets and Interval Cycles as a Means for Determining Set-Class Similarity .” Ph.D. diss., University of Rochester. Carey, Norman, and David Clampitt. 1989 . “Aspects...
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Published: 01 April 2021
Example 5. Franco-Italian “four-cycle” counts. Tchaikovsky, Sleeping Beauty , prologue, no. 3 pas de six , variation 4, Canari qui chante , mm. 1–12. Example 5. Franco-Italian “four-cycle” counts. Tchaikovsky, Sleeping Beauty, prologue, no. 3 pas de six, variation 4, Canari qui chante, mm More
Journal Article
Journal of Music Theory (2018) 62 (2): 165–204.
Published: 01 October 2018
... principle produces an ordering of pitch classes that lies behind small formal units, cycles order the presentation of twelve-tone rows and give structure to large formal spans. The present study explores four cyclic organizational principles in works from the String Quartet, op. 28 (1938), to the Second...
Journal Article
Journal of Music Theory (2008) 52 (2): 273–320.
Published: 01 October 2008
... cycles. Strictly tiered polyphony figures prominently in Brahms's piano music, where it lends passages an aura of extreme drive and inexorability. Importantly, awareness of this texture can provide insights into Brahms's works unavailable through conventional approaches. The analytical portion...
Journal Article
Journal of Music Theory (2017) 61 (1): 111–140.
Published: 01 April 2017
... ideas of key. Starting with Edward Gollin's recent generalization of Moritz Hauptmann's key representations as “multiaggregate cycles”—which he also uncovers on the surface of and in the relations between harmonies in Bartók's music—the article briefly reconsiders Hauptmann's theories and depictions...
Journal Article
Journal of Music Theory (2013) 57 (1): 1–45.
Published: 01 April 2013
... for the analysis of this repertoire. To this end, an alternative to standard theories of genre is advanced, one that draws on actor-network theory to destabilize categories too often conceived as fixed, solid, and binding. This revised theory of genre is applied to Gérard Grisey’s six-part cycle, Les espaces...
Journal Article
Journal of Music Theory (2015) 59 (2): 273–320.
Published: 01 October 2015
..., harmonic functions, or pitch centricity. The Dasian space is a closed, nonoctave repeating scalar cycle, where each element is identified by a unique coordination of pitch class and modal quality. The dual description of each element enables both the specification of location in a given cycle...
Journal Article
Journal of Music Theory (2008) 52 (2): 219–249.
Published: 01 October 2008
...Justin Hoffman Recent music-theoretical research has proposed two ways of mapping the pitch-class set universe. Fourier spaces, constructed by Quinn, relate sets to one another based upon their composition from members of interval cycles, reflecting what might be called “harmonic quality.” Voice...
Journal Article
Journal of Music Theory (2010) 54 (1): 75–90.
Published: 01 April 2010
... and audience in an era that demands an unprecedented trust in the musical object. It thus engages its audience in its own critical project, in an open dialogue with traditional forms and functions. Both works suggest that modernist music can escape the cycle of justification between the musical object and its...
Journal Article
Journal of Music Theory (2006) 50 (2): 253–275.
Published: 01 October 2006
... of the 5-6 cycle are separately considered. The 5-phase trajectories are classified as diatonic, idiosyncratic, or obstinate. Despite its long history and current dominance, the mode of analysis based on Roman numerals and tonicizations is eschewed for sequential progressions. Instead, the connective role...
Journal Article
Journal of Music Theory (2006) 50 (1): 65–76.
Published: 01 April 2006
..., as well as a cyclic harmonic plan that reflects the yearly cycle and the notion of spiritual transformation. © 2008 by Yale University 2008 William Renwick is professor of music theory at McMaster University. He is currently working on an online edition of the Music of the Sarum Office...
Journal Article
Journal of Music Theory (2006) 50 (1): 77–101.
Published: 01 April 2006
... Fanny Mendelssohn Hensel's setting of Bach's “Das alte Jahr” in the concluding “Nachspiel” of her piano song cycle, Das Jahr , as suggesting interactions of public and private sonic worlds. I follow potential tonal-harmonic alternatives (after Schoenberg and Berg on the chorale) and implications...
Journal Article
Journal of Music Theory (2007) 51 (2): 277–332.
Published: 01 October 2007
... Even Sets.” Journal of Mathematics and Music 1/3 : 1 -14. Buchler, Michael. 1997 . “Relative Saturation of Subsets and Interval Cycles as a Means for Determining Set-Class Similarity.” Ph.D. diss., University of Rochester. ____. 2000 . “Broken and Unbroken Interval Cycles and Their Use...
Journal Article
Journal of Music Theory (2005) 49 (2): 333–357.
Published: 01 October 2005
.... ———. 1986 . “Interval Cycles in Stravinsky's Early Ballets.” Journal of the American Musicological Society 39 : 578 –614. Forte, Allen. 1995 . The American Popular Ballad of the Golden Era, 1924–1950 . Princeton, NJ: Princeton University Press. Gridley, Mark. 1994 . Jazz Styles: History...
Journal Article
Journal of Music Theory (2000) 44 (2): 323–379.
Published: 01 October 2000
... 11 / 2 : 187 –206. Churchland, Paul M. 1995 . The Engine of Reason, the Seat of the Soul . Cambridge, Massachusetts: The MIT Press. Cohn, Richard. 1996 . “Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions.” Music Analysis 15 / 1 : 9 –40...
Journal Article
Journal of Music Theory (2011) 55 (1): 43–88.
Published: 01 April 2011
... . '' Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions. '' Music Analysis 15/1 : 9 – 40 . ———. 1997 . '' Neo-Riemannian Operations, Parsimonious Trichords, and Their `Tonnetz' Representations. '' Journal of Music Theory 41/1 : 1 – 66 . ———. 1998...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2001) 45 (2): 263–343.
Published: 01 October 2001
...Michael Buchler 2001 © Yale University, New Haven, Connecticut 06520 2001 Buchler, Michael. 1997 . “ Broken and Unbroken Interval Cycles and Their Use in Determining Pitch-Class Set Resemblance .” Ph.D. diss., University of Rochester. ____. 2000 . “Relative Saturation of Subsets...
Journal Article
Journal of Music Theory (2017) 61 (2): 243–287.
Published: 01 October 2017
... Approach ”. Studia Musicologica Academiae Scientiarium Hungaricae 43 / 3–4 : 323 – 32 . Cohn Richard . 1996 . “ Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions .” Music Analysis 15 / 1 : 9 – 40 . Cohn Richard . 1997 . “ Neo...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 57–126.
Published: 01 October 2002
... Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions.” Music Analysis 15 : 9 -40. ____. 1997 . “Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations.” Journal of Music Theory 41 : 1 -66. ____. 1998a . “Introduction to Neo...