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criteria

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Journal Article
Journal of Music Theory (2001) 45 (2): 345–433.
Published: 01 October 2001
... Contemporary Music Theory, edited by Benjamin Boretz and Edward T. Cone. New York: Norton. 1972. ORIENTATIONS, CRITERIA, SEGMENTS: A GENERAL THEORY OF SEGMENTATION FOR MUSIC ANALYSIS Dora A. Hanninen the non-trivial aspect of...
Journal Article
Journal of Music Theory (2019) 63 (1): 35–70.
Published: 01 April 2019
... modifies the prototypical big-band arrangement by merging the solo section with the ensemble feature, resulting in a trademark “Solo-Recapitulation trajectory,” which creates a deep-level structure comprising three “Spaces.” “Space division criteria” capture how broad expectations for jazz performance...
Journal Article
Journal of Music Theory (2009) 53 (2): 255–304.
Published: 01 October 2009
... describe and give detailed criteria for identifying each technique. In doing so, I provide a new vocabulary by which scholars and analysts can model the way in which they hear chromatic music from this period. 2009 2009 Kyle Adams is assistant professor of music theory and aural skills...
Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
... they marshal different criteria and model out-of-phase relationships between, say, formal boundaries and Schenkerian tonal pillars. Throughout, the emphasis is on dynamic interactions between a type 2 movement’s generic formal characteristics and its compositional idiosyncrasies. Two movements...
Journal Article
Journal of Music Theory (2017) 61 (2): 201–242.
Published: 01 October 2017
... units stressed through sonic and contextual criteria, thus providing insight into the syntactic elements of the musical language and indicating listening and analytic strategies for this music. Copyright © 2017 by Yale University 2017 Pierre Boulez Domaines transformational theory composing...
Journal Article
Journal of Music Theory (2015) 59 (1): 183–190.
Published: 01 April 2015
... great detail both the logical relationships among each of its components and their musi- cal implications. It consists of two chapters, “Orientations, Criteria, Segments” and “Associative Sets and Associative Organization.” Part 3 applies the theory...
Journal Article
Journal of Music Theory (2004) 48 (2): 147–218.
Published: 01 October 2004
... close with some thoughts on categories, levels of music analysis, and inter-level relations among categories, seg- ments, and criteria for segmentation. First, a word on context, terminology, and application of the ideas herein. Association, categories, and categorization play such an impor...
Journal Article
Journal of Music Theory (2020) 64 (1): 1–36.
Published: 01 April 2020
... First-Movement Form .” Music and Letters 92 , no. 1 : 43 – 83 . Horton Julian . 2017 . “ Criteria for a Theory of Nineteenth-Century Sonata Form .” Music Theory and Analysis 4 , no. 2 : 147 – 91 . Huang Yanping Rao Rajesh P. N. 2011 . “ Predictive Coding .” Wiley...
Journal Article
Journal of Music Theory (2001) 45 (2): 233–261.
Published: 01 October 2001
... tonal scheme.8 While the proposed criteria for determin- ing directional tonality (to be reviewed presently) have been convinc- ingly applied to some pieces, I believe that other ostensibly directional pieces must be judged according to different criteria. “Phänomen” is an especially instructive...
Journal Article
Journal of Music Theory (2013) 57 (1): 131–149.
Published: 01 April 2013
...). In chapters 2 and 3 the author presents six “criteria for analysis” that encapsulate the salient, perceptible features of romantic music: topics (topoi), the beginning-middle-ending paradigm, high points, periodicity, the three modes of enunciation (speech...
Journal Article
Journal of Music Theory (2012) 56 (2): 285–291.
Published: 01 October 2012
... demonstrate not only that the music is effective but also that the composer’s process of shaping it implied definite criteria of effectiveness, she makes frequent and profitable reference to Stravinsky’s sketches. (I have often voiced skepticism about the relevance...
Journal Article
Journal of Music Theory (2016) 60 (2): 263–279.
Published: 01 October 2016
...- ously analyzable as part of a twelve-tone series form) and symmetry (consider- ing inversional symmetry in pitch space, palindromic retrograde symmetry, or both).4 These criteria serve as normative frames against which the events of a piece can be understood...
Journal Article
Journal of Music Theory (2010) 54 (1): 61–74.
Published: 01 April 2010
... with no established criteria to determine whether the decisions, gestures, and actions inscribed in a work were in fact meant or not, it was impossible to say if a piece merited serious attention, let alone the sort of commitment or attachment...
Journal Article
Journal of Music Theory (1999) 43 (1): 165–190.
Published: 01 April 1999
... relate to proportional tempi, to deviations from exact proportions and criteria for judging their significance or lack of it, to issues of temporal order threshold and consequent aspects of temporal perception. Chapter 9 offers case studies of music from seven nonwestern cultures which sug- gest that...
Journal Article
Journal of Music Theory (2010) 54 (1): 121–140.
Published: 01 April 2010
... language and life into imagination. What I require is a convening of my culture’s criteria, in order to confront them with my words and life as I pursue them and as I may imagine them; and at the same time to confront my words and life as I pursue them with the life my cul...
Journal Article
Journal of Music Theory (2003) 47 (1): 103–123.
Published: 01 April 2003
.... So we must return to the larger catalog, scanning it this time with two criteria in mind, in order to discover the progressions listed in Table 4. As the intervallic criteria for a progression grow more complex, the strategy of searching a catalog for progression vectors that match each...
Journal Article
Journal of Music Theory (2000) 44 (1): 231–236.
Published: 01 April 2000
... . . . “the assimilation by one [component] of all the others.” (p. 26) Cross asks whose ideals call for such an assimilation, and asks why such a relation should be necessary, implying that Cone’s analysis imposes 234 faulty aesthetic criteria upon Stravinsky’s work. He much prefers van den...
Journal Article
Journal of Music Theory (2000) 44 (1): 171–229.
Published: 01 April 2000
Journal Article
Journal of Music Theory (2000) 44 (1): 1–43.
Published: 01 April 2000
... influence on analysis of pro- longational structure; in extreme cases, they may even lead an analyst to a problematic reading according to other standard Schenkerian criteria. In the Schubert and Brahms examples, connections in the top voice stand on the border between association and prolongation...
Journal Article
Journal of Music Theory (1999) 43 (1): 135–163.
Published: 01 April 1999
...- hibits perfectly coherent and smooth voice leading across the interrup- tions” (p. 127, italics in original), so that each stream forms a “normal” succession when its fragments are joined in succession.3 Some sort of rough continuity can perhaps be claimed for the strata, but only if tonal criteria...