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counterpoint

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Journal Article
Journal of Music Theory (1 April 2013) 57 (1): 159–191.
Published: 01 April 2013
... on the analysis of world music, including the Oxford collection of essays Analytical and Cross-Cultural Studies in World Music , which he coedited with Michael Tenzer. Tymoczko Dmitri A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice . New York : Oxford...
Journal Article
Journal of Music Theory (1 April 2000) 44 (1): 45–79.
Published: 01 April 2000
... Musicological Society 51 : 630 -36. Brothers, Thomas. 1997 . Chromatic Beauty in the Late Medieval Chanson: An Interpretation of Manuscript Accidentals . Cambridge: Cambridge University Press. Crocker, Richard L. 1962 . “Discant, Counterpoint and Harmony.” Journal of the American Musicological...
Journal Article
Journal of Music Theory (1 October 2010) 54 (2): 179–234.
Published: 01 October 2010
...Jared C. Hartt The extant fourteenth-century contrapunctus manuals are concerned almost exclusively with counterpoint in two parts, but one treatise, “Quicumque voluerit duos contrapuncti,” sheds light on three-voice composition and lays the groundwork for a refined classification of sonority types...
Journal Article
Journal of Music Theory (1 October 2012) 56 (2): 169–223.
Published: 01 October 2012
... style. As a concrete illustration, this article builds a formal grammar of rhythm for the Palestrina style. The grammar’s structure and components are carefully explained, and the formalism is compared with existing approaches to style characterization. Many traditional counterpoint rules are shown to...
Journal Article
Journal of Music Theory (1 April 2018) 62 (1): 41–84.
Published: 01 April 2018
... defining patterns and suggests that deriving the schemata from underlying principles may be a step toward validating them. Further, it highlights the significance of invertible counterpoint and explores the relations between the schemata’s soprano skeletons and the Rule of the Octave, which is presumably a...
Journal Article
Journal of Music Theory (1 April 2007) 51 (1): 5–49.
Published: 01 April 2007
... fundamental principles, Heinichen works through the many tensions and contradictions between the modern Klang progression, as formalized in the Rule of the Octave, and the old legacy of traditional counterpoint instruction. 2007 2007 Ludwig Holtmeier teaches music theory at the Hochschule für...
Journal Article
Journal of Music Theory (1 April 2007) 51 (1): 85–135.
Published: 01 April 2007
... partimento, and then realizing them in a current style, the apprentice was training himself to think in “free” counterpoint. 2007 2007 Robert O. Gjerdingen is professor of music at Northwestern University, Evanston, Illinois. He is the author of A Classic Turn of Phrase and Music in the...
Journal Article
Journal of Music Theory (1 October 2002) 46 (1-2): 373.
Published: 01 October 2002
... Assistant Professor of Music Theory at Louisiana State University. Ciro Scotto is Associate Professor of Music Theory at the Eastman School of Music. Olli Väisälä teaches harmony and counterpoint at Sibelius Academy, Helsinki. 373 ...
Journal Article
Journal of Music Theory (1 April 2019) 63 (1): 153–163.
Published: 01 April 2019
... trans. 1965 . The Study of Counterpoint from Johann Joseph Fux’s “Gradus ad Parnassum” . New York : Norton . Roth Herman . 1926 . Elemente der Stimmfuehrung . Stuttgart Grüninger . Wegman Rob . 2005 . The Crisis of Music in Early Modern Europe, 1470–1530 . London...
Journal Article
Journal of Music Theory (1 October 2018) 62 (2): 279–338.
Published: 01 October 2018
... Space .” Journal of Music Theory 49 / 1 : 45 – 108 . Straus Joseph . 2009 . Twelve-Tone Music in America . Cambridge : Cambridge University Press . Tymoczko Dmitri . 2010 . A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice . New York : Oxford...
Journal Article
Journal of Music Theory (1 October 2003) 47 (2): 225–272.
Published: 01 October 2003
.... [1725] 1943 . The Study of Counterpoint . Translated by A. Mann. New York: Norton, 1943. Gasparini, Francesco. [1708] 1963 . The Practical Harmonist at the Harpsichord . Translated by F. S. Stillings. Edited by D. L. Burroughs. New Haven: Yale School of Music. Gauldin, Robert. 1997...
Journal Article
Journal of Music Theory (1 October 2001) 45 (2): 483–487.
Published: 01 October 2001
.... Chapter 2. “Melody and Counterpoint” offers an examination of the relationships among the diatonic tones of major and minor scales, and leads to a discussion of structural levels and introduces the concept of pro- longation: “Stepwise motion provides the greatest possible continuity in a melody” (p...
Journal Article
Journal of Music Theory (1 April 2019) 63 (1): 1–34.
Published: 01 April 2019
...’ Compositional Practice .” PhD diss. , Yale University . Benjamin William E. 1981 . “ Pitch-Class Counterpoint in Tonal Music .” In Music Theory: Special Topics , edited by Browne Richmond , 1 – 32 . New York : Academic . Biamonte Nicole . 2010 . “ Triadic Modal and Pentatonic...
Journal Article
Journal of Music Theory (1 April 2001) 45 (1): 176–190.
Published: 01 April 2001
... Counterpoint. He suggests that it is the symptom of an “epistemological crisis” precipitated by an encounter—albeit an indirect one—with historian Wilhelm Dilthey’s (1831–1911) critique of mid-nineteenth-century psychology, a science that Dilthey found inade- quate for the purposes of the...
Journal Article
Journal of Music Theory (1 April 2018) 62 (1): 145–154.
Published: 01 April 2018
... William Salzer Felix , 269 – 80 . New York : Columbia University Press . Salzer Felix Schachter Carl . 1969 . Counterpoint in Composition: The Study of Voice Leading . New York : McGraw-Hill . Schachter Carl . 1999 . Unfoldings: Essays in Schenkerian Theory and...
Journal Article
Journal of Music Theory (1 April 2013) 57 (1): 119–129.
Published: 01 April 2013
... the Rule of the Octave (showing what chord goes with each scale degree ascending and descending). There would be little or no verbal elaboration, at least on paper. Instead, one sees what today we might call a form of exemplar- based learning. The counterpoint treatise of Padre Martini...
Journal Article
Journal of Music Theory (1 October 2000) 44 (2): 495–498.
Published: 01 October 2000
... itself. But then came multiculturalism. Leaving aside for a moment the perennial questions about how many women composers one should in- clude in a theory curriculum, or whether one will still “have room” for counterpoint after exploring the rhythmic structure of rap, one of the hap- pier results...
Journal Article
Journal of Music Theory (1 April 2016) 60 (1): 89–95.
Published: 01 April 2016
... . ———. 1987 . Counterpoint . Translated by Rothgeb John Thym Jürgen , edited by Rothgeb John . Vol. 2 of New Musical Theories and Fantasies . 2 bks . New York : Schirmer . ———. 1994–97 . The Masterwork in Music: A Yearbook . Translated by Bent Ian Clayton Alfred Drabkin...
Journal Article
Journal of Music Theory (1 April 2001) 45 (1): 190–204.
Published: 01 April 2001
...- value of that synthesis and its implications for cultural and social organi- zation (“participation”; ch. 4). This agenda accounts for one of the disconcerting qualities of this book. Snarrenberg seems to accept many assumptions—about the limits of tonality, the status of species counterpoint...
Journal Article
Journal of Music Theory (1 April 2017) 61 (1): 59–109.
Published: 01 April 2017
...’: Kinds of Rules in Schenker's ‘Counterpoint.’” Journal of Music Theory 34 / 2 : 291 – 340 . Duerksen Marva . 2008 . “Schenker's Organicism Revisited.” Intégral 22 : 1 – 58 . Emerson Ralph Waldo . 2010 . Self-Reliance, the Over-Soul, and Other Essays . Claremont, CA...