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Journal Article
Journal of Music Theory (2017) 61 (2): 143–170.
Published: 01 October 2017
..., and bridge sections in a corpus of two hundred rock songs. I begin with an overview of the corpus itself, followed by a discussion of my methodology. I then present the results of my study, which quantifies harmony via two main approaches: the proportion of time spent on a chord root and the average duration...
Journal Article
Journal of Music Theory (2017) 61 (2): 171–200.
Published: 01 October 2017
... of the two halves of two-part form. Drawing on a corpus of more than seven hundred instrumental works dated 1650–1770, I demonstrate that these two practices arose and functioned independently from each other, increasing in frequency and in length, before being subsumed into an overarching rotational...
Journal Article
Journal of Music Theory (2019) 63 (1): 35–70.
Published: 01 April 2019
... of the corpus data summarizes the sectional makeup of each of the twenty-two normative pieces. Formal and hermeneutical accounts of three deviational pieces demonstrate the flexibility and expressive potential of the system. A retrofit of the formal framework onto thirteen notable big-band arrangements...
Image
Published: 01 April 2023
Figure 3. Graph of Intermission 6 based on the performance corpus. The thickness of each edge indicates the number of times a sequence occurred, and the size of each vertex indicates the number of edges directed toward it. More
Image
Published: 01 April 2023
Figure 4. Bar graph depicting the prevalence of each sound in the performance corpus. The uniform distribution is given by the dashed horizontal line. More
Journal Article
Journal of Music Theory (2020) 64 (2): 203–240.
Published: 01 October 2020
... Moortele and such like-minded theorists as Horton and Wingfield. Examination of Horton’s recent analysis of Brahms’s First Symphony reveals the unacknowledged presence of classical norms casting a “negative” light—although an essential and beneficial one—on his presumably “positive” methodology. A corpus...
Journal Article
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
... the information content of these expositions and the virtual agents therein. Additionally, I assemble a larger corpus of expositions, many of which deploy virtual agents in a similar manner. Using formal statistical analysis, I show that these similarities can be traced back to the expositions’ information...
Journal Article
Journal of Music Theory (2014) 58 (2): 155–178.
Published: 01 October 2014
...David Temperley A corpus analysis of common-practice themes shows that, when an intervallic pattern is repeated with one changed interval, the changed interval tends to be larger in the second instance of the pattern than in the first; the analysis also shows that the second instance...
Journal Article
Journal of Music Theory (2020) 64 (1): 1–36.
Published: 01 April 2020
... is provided to classify such pairs. This reframing of phrase-structural analysis in predictive terms opens it up to the hermeneutic strategies of dialogic analysis, by allowing for the exploration of the rhetorical and expressive effects of failed predictions. This article further proposes a way to use corpus...
Journal Article
Journal of Music Theory (2022) 66 (2): 303–314.
Published: 01 October 2022
...: A Digital Corpus of Rap Transcriptions .” Empirical Musicology Review 11 , no. 2 : 124 – 47 . Cone Edward T. 1967 . “ Beyond Analysis .” Perspectives of New Music 6 , no. 1 : 33 – 51 . Crenshaw Kimberlé Williams , Harris Luke Charles , HoSang Daniel Martinez...
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Journal Article
Journal of Music Theory (2021) 65 (2): 375–386.
Published: 01 October 2021
...,” respectively, which follows conventional usage in many jazz and rock lead sheets and chord charts. Another problematic aspect is the corpus study on which many of the empiricalgeneralizations regarding harmony are based, Temperley and Trevor de Clercq'stwo-hundred-song subset of Rolling Stone 's ( 2004...
Journal Article
Journal of Music Theory (2018) 62 (1): 41–84.
Published: 01 April 2018
... . Gjerdingen Robert O. 1996 . “ Courtly Behaviors .” Music Perception 13 / 3 : 365 – 82 . Gjerdingen Robert O. 2007 . Music in the Galant Style . New York : Oxford University Press . Gjerdingen Robert O. 2014 . “ ‘Historically-Informed’ Corpus Studies .” Music Perception...
Journal Article
Journal of Music Theory (2012) 56 (2): 169–223.
Published: 01 October 2012
.... Nevertheless, despite their usefulness to music studies, fine-grained stylistic characterizations are not very common in music theory, no doubt because of the sheer amount of effort required to extract and compile a style’s rules of syntax directly from the musical corpus (Jeppesen 1927, 1939...
Journal Article
Journal of Music Theory (2023) 67 (1): 99–139.
Published: 01 April 2023
...Figure 3. Graph of Intermission 6 based on the performance corpus. The thickness of each edge indicates the number of times a sequence occurred, and the size of each vertex indicates the number of edges directed toward it. ...
FIGURES | View All (28)
Journal Article
Journal of Music Theory (2022) 66 (2): 291–302.
Published: 01 October 2022
..., Harrison offers a provocative counterpoint to studies asserting distinctive structural features for pop and rock tonality. 9 Where rock analysts often invoke statistical corpus data in defining stylistic norms, Harrison prefers close hermeneutical interpretation and a celebration of idiosyncratic...
Journal Article
Journal of Music Theory (2008) 52 (1): 123–149.
Published: 01 April 2008
.... Palisca, chants indexed by Alejandro Enrique Planchart. New Haven: Yale University Press. Guidonis Aretini [Guido of Arezzo]. 1955 . Micrologus . Edited by Jos. Smits van Waesberghe. Corpus scriptorum de musica, vol. 4 . [Rome]: American Institute of Musicology. Gushee, Lawrence. 2001. “Hermannus...
Journal Article
Journal of Music Theory (2003) 47 (2): 325–362.
Published: 01 October 2003
...Jennifer Bain 2003 © Yale University, New Haven, Connecticut 06520 2003 Apel, Willi, ed. 1970 -72. French Secular Compositions of the Fourteenth Century. Texts edited by Samuel N. Rosenberg. 3 vols. Corpus Mensurabilis Musicae, 53. [Rome]: American Institute of Musicology. Babb...
Journal Article
Journal of Music Theory (2008) 52 (1): 13–40.
Published: 01 April 2008
... -433. Bern and Munich: Francke. Heard, Edmund. 1966 . “Alia musica: A Chapter in the History of Medieval Music Theory.” Ph.D. diss., University of Wisconsin. University Microfilms, Ann Arbor, Michigan, No. 66-13798. Hesbert, René-Jean. 1963-79 . Corpus Antiphonalium Officii , Rerum...
Journal Article
Journal of Music Theory (2019) 63 (1): 1–34.
Published: 01 April 2019
... . Temperley David . 2011b . “ Scalar Shift in Popular Music .” Music Theory Online 17 , no. 4 . www.mtosmt.org/issues/mto.11.17.4/mto.11.17.4.temperley.html . Temperley David Clercq Trevor de . 2011 . “ A Corpus Analysis of Rock Harmony .” Popular Music 30 , no. 1 : 47 – 70...
Journal Article
Journal of Music Theory (2012) 56 (2): 293–298.
Published: 01 October 2012
... projection” of analytical responses to harmony in the music of the eighteenth and nineteenth centuries and of the “commu- nal creative process that has as its focus such a wondrous and complicated subject as the corpus of music written by the likes of Beethoven, Schubert and Chopin” (viii). Indeed...