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corelli

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Journal Article
Journal of Music Theory (2003) 47 (2): 225–272.
Published: 01 October 2003
...Daniel Harrison Aldwell, Edward, and Carl Schachter. 1989 . Harmony and Voice Leading . Second ed. Orlando, FL: Harcourt Brace Jovanovich. Allsop, Peter. 1992 . The Italian `Trio' Sonata: From its Origins until Corelli . Oxford: Clarendon. ____. 1999 . Arcangelo Corelli: New...
Journal Article
Journal of Music Theory (2017) 61 (2): 171–200.
Published: 01 October 2017
... as a double ments, writing that Corelli tends to “ration overt requota- return and what as an end-rhyme: How much repetition is tion as if he regarded it as too obvious or facile.” Unfortu- needed for the return to be significant? How exact must nately, this was not shown rigorously; in fact, his data...
Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
... the correct disposizione (Sanguinetti 2005, 496f that is, “die beste Lage,” the cor- rect voice leading above the thoroughbass (Förster 1818, 1; Holtmeier 2009). The trio sonatas of Arcangelo Corelli became the unquestioned pedagogi- cal models for this ideal voice leading. They embodied...
Journal Article
Journal of Music Theory (2013) 57 (1): 131–149.
Published: 01 April 2013
Journal Article
Journal of Music Theory (2018) 62 (1): 41–84.
Published: 01 April 2018
... S. , 687 – 97 . Manchester : Royal Northern College of Music . Rice John A. 2014a . “ Adding to the Galant Schematicon: The Lully .” In Mozart Jahrbuch 2014 , 205 – 25 . Kassel : Bärenreiter . Rice John A. 2014b . “ The Heartz: A Galant Schema from Corelli to Mozart...
Journal Article
Journal of Music Theory (2009) 53 (2): 191–226.
Published: 01 October 2009
... Prelude in A-flat major (op. 28, no. 17).” Music Theory Online 11/1. http://mto.societymusictheory.org/issues/mto.05.11.1/toc.11.1.html . ____. 2006 . “Transformations of Cadential Formulae in the Music of Corelli and His Successors.” In Essays from the Third International Schenker Symposium , ed...
Journal Article
Journal of Music Theory (2013) 57 (1): 119–129.
Published: 01 April 2013
...–1710), a famous harpsichordist and colleague of Arcangelo Corelli in Rome. Pasquini likely taught the young master Francesco Durante (1684–1755), who became a cornerstone of the partimento tradition in Naples, where it reached its zenith. It would...
Journal Article
Journal of Music Theory (2016) 60 (2): 149–180.
Published: 01 October 2016
... . Rothstein William . 2006 . “Transformations of Cadential Formulae in Music by Corelli and His Successors.” In Essays from the Third International Schenker Symposium , ed. Cadwallader Allen , 245 – 78 . Hildesheim : Olms . Schachter Carl . 2006 . “Che Inganno! The Analysis...
Journal Article
Journal of Music Theory (2012) 56 (2): 121–167.
Published: 01 October 2012
... . “ The Marpurg-Sorge Controversy .” Music Theory Spectrum 11 : 164 – 86 . Blainville Charles Henri de . 1746 . Harmonie théorico-pratique . Paris : Ballard . Bouvier Xavier . 1998 . “ Réponse à la critique de Rameau des basses de Corelli: un manuscrit inédit de Charles-Henri...
Journal Article
Journal of Music Theory (2007) 51 (1): 85–135.
Published: 01 April 2007
... scriptorum de musica , vol. 7/2 , 1 -53. Rome: American Institute of Musicology, 1960 . Walls, Peter. 2004 . “'Sonade, que me veux tu?': Reconstructing French Identity in the Wake of Corelli's op. 5.” Early Music 32 : 27 -47. Werckmeister, Andreas. 1702 . Harmonologia Musica oder Kurtze...
Journal Article
Journal of Music Theory (2007) 51 (2): 245–276.
Published: 01 October 2007
... addressed” (2007, 1). This state of affairs is gradually changing. Recently, David Metzer (2006) explored the use of silence in modernist music, and Ellen Harris (2005) traced early precedents for Handel’s uses of silence in the madrigal and Corelli Trio Sonatas. This arti- cle looks at repertoire...
Journal Article
Journal of Music Theory (2000) 44 (1): 127–169.
Published: 01 April 2000