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Journal Article
Journal of Music Theory (2005) 49 (1): 109–140.
Published: 01 April 2005
...Robert C. Cook PARSIMONY AND EXTRAVAGANCE Robert C. Cook Introduction Among the terminological and conceptual contributions made to cur- rent music theory by the work gathered under the “neo-Riemannian” heading, perhaps...
Journal Article
Journal of Music Theory (2018) 62 (1): 155–164.
Published: 01 April 2018
... For a critique of Tovey’s oversimple statement, see Les- analysis but not the other way around. For an extended ter 1995. critique of “page-to-stage” as a scholarly perspective, see also Cook 2013. 2 For instance, Wallace Berry (1989, 7...
Journal Article
Journal of Music Theory (2016) 60 (1): 89–95.
Published: 01 April 2016
...” in Schenker’s Inter- pretive Practice as “revisionist” (195), not recognizing that Snarrenberg (1997, xviii) was writing against a scientistic revision of Schenker’s work. In another example, Morgan acknowledges Nicholas Cook’s 2007 Schenker Project and says that it “had a significant influence on my own...
Journal Article
Journal of Music Theory (2005) 49 (2): 359.
Published: 01 October 2005
... 2008 Erratum for Robert C. Cook. 2005. “Parsimony and Extravagance.” Journal of Music Theory 49: 109–40. The following sentence on page 134 is erroneously attributed to Rich- ard Cohn: “Perhaps more importantly, the analysis presented here sug- gests that the vocabulary chosen...
Journal Article
Journal of Music Theory (2003) 47 (2): 363–369.
Published: 01 October 2003
... of Thomas Christensen’s Rameau and Musi- cal Thought in the Enlightenment. More recently, Foucauldian histories of music theory have been proposed by Leslie Blasius (2003), Karl Braun- schweig (1997), Nicholas Cook (2003), Kevin Korsyn (2003), and oth- ers. Indeed, as the recent Cambridge History...
Journal Article
Journal of Music Theory (2005) 49 (1): 207.
Published: 01 April 2005
... © 2008 by Yale University 2008 CONTRIBUTORS Robert C. Cook is Assistant Professor of Music Theory at the University of Iowa. Henry Klumpenhouwer is Professor of Music at the University of Alberta. He is the editor of Music Theory Spectrum. Robert...
Journal Article
Journal of Music Theory (2017) 61 (1): 59–109.
Published: 01 April 2017
... spontaneous and wholly unlabored.” parts. 3  Schenker’s writings teem with examples of his Legalis- 4  For better, perhaps, if we prefer a poststructuralist, “fash­ mus. One that is especially worth thinking about in the ionably deconstructive Schenker” (Cook 2007, 64...
Journal Article
Journal of Music Theory (2014) 58 (2): 235–256.
Published: 01 October 2014
... by Robert Cook in the Handbook, 516. Reviews    Benjamin on Gollin and Rehding 237 ory, musical motion, insofar as it is intelligible, is through an arpeggiated chord (arpeggiation being a melodic operation), by means...
Journal Article
Journal of Music Theory (2019) 63 (1): 145–152.
Published: 01 April 2019
... ( accessed July 6, 2017 ). Cook Nicholas . 1998 . Analyzing Musical Multimedia . New York : Oxford University Press . Gorbman Claudia . 1987 . Unheard Melodies: Narrative Film Music . Bloomington : Indiana University Press . Hatten Robert . 2004 . Interpreting Musical...
Journal Article
Journal of Music Theory (2010) 54 (1): 61–74.
Published: 01 April 2010
... in the Culture Industry .'' Journal of Cultural Economics 19 : 321 – 31 . Cavell Stanley . 1969 . Must We Mean What We Say? A Book of Essays . New York : Scribner . Cook Nicholas Sapp Craig . 2007 . `` Purely Coincidental? Joyce Hatto and Chopin's Mazurkas .'' CHARM...
Journal Article
Journal of Music Theory (2021) 65 (1): 3–9.
Published: 01 April 2021
... from their meeting. The old terms of congruence and noncongruence , similarity and difference now seem by themselves inadequate. As the musicologist Nicholas Cook ( 2013 : vi) wrote in The Psychology of Music in Multimedia , “Multimedia is not music and words and moving images...
Journal Article
Journal of Music Theory (2009) 53 (1): 57–94.
Published: 01 April 2009
... but not in m. 6, and the durational accent is also stronger in m. 8 (three beats) to great acclaim at a Carnegie Hall recital that completed 25  In this respect, Paderewski’s recording is no different his first American tour after a five-year hiatus, during which from most others. Nicholas Cook...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2011) 55 (1): 89–146.
Published: 01 April 2011
... of embellishing chord progressions with figuration as an illegitimate and immoral mishmash of 11  Regarding Schenker’s and Schoenberg’s lives at the translated the text myself, modified the published transla- time their Harmonielehren, see, respectively, Cook 2007, tion...
Journal Article
Journal of Music Theory (2004) 48 (1): 25–68.
Published: 01 April 2004
... on the romantic poet’s approach to irony. 7. Among the central writings, see Hanslick [1854], Darwin [1872], Schering 1927, Langer [1942], Adorno [1956], Meyer 1956, Cooke 1959, Ratner 1980, Dahlhaus [1967], Nattiez 1990, Agawu 1991, Hatten 1994, Burnham 1999, and Kramer 2001. 8. In addition to my...
Journal Article
Journal of Music Theory (2018) 62 (1): 1–39.
Published: 01 April 2018
... . “ Inversional Symmetry and Transpositional Combination in Bartók .” Music Theory Spectrum 10 : 19 – 42 . Cohn Richard . 1996 . “ Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions .” Music Analysis 15 / 1 : 9 – 40 . Cook Nicholas . 2013...
Journal Article
Journal of Music Theory (2017) 61 (2): 243–287.
Published: 01 October 2017
... 2007; Shaffer 2011), writings (Lewin 1987; Hyer 1989; Cohn 1996, 1998, 2012). Bryars (Roeder and Cook 2006; Cook 2009), Pärt (Roeder Precedents for the S relation can be found in German and 2011; Brauneiss 2012), and Adès (Roeder 2006; Stoecker Russian function theory. In German theory, Hugo Rie...
Journal Article
Journal of Music Theory (2006) 50 (1): 111–127.
Published: 01 April 2006
... . The Composer's Voice . Berkeley: University of California Press. Cook, Robert. 2001 . “Transformational Approaches to Romantic Harmony and the Late Works of César Franck.” Ph.D. diss., University of chicago. Harrison, Daniel. 1988 . “Some Group Properties of Triple Counterpoint and Their Influence...
Journal Article
Journal of Music Theory (2006) 50 (2): 181–210.
Published: 01 October 2006
... Muusikaakadeemia. Cook, Nicholas. 2001 . “Theorizing Musical Meaning.” Music Theory Spectrum 23 : 170 -95. Dahlhaus, Carl. [1970] 1983 . Analysis and Value Judgment , trans. Siegmund Levarie. new York: Pendragon Press. Grabócz, Márta. 1998 . “A. J. Greimas's Narrative Grammar and the Analysis...
Journal Article
Journal of Music Theory (2004) 48 (2): 337–354.
Published: 01 October 2004
... Cook’s view of formalists (2001). At the start of chapter 6, Smith returns to ideas he men- tioned in previous chapters, arguing for a combination of theoretical and interpretive approaches to analysis. He follows Kofi Agawu (1997) and Pieter van den Toorn (1995) in critiquing practitioners...
Journal Article
Journal of Music Theory (2001) 45 (1): 190–204.
Published: 01 April 2001
..., Schenker’s historical place and the integrity of his method, the status of the analytic notation in relation to a composition, the problem of reduc- tion in Schenker’s late work, and the analytic notation as writing (here, Kofi Agawu and Nicholas Cook join the conversation).7 Another advantage to being...