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Journal Article
Journal of Music Theory (2011) 55 (1): 43–88.
Published: 01 April 2011
...Joseph N. Straus This article creates transformational spaces for interpreting progressions of sets belonging to the same T/I equivalence class. Within these spaces, sets are placed in proximity based upon contextual inversion , specifically those contextual inversions that (like the familiar neo...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2008) 52 (1): 123–149.
Published: 01 April 2008
... Hubert and Roch, as found in the Salzinnes Antiphonal, confirm that this musical style prevailed for several centuries. A contextualization of Hildegard's musical output makes it clear that she was not as isolated musically (or as musically untutored) as generally thought, but rather immersed in the...
Journal Article
Journal of Music Theory (2015) 59 (2): 273–320.
Published: 01 October 2015
... interaction and formal processes. The article then contextualizes the structure of the Dasian space within a larger class of constructs, which I call affinity spaces , by generalizing some of its group-theoretical properties that model relations between nondiatonic scalar materials. The analytical pertinence...
Journal Article
Journal of Music Theory (2017) 61 (2): 201–242.
Published: 01 October 2017
... units stressed through sonic and contextual criteria, thus providing insight into the syntactic elements of the musical language and indicating listening and analytic strategies for this music. Copyright © 2017 by Yale University 2017 Pierre Boulez Domaines transformational theory composing...
Journal Article
Journal of Music Theory (2018) 62 (2): 205–248.
Published: 01 October 2018
... expectation. These concepts allow him to develop detailed speculations about a range of conscious and unconscious dispositions of perception. This study explicates the Essay ’s speculative theories and contextualizes them both within eighteenth-century music theory and in light of contemporary psychology...
Journal Article
Journal of Music Theory (2001) 45 (2): 345–433.
Published: 01 October 2001
... SC 3-4[015] trichords in the Babbitt. Activated by the potential for associa- tion among segments in a particular musical context, these contextually- motivated criteria (or simply, “contextual”) criteria are of particular inter- 350 est in the Schoenberg: the rising wisps that precede the...
Journal Article
Journal of Music Theory (2015) 59 (1): 183–190.
Published: 01 April 2015
..., experience, or discourse, which she calls the sonic, the contextual, and the structural domains. The sonic (or psychoacoustic) domain constitutes the basis of musical orga- nization and originates from an orientation that considers the disjunctions in...
Journal Article
Journal of Music Theory (2004) 48 (2): 147–218.
Published: 01 October 2004
... segments and implies boundaries; disjunction defines boundaries and implies segments. Associative and disjunctive orientations are implemented by contex- tual and sonic criteria, respectively. A contextual criterion (C) is a ration- ale for segmentation that identifies an association between two or...
Journal Article
Journal of Music Theory (2018) 62 (2): 279–338.
Published: 01 October 2018
... .” Science 320 / 5874 : 346 – 48 . Cohn Richard . 2012 . Audacious Euphony: Chromaticism and the Triad’s Second Nature . New York : Oxford University Press . Douthett Jack Steinbach Peter . 1998 . “ Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and...
Journal Article
Journal of Music Theory (2001) 45 (1): 190–204.
Published: 01 April 2001
...- nance/dissonance, passing, Zug, Urlinie, delay, and unity. A distinction between absolute and contextual dissonance sets up the discussion of “passing.” If “in traditional accounts, consonance and dissonance de- scribe the intervallic relation between two tones, . . . Schenker’s working 194...
Journal Article
Journal of Music Theory (2018) 62 (2): 165–204.
Published: 01 October 2018
... – 82 . Lambert J. Philip . 1997 . The Music of Charles Ives . New Haven, CT : Yale University Press . Lambert J. Philip . 2000 . “ On Contextual Transformations .” Perspectives of New Music 12 / 1 : 45 – 76 . Lewin David . 1977 . “ A Label-Free Development for 12...
Journal Article
Journal of Music Theory (2004) 48 (1): 1–24.
Published: 01 April 2004
... Practice 27 : 85 -98. Carter, Elliott. 2002 . Harmony Book , ed. Nicholas Hopkins and John F. Link. New York: Carl Fischer. Clough, John. 1998 . “A Rudimentary Geometric Model for Contextual Transposition and Inversion.” Journal of Music Theory 42.2 : 297 -306. Derby, Richard. 1981 -82...
Journal Article
Journal of Music Theory (2001) 45 (2): 470–483.
Published: 01 October 2001
..., despite obvious contrast and considerable chro- maticism at the musical surface. Another is his change of mind regarding the primary tone in the E-Minor Intermezzo; Schenker chose £ over ∞ after assuming a broader perspective and reevaluating contextual evi- dence. While it seems clear that Schenker...
Journal Article
Journal of Music Theory (2018) 62 (2): 249–278.
Published: 01 October 2018
... . Cage John . 1952 . Imaginary Landscape no. 5 . Score. Edition Peters . Campbell Gregory Alan . 2006 . “ ‘A Beautiful, Shining Sound Object’: Contextualizing Multi-instrumentalism in the Association for the Advancement of Creative Musicians .” D.M.A. thesis , University of Washington...
Journal Article
Journal of Music Theory (2005) 49 (1): 1–43.
Published: 01 April 2005
...Henry Klumpenhouwer © 2008 by Yale University 2008 Clough, John. 1998 . “A Rudimentary Geometric Model for Contextual Transposition and Inversion.” Journal of Music Theory 42 : 297 –306. Forte, Allen. 1998 . The Atonal Music of Anton Webern . New Haven: Yale University Press...
Journal Article
Journal of Music Theory (2008) 52 (1): 151–158.
Published: 01 April 2008
... summary approach, with minimal contextualization, will leave readers wondering what is new, influential, or insightful about a particular treatise. One learns, for example, that Hucbald describes a fifteen-note scale inherited from the ancient Greeks, but not that he rearranged the scale to...
Journal Article
Journal of Music Theory (2014) 58 (2): 155–178.
Published: 01 October 2014
... respects, and vice versa. This prediction is quite general and could be interpreted musically in a variety of ways. To apply it to the current situation, we must distinguish between schematic probability and contextual probability. The schematic prob...
Journal Article
Journal of Music Theory (2014) 58 (2): 257–263.
Published: 01 October 2014
... underlying the atonal repertoire’s contextual treatment of the aggregate and its subsets are reflected in the mathematical group symmetries of the mod 12 pitch-class intervals, the group of twelve transpositions and inversions, or the classical twelve-tone operations. The symmetries inherent in the...
Journal Article
Journal of Music Theory (2016) 60 (1): 23–50.
Published: 01 April 2016
... JOURNAL of MUSIC THEORY Figure 3.  COM-matrices for csegs X and Z in Example 4 Figure 4.  Polansky and Bassein’s (1992) COM-matrix–derived ternary number representation of csegs X and Z in Example 4 What is gained in contextual...
Journal Article
Journal of Music Theory (2016) 60 (1): 1–21.
Published: 01 April 2016
... 1 2 JOURNAL of MUSIC THEORY these earlier ones, are exclusively tonal. Here, then, the prolongations are not produced by nontonal, contextual means that control (at least) complete sec- tions but, rather, are “dissonant,” and thus unstable, only...