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conflict

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Journal Article
Journal of Music Theory (2002) 46 (1-2): 285–345.
Published: 01 October 2002
...Ciro Scotto REVIEW ARTICLE The Conflict Between Particularism and Generalism in Andrew Mead’s Introduction to the Music of Milton Babbitt Ciro Scotto An Introduction to the Music of Milton Babbitt Andrew Mead Princeton, New Jersey...
Journal Article
Journal of Music Theory (2000) 44 (1): 1–43.
Published: 01 April 2000
...Peter H. Smith OUTER-VOICE CONFLICTS: THEIR ANALYTICAL CHALLENGES AND ARTISTIC CONSEQUENCES Peter H. Smith As anyone familiar with Schenkerian analysis can attest, it is not at all unusual for basic analytical decisions to pose significant...
Journal Article
Journal of Music Theory (2010) 54 (2): 283–310.
Published: 01 October 2010
.... It also throws the physiological basis of his music theory into conflict with his ostensibly progressive treatment of non-European musics. Such tensions, along with unevenly successful efforts to resolve them, were by no means atypical of the liberal discourse of his intellectual milieu. Indeed...
Journal Article
Journal of Music Theory (2013) 57 (1): 1–45.
Published: 01 April 2013
... acoustiques (1974-85). Habitually regarded as an exemplar of spectral music, Grisey’s cycle may be understood as participating in a number of additional generic contexts at the same time. Taking such generic overdetermination into account not only sheds light on the range of conflicting interpretations...
Journal Article
Journal of Music Theory (2010) 54 (1): 121–140.
Published: 01 April 2010
... of their greatest commonality and thus comes into conflict with itself as well. It does so by placing Cavell's arguments and Adorno's both into the broader contexts of their respective philosophies more generally. On this broader level, it argues that Cavell and Adorno share a common concern with the relationship...
Journal Article
Journal of Music Theory (2019) 63 (2): 231–260.
Published: 01 October 2019
... or conflicting relationships contribute to deeper interpretations of musical form. None of the metric spaces proposed to date is well suited to Afrodiasporic popular musics, which characteristically tend to pose regularly uneven metric foregrounds against rigid and recursively even metric backgrounds...
Journal Article
Journal of Music Theory (2011) 55 (1): 89–146.
Published: 01 April 2011
..., a contradiction inherent in both of their remarkably parallel theories. This deep unity in Schenker's and Schoenberg's musical thought invites a reassessment of the opposed historical categories of tonal and post-tonal music, which have informed our perception of a fundamental conflict between their theories...
Journal Article
Journal of Music Theory (2003) 47 (1): 1–39.
Published: 01 April 2003
... and possible outcomes of conflict or inter- action between elements, then many of the difficulties attached to the descendant model do not apply. Music has its own syntactic potentiali- ties, its own ways of manifesting conflict and interaction. A theory of musical narrative that recognizes the different...
Journal Article
Journal of Music Theory (2000) 44 (1): 171–229.
Published: 01 April 2000
... there are several problems with the algorithm. In Example 3, for instance, there is a conflict between interval (which indicates a segment after the G) and duration (which would segment the line after the F). Tenney and Polansky address this issue by applying an arbitrary and unique weighting system...
Journal Article
Journal of Music Theory (2009) 53 (2): 305–328.
Published: 01 October 2009
.... 2006 . Elements of Sonata Theory: Norms, Types, and Deformations in the Late Eighteenth-Century Sonata . New York: Oxford University Press. Jackendoff, Ray. 1991 . “Musical Parsing and Musical Affect.” Music Perception 9 : 199 –230. Kamien, Roger. 1993 . “Conflicting Metrical Patterns...
Journal Article
Journal of Music Theory (2016) 60 (2): 263–279.
Published: 01 October 2016
..., there is the possibility that the criteria may conflict with one another. This happens with some frequency and leads to interesting results (see particu- larly Boss’s analysis of the Piano Piece op. 33a, 243–73). The theoretical work of introducing Schoenberg’s concept of the musi- cal idea and sketching its...
Journal Article
Journal of Music Theory (2001) 45 (2): 345–433.
Published: 01 October 2001
... of 351 domains in which continuity occurs.6 Among the many significant con- tributions of Hasty’s work is that it admits “ambiguous” segmentations— that is, multiple and conflicting interpretations of a single passage. As Hasty points out, such ambiguities are important in that they “allow...
Journal Article
Journal of Music Theory (2021) 65 (1): 11–16.
Published: 01 April 2021
... three topics, each studied in at least one article in this issue: the relation of musical meter to slow rhythm; the relation of meter to fast rhythm, or microrhythm; and the relationship between two distinct and conflicting meters. Each musical sound has a duration. A consecutive series...
FIGURES
Journal Article
Journal of Music Theory (2021) 65 (1): 107–137.
Published: 01 April 2021
... by the musical texture; its period establishes the unit by which the periods of slower layers—interpretive layers—are measured. 3 A dissonance occurs when conflicting interpretive layers are juxtaposed or superimposed. Krebs identifies two kinds of dissonance: in a grouping dissonance, the periods of the two...
FIGURES | View All (18)
Journal Article
Journal of Music Theory (2013) 57 (1): 87–118.
Published: 01 April 2013
... of the metrical system maintains the entire situation in aural perspective. With- out in any way changing the grid’s standard accentuation patterns, the hier- archy allows the hemiola to add its own conflicting layer of strong-weak onto Journal of Music...
Journal Article
Journal of Music Theory (2014) 58 (1): 1–24.
Published: 01 April 2014
... vocal music in the journal Eighteenth-Century Music . © 2014 by Yale University 2014 Works Cited Cohn Richard L. 1992 . “ The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven’s Ninth Symphony .” 19th-Century Music 15 : 188 – 206 . David Hans T...
Journal Article
Journal of Music Theory (2000) 44 (1): 100–126.
Published: 01 April 2000
... is demonstrated by the fact that in cadences it almost always occurs, or could occur, as a six-four chord. The tonic scale degree C thus changes from root [of I] to fifth [of IV], and then to fourth in the six-four chord, by which means it appears in conflict with itself.10 It is then suppressed completely...
Journal Article
Journal of Music Theory (2013) 57 (2): 321–371.
Published: 01 October 2013
... Robin Wallace’s invitation to hear the same movement ending with a “conflict between rival recapitulations” (1989, 9). Though we might anticipate some kind of anthropomorphic contest between competing characters, Wallace’s “conflict” is really just a colorful way of describing what he sees...
Journal Article
Journal of Music Theory (2001) 45 (2): 470–483.
Published: 01 October 2001
... Burstein calls the humor equation.13 Burstein supports his thesis with evidence from Haydn’s symphonies, including examples from Nos. 55, 58, 78, 83, 90, and 93. We see how modal shifts, motivic parallelisms, harmonic reinterpretations, formal conflicts, and apparent tonics serve as sources of surprise...
Journal Article
Journal of Music Theory (2012) 56 (2): 293–298.
Published: 01 October 2012
..., there was by no means a single, unified nineteenth-century ana­ lytical practice. Rather, the multiplicity of approaches and their potential to generate competing, if not conflicting, interpretations are cast as one aspect of the potentially “more vibrant” engagement with music of the era to be explored...