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Journal Article
Journal of Music Theory (2013) 57 (2): 321–371.
Published: 01 October 2013
... the seemingly incompatible agential theories of Edward T. Cone, who heard music’s agencies as obligatory and hierarchically nested, and Fred E. Maus, who clarified the poietic function of such agential ascriptions while stressing their provisional, ad hoc, and often ephemeral nature. After arriving...
Journal Article
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
...Ben Duane This article examines the phenomenon in which musical lines establish what Edward T. Cone calls virtual agents , making the argument that listeners are more likely to ascribe such agency to lines that have high information content (in the formal, information-theoretic sense). I use...
Journal Article
Journal of Music Theory (2004) 48 (2): 295–324.
Published: 01 October 2004
...: A Motivic Approach.” Journal of the American Musicological Society 44 : 262 -300. Cone, Edward T. 1967 . “Beyond Analysis.” Perspectives of New Music 6/1 : 33 -51. ____. 1962 . “Stravinsky: The Progress of a Method.” Perspectives of New Music 1/1 : 18 -26. Friedmann, Michael. 1982...
Journal Article
Journal of Music Theory (2000) 44 (1): 231–236.
Published: 01 April 2000
... of several impor- tant strands taken up by Cross, along with writings by Cone, Jonathan Kramer, Straus, and Forte—to name only some of the most frequently cited authors. Cross is not always kind in his assessments (Straus in par- ticular fares poorly), and there is a whiff of provincialism...
Journal Article
Journal of Music Theory (2012) 56 (2): 285–291.
Published: 01 October 2012
... ) © 2012 by Yale University 2012 Works Cited Cone Edward T. 1962 . “ Stravinsky, the Progress of a Method .” Perspectives of New Music 1/1 : 18 – 26 . Reprinted in Benjamin Boretz and Edward T. Cone, eds., Perspectives on Schoenberg and Stravinsky, 156–64. Princeton: Princeton...
Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
... by Bergé Pieter , 21 – 40 . Leuven : Leuven University Press . Caplin William E. Martin Nathan John . 2016 . “ The ‘Continuous Exposition’ and the Concept of Subordinate Theme .” Music Analysis 35 , no. 1 : 4 – 43 . Cone Edward T. 1971 . Berlioz: Fantastic Symphony...
Journal Article
Journal of Music Theory (2018) 62 (2): 359–368.
Published: 01 October 2018
...Roger Graybill Works Cited Cone Edward T. 1967 . “ Beyond Analysis .” Perspectives of New Music 6 / 1 : 33 – 51 . Lewin David . 1969 . “ Behind the Beyond: A Response to Edward T. Cone .” Perspectives of New Music 7 / 2 : 59 – 69 . Lewin David . 1986...
Journal Article
Journal of Music Theory (2018) 62 (1): 155–164.
Published: 01 April 2018
... considerable debate.1 Edward T. Cone, a musician who (like Tovey) was steeped equally in composition, analysis, and perfor- mance, staked out his position on analysis-performance relations as follows: “The greatest analysts (like Schenker at his best) are those with the keenest ears; their insights...
Journal Article
Journal of Music Theory (2020) 64 (2): 283–291.
Published: 01 October 2020
.... And composers and performers may choose to stage virtual agency in particular ways. Nonetheless, for Hatten virtual and actual agents are categorically different (34). This distinction is anticipated, to some degree, in earlier scholarship. For example, Edward T. Cone (1974: 18) already refers to virtual...
Journal Article
Journal of Music Theory (1999) 43 (2): 231–255.
Published: 01 October 1999
... Spectrum 19 /2: 155 –83. Cone, Edward T. 1989 . “Three Ways of Reading a Detective Story—Or a Brahms Intermezzo.” In Music: A View from Delft: Selected Essays . Ed. Robert P. Morgan. Chicago: University of Chicago Press, 77 –93. Descartes, René. 1637/ 1996 . Discourse on Method . New Haven...
Journal Article
Journal of Music Theory (2016) 60 (2): 295–305.
Published: 01 October 2016
... 2016 Works Cited Clarke Eric DeNora Tia Vuoskoski Jonna . 2015 . “Music, Empathy and Cultural Understanding.” Physics of Life Reviews 15 : 61 – 88 . Cone Edward T. 1974 . The Composer's Voice . Berkeley : University of California Press . Covach John...
Journal Article
Journal of Music Theory (2011) 55 (2): 253–264.
Published: 01 October 2011
...Patrick McCreless Works Cited Cone Edward T. 1968 . Musical Form and Musical Performance . New York : Norton . Dürr Walther . 1984 . Das deutsche Sololied im 19. Jahrhundert: Untersuchungen zu Sprache und Musik . Wilhelmshaven : Heinrichshofen . Feil Arnold...
Journal Article
Journal of Music Theory (2006) 50 (1): 111–127.
Published: 01 April 2006
... . “Reconsidering Klumpenhouwer Networks.” Music Theory Online 13/2 . Cho, Hyunree. 2007 . “Lewin via Husserl.” Unpublished manuscript. Clough, John. 1989 . Review of Generalized Musical Intervals and Transformations, by David Lewin. Music Theory Spectrum 11 : 226 –31. Cone, Edward. 1974...
Journal Article
Journal of Music Theory (2008) 52 (2): 219–249.
Published: 01 October 2008
.... As an illustration of the way in which Callender, Quinn, and Tymoczko construct voice-leading spaces, consider Figure 1. Figure 1a is a cone represent- ing voice leadings between transpositionally equivalent trichord classes or, in Callender, Quinn, and Tymoczko’s terminology, OPT-equivalent (for octave...
Journal Article
Journal of Music Theory (2004) 48 (2): 337–354.
Published: 01 October 2004
... and Meaning: New Aspects of the Chamber Music.” In The Cambridge Companion to Brahms , ed. Michael Musgrave, 98 -132. Cambridge: Cambridge University Press. Cone, Edward T. 1986 . “Schubert's Promissory Note: An Exercise in Musical Hermeneutics.” In Schubert: Critical and Analytical Studies , ed...
Journal Article
Journal of Music Theory (2015) 59 (1): 121–181.
Published: 01 April 2015
... .” Nineteenth-Century Music 23/3 : 303 – 4 . ———. 2000b . “ Weitzmann’s Regions, My Cycles, and Douthett’s Dancing Cubes .” Music Theory Spectrum 22/1 : 89 – 103 . ———. 2012 . Audacious Euphony: Chromaticism and the Triad’s Second Nature. New York : Oxford University Press . Cone...
Journal Article
Journal of Music Theory (2003) 47 (1): 125–154.
Published: 01 April 2003
...David Temperley Caplin, William. 1987 . “The `Expanded Cadential Progression': A Category for the Analysis of Sonata Form.” Journal of Musicological Research 7 : 215 -57. Cone, Edward. 1963 . “Communication.” Perspectives of New Music 1/2 : 206 -10. Cooper, Grosvenor...
Journal Article
Journal of Music Theory (1999) 43 (1): 135–163.
Published: 01 April 1999
..., in the thought of the three prominent composer-theorists on the faculty: Milton Babbitt, Edward T. Cone, and Roger Sessions. Despite this long and distinguished history, it is not surprising that no monograph has provided a set of comprehensive principles for this line of thinking. An analytical approach...
Journal Article
Journal of Music Theory (2003) 47 (1): 1–39.
Published: 01 April 2003
... University Press. Chopin, Frédéric. 1943 . Preludes for the Piano . Ed. Rafael Joseffy. G. Schirmer: New York. ____. 1968 . Préludes . Ed. Ewald Zimmermann. G. Henle Verlag: Munich. Cone, Edward T. 1977 . “Three Ways to Read a Detective Story or a Brahms Intermezzo.” Georgia Review 31...
Journal Article
Journal of Music Theory (2012) 56 (1): 53–86.
Published: 01 April 2012
... : Springer . Cone Edward T. 1974 . The Composer’s Voice . Berkeley : University of California Press . de Clercq Trevor Temperley David . 2011 . “ A Corpus Analysis of Rock Harmony .” Popular Music 30/1 : 47 – 70 . Duane Ben . 2010 . “ Inf ormation Content...