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Journal Article
Journal of Music Theory (2001) 45 (1): 151–162.
Published: 01 April 2001
...John Rothgeb Heinrich Schenker: Nach Tagebüchern und Briefen in der Oswald Jonas Memorial Collection, University of California, Riverside Hellmut Federhofer Studien zur Musikwissenschaft vol. 3 Hildesheim: Georg Olms, 1985 ix, 380 pp. 2001 © Yale University, New Haven, Connecticut 06520...
Image
Published: 01 April 2021
Image 2b. “Vienne” from Raoul-Auger Feuillet's 1706 collection of contredanses (written-out repeats removed). Image 2b. “Vienne” from Raoul-Auger Feuillet's 1706 collection of contredanses (written-out repeats removed). More
Journal Article
Journal of Music Theory (2016) 60 (2): 213–262.
Published: 01 October 2016
...Jason Yust The discrete Fourier transform on pitch-class sets, proposed by David Lewin and advanced by Ian Quinn, may provide a new lease on life for Allen Forte's idea of a general theory of harmony for the twentieth century based on the intervallic content of pitch-class collections. This article...
Journal Article
Journal of Music Theory (1999) 43 (2): 231–255.
Published: 01 October 1999
... remaining fixed in memory, are acts of reconstruction, a perspective that encourages one to view music less as a collection of immutable structures and more as a subject for intentional creative perception. An analysis of Berg's Op. 2, No. 3 tests these ideas by bringing intentionalism and the biological...
Journal Article
Journal of Music Theory (2011) 55 (2): 167–220.
Published: 01 October 2011
... Gottfried Herder’s rejection of Kant through Hegel, Friedrich Theodor and Robert Vischer, Karl Köstlin, and Johannes Volkelt. Eduard Hanslick, in arriving at his own destination, travels some distance on both paths, collecting along the way, on the one hand, Kant’s rigorous focus on the phenomenon...
Journal Article
Journal of Music Theory (2015) 59 (2): 235–271.
Published: 01 October 2015
...Megan Kaes Long In 1595 Thomas Morley published The First Booke of Balletts , a collection of “Italian madrigals Englished.” Rather than writing English words for unaltered Italian works as his predecessors had done, Morley created original compositions loosely modeled on Italian works. Analysis...
Journal Article
Journal of Music Theory (2015) 59 (2): 273–320.
Published: 01 October 2015
... his notion of polymodal chromaticism retains integral “diatonic ingredients,” the Dasian space (named after the medieval homonymous scale) establishes a system of relations between all potential diatonic segments, without relying upon traditional constraints, such as complete diatonic collections...
Journal Article
Journal of Music Theory (2016) 60 (2): 181–212.
Published: 01 October 2016
... these permutations create different families of harmonies. In particular, this article focuses on three-voice aligned cycles. I show how the different combinations, alignments, and rotations of the individual voices of an aligned cycle create a unique collection of aligned-cycle classes and, at a more large-scale...
Journal Article
Journal of Music Theory (2018) 62 (1): 85–118.
Published: 01 April 2018
... is a complex and multifaceted phenomenon, a feature true especially of Sibelius’s later compositions. Sibelius’s tonal practice in Tapiola is based neither on first-practice functional harmony nor on second-practice triadic chromaticism but rather on the use of distinct scale collections and their interaction...
Journal Article
Journal of Music Theory (2005) 49 (2): 333–357.
Published: 01 October 2005
....” Jazzforschung/Jazz Research 16 : 25 –35. Proctor, Gregory. 1978 . “Technical Bases of Nineteenth-Century Chromatic Tonality: A Study in Chromaticism.” Ph.D. diss., Princeton University. Rahn, Jay. 1991 . “Coordination of Interval Sizes in Seven-Tone Collections.” Journal of Music Theory 35 : 1...
Journal Article
Journal of Music Theory (2004) 48 (2): 219–294.
Published: 01 October 2004
.... This constitutes a “statics” of scalar collections. Section II turns to “dynamics”—techniques of mov- ing between scales based on shared subsets or efficient voice leading. It presents graphs depicting common-tone and voice-leading relations among familiar scales, one of which is a three-dimensional Tonnetz...
Journal Article
Journal of Music Theory (2005) 49 (1): 1–43.
Published: 01 April 2005
... of a quarter note. The example partitions the music in the first five measures into eight collections, labeled J1 through J8 for reference. In each collection, a trichord and a single pitch are orchestrationally opposed: where the voice presents a three-note succes- sion, the bass clarinet...
Journal Article
Journal of Music Theory (2021) 65 (1): 81–106.
Published: 01 April 2021
...Image 2b. “Vienne” from Raoul-Auger Feuillet's 1706 collection of contredanses (written-out repeats removed). Image 2b. “Vienne” from Raoul-Auger Feuillet's 1706 collection of contredanses (written-out repeats removed). ...
FIGURES | View All (17)
Journal Article
Journal of Music Theory (1999) 43 (1): 21–82.
Published: 01 April 1999
... partitions might be projected simultaneously, through different fea- tures of the musical texture—some way of organizing collections of par- titions is necessary. This paper develops the formalities necessary to organize certain collections of partitions into what we shall call partition lattices...
Journal Article
Journal of Music Theory (2013) 57 (1): 159–191.
Published: 01 April 2013
... on its internal logic and the nature of the evidence it presents. The book begins with an informal exposition of five “features” that music may exhibit: conjunct melodic motion, acoustic consonance, harmonic consistency, underlying pitch-class collections of limited size (“macrohar- monies...
Journal Article
Journal of Music Theory (2007) 51 (2): 333–340.
Published: 01 October 2007
...), the African American artists’ collective founded on the South Side of Chicago in 1965 whose “composite output” (ix) has encompassed experimental music, improvisation, concert music, multimedia performance, jazz, computer music, visual art, and other expressive forms. Lewis shows how AACM members have...
Journal Article
Journal of Music Theory (2011) 55 (1): 1–41.
Published: 01 April 2011
... (Hillier 1997, examples 13b and 13c) the text, the bass sings the retrograde of the tenor part, transposed down by five steps in the D-minor diatonic collection. Associated with each M-voice is a T-voice, played on an organ manual, that sounds...
Journal Article
Journal of Music Theory (2007) 51 (2): 187–210.
Published: 01 October 2007
.... Darcy argues that triad that combine to form a complete hexatonic collection. Parsifal, act 2, scene 1, is structured by the hexatonic col- He demonstrates that many earlier writers had described...
Journal Article
Journal of Music Theory (2017) 61 (1): 111–140.
Published: 01 April 2017
....” Neue Zeitschrift für Musik 69 / 37 : 375 . Kovács Sándor Sebő Ferenc , eds. 1993 . Béla Bartók, Hungarian Folk Songs: Complete Collection . Translated by Julian Ria Csatorday Hajnalka . Budapest : Akadémiai Kiadó . Lendvai Ernő . 1983 . The Workshop of Bartók...
Journal Article
Journal of Music Theory (2001) 45 (2): 470–483.
Published: 01 October 2001
... as Schenkerian theory is today may be well-nigh impossible within a single volume. Neverthe- less, this portrait is as vibrant as the field is vital. Schenker Studies 2 also continues a contemporary tradition of Schenker- centered, English-language essay collections released in the proceeding twenty-five...