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chromaticism

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Journal Article
Journal of Music Theory (2009) 53 (2): 255–304.
Published: 01 October 2009
..., chromaticism in this period comprises many different phenomena. I therefore provide a model for separating chromatic tones according to their structural function and an analytical method for reducing chromatic works to their diatonic foundations. I present examples of each of the chromatic techniques that I...
Journal Article
Journal of Music Theory (2014) 58 (1): 79–101.
Published: 01 April 2014
...Scott Murphy Scott Murphy is an associate professor of music theory at the University of Kansas. Cohn Richard . Audacious Euphony: Chromaticism and the Triad’s Second Nature . Oxford University Press , 2012 : xviii+237 pp. ( $35.00 cloth ) © 2014 by Yale University...
Journal Article
Journal of Music Theory (2003) 47 (1): 41–101.
Published: 01 April 2003
...James M. Baker 2003 © Yale University, New Haven, Connecticut 06520 2003 Baker, James M. 1992 . “Chromaticism in Mozart's `Jupiter' Symphony.” Mozart-Jahrbuch 1991, ed. Rudolph Angermüller et al. Kassel: Bärenreiter, 2 : 1050 -55. ____. 1993 . “Chromaticism in Classical Music...
Journal Article
Journal of Music Theory (2006) 50 (2): 253–275.
Published: 01 October 2006
...) poetical context. A range of late-eighteenth- and early-nineteenth-century thought on both sequential progression and harmonic analysis in general, by Emanuel Aloys Förster, Johann Philipp Kirnberger, and Gottfried Weber, among others, is assayed. Opportunities for chromaticism within the 5 and 6 phases...
Journal Article
Journal of Music Theory (2013) 57 (2): 193–243.
Published: 01 October 2013
...Jeffrey DeThorne Correlating particular instrumental colors with pitch chromaticism, three early twentieth-century scholars demonstrate how a methodical use of colorful winds, less colorful strings, and wind-string mixtures informed actual orchestrational practices. After demonstrating how Wagner’s...
Journal Article
Journal of Music Theory (2014) 58 (2): 155–178.
Published: 01 October 2014
... intervallic pattern tends to contain more chromaticism than the first. An explanation is offered for these phenomena, using the theory of uniform information density. This theory states that communication is optimal when the density of information (the negative log of probability) maintains a consistent...
Journal Article
Journal of Music Theory (2015) 59 (2): 273–320.
Published: 01 October 2015
... his notion of polymodal chromaticism retains integral “diatonic ingredients,” the Dasian space (named after the medieval homonymous scale) establishes a system of relations between all potential diatonic segments, without relying upon traditional constraints, such as complete diatonic collections...
Journal Article
Journal of Music Theory (2018) 62 (1): 85–118.
Published: 01 April 2018
... complex and multifaceted phenomenon, a feature true especially of Sibelius’s later compositions. Sibelius’s tonal practice in Tapiola is based neither on first-practice functional harmony nor on second-practice triadic chromaticism but rather on the use of distinct scale collections and their interaction...
Journal Article
Journal of Music Theory (2006) 50 (1): 65–76.
Published: 01 April 2006
...William Renwick This essay discusses tonal ambiguity in the chorale melody “Das alte Jahr” and suggests a poetic interpretation of Bach's chorale. Expressive elements such as the passus duriusculus , the sospiro , and pervasive chromaticism are woven into a radical tonal plan that reflects a...
Journal Article
Journal of Music Theory (2003) 47 (1): 215–222.
Published: 01 April 2003
... pointed out to him, the passage in Har- monielehre in which Schenker denies that mixture is a chromatic phe- nomenon. For the record, here is the passage in its entirety (English ed., p. 289n.; German, p. 380n I am referring here only to chromaticism in the service of tonicization, i.e., of the...
Journal Article
Journal of Music Theory (2018) 62 (2): 279–338.
Published: 01 October 2018
... .” Science 320 / 5874 : 346 – 48 . Cohn Richard . 2012 . Audacious Euphony: Chromaticism and the Triad’s Second Nature . New York : Oxford University Press . Douthett Jack Steinbach Peter . 1998 . “ Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 347–363.
Published: 01 October 2002
... historical representatives of scale- 347 degree theories (Weber being the other), a second time, also briefly, in connection with chromaticism in late romantic music, and a third time at greater length in relation to the harmonic practice of...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 364–368.
Published: 01 October 2002
... historical representatives of scale- 347 degree theories (Weber being the other), a second time, also briefly, in connection with chromaticism in late romantic music, and a third time at greater length in relation to the harmonic practice of...
Journal Article
Journal of Music Theory (2006) 50 (2): 181–210.
Published: 01 October 2006
Journal Article
Journal of Music Theory (2013) 57 (1): 131–149.
Published: 01 April 2013
Journal Article
Journal of Music Theory (2018) 62 (1): 145–154.
Published: 01 April 2018
...- Reviews Agawu on Schachter 151 haps most interesting of all (because of its pertinence to the Mozart adagio), the chromaticized voice exchange. Schachter’s lucid voice-leading graphs are perfect foils for apprehend- ing the tonal drama of Mozart’s K. 481, ii. One could go through the...
Journal Article
Journal of Music Theory (2009) 53 (2): 191–226.
Published: 01 October 2009
...) voice exchanges and the inverted cadential six-four chord, (3) voice exchanges as motivic indica- tors, (4) long-range voice exchanges as structural determinants, (5) diatonic voice exchanges and surface chromaticism, and (6) hidden voice...
Journal Article
Journal of Music Theory (2004) 48 (1): 25–68.
Published: 01 April 2004
.... University of Rochester Press. ____. 1997 . “Swallowed By a Song: Paul Simon's Crisis of Chromaticism.” In Understanding Rock , ed. John Covach and Graeme Boone. New York: Oxford University Press. ____. 2000 . “The Learned vs. the Vernacular in the Songs of Billy Joel.” Contemporary Music Review...
Journal Article
Journal of Music Theory (2006) 50 (2): 143–179.
Published: 01 October 2006
... and association. G-minor chord as consonant support for a passing tone in a large-scale voice exchange. For him, a shift from the C Peter H. Smith    Sonata Expositions of Schubert and Brahms 149 vocal music in particular, because, as he argues, chromaticism is one...
Journal Article
Journal of Music Theory (2013) 57 (1): 159–191.
Published: 01 April 2013
... compositions have been included in popular And this rhetoric is especially grating when it is based on anthologies (e.g., Wennerstrom’s) for decades. mistaken information, such as the claim that “‘mode mix- ture’ is not even included in the section on chromaticism...