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chromatic
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Journal Article
Journal of Music Theory (2019) 63 (1): 1–34.
Published: 01 April 2019
..., modality, chord succession, and harmonic function. In demonstrating these concepts, four categories of tonicization are illustrated: primary diatonic , in which a tonicization employs only diatonic chords of the mode; primary chromatic , which occurs due to chromatic inflection or modal borrowing...
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Published: 01 October 2021
Example 27. Labeling chromatic semitones in the bass (ii) when a note of a chromatic semitone supports two leading tones in the upper voices.
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Published: 01 October 2021
Example 3. Interpreting chromatic semitones in dyadic counterpoint.
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Published: 01 October 2021
Example 4. Interpreting chromatic semitones in settings with three or more voices.
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Published: 01 October 2021
Example 5. Classification of chromatic semitones based on interval of bass motion.
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Published: 01 October 2021
Example 25. Reinterpretations of chromatic progressions using the proposed analytic model.
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Published: 01 October 2021
Example 26. Labeling chromatic semitones in the bass (i) when one or both notes of the chromatic semitone are overdetermined leading tones.
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Published: 01 October 2021
Example 28. Labeling chromatic semitones in the bass (iii) when the second note of the chromatic semitone thwarts a leading tone.
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Published: 01 October 2021
Example 30. Normative/expressive chromatic semitones: most common idioms.
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Published: 01 October 2021
Example 36. Triadic versus proposed categorization. CS, chromatic semitone.
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Published: 01 October 2021
Example 41. Expressive differences between chromatic semitone types.
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in Music Theory Pedagogy in the Nineteenth Century: Comparing Traditions of Three European Conservatories
> Journal of Music Theory
Published: 01 April 2022
Figure 2. Chromatic elaboration of a diatonic progression in Sechter's Grundsätze (1853–54, 1:194).
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Published: 01 October 2021
Example 42. Common chromatically deflected leading-tone idioms.
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Journal Article
Journal of Music Theory (2009) 53 (2): 255–304.
Published: 01 October 2009
..., chromaticism in this period comprises many different phenomena. I therefore provide a model for separating chromatic tones according to their structural function and an analytical method for reducing chromatic works to their diatonic foundations. I present examples of each of the chromatic techniques that I...
Journal Article
Journal of Music Theory (2021) 65 (2): 239–285.
Published: 01 October 2021
...Example 27. Labeling chromatic semitones in the bass (ii) when a note of a chromatic semitone supports two leading tones in the upper voices. ...
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Journal Article
Journal of Music Theory (2014) 58 (2): 179–233.
Published: 01 October 2014
... is illustrated by analyses of chromatic passages from music by Mozart,
Chopin, and Debussy.
Motivations
Scalar model for chromaticism
Many musical phenomena appear to reflect structures of nontrivial complex-
ity. Music theories, especially those with more formal inclination, strive to
provide models...
Journal Article
Journal of Music Theory (2003) 47 (1): 41–101.
Published: 01 April 2003
..., contains
11 pitches of the chromatic scale, all but pc 6. Of all the chromatics, pc
6 receives scant treatment in general throughout the quartet, but comes to
the fore at several significant moments, as will be shown. Chromaticism
is highly correlated with the phrase structure of the Theme. Phrase 1...
