Search Results for chopin

... and Reinterpretation in Chopin.” In Chopin Studies 2 , ed. John Rink and Jim Samson. Cambridge: Cambridge University Press. Darcy, Warren. 1997 . “Bruckner's Sonata Deformations.” In Bruckner Studies , ed. Timothy L. Jackson and Paul Hawkshaw. Cambridge: Cambridge University Press. Everett, Walter. 1990...

...Alan Dodson This is an analytical study on metrical structure in Chopin's Mazurka op. 17/4 (complete) and excerpts from his Mazurkas opp. 59/2 and 63/3, and on the effects of expressive details in Paderewski's recordings upon that structure. The methodology is based mainly on Harald Krebs's theory...

.... As such, the archetypes function as ideologies of the musical text and as ideologies of the reader. The article illustrates these ideas with analyses of Chopin's Nocturne in B, op. 32/1, Chopin's Second Ballade, and Brahms's Rhapsody in E♭, op. 119/4. Yale University 2009 Michael L. Klein is Associate Professor...

... Friedman borrowing Bach in Gavotte (1948); Cavell borrowing Emerson versus Berio borrowing Mahler in Sinfonia (1960); and Cavell borrowing Derrida reading Austin versus Richard Beaudoin borrowing Martha Argerich reading Chopin in Étude d'un prélude IV—Black Wires (2009). Cavell's theories of the voice...

... of generated heptachords leading to an attractive scalar model. The theoretical model is illustrated by analyses of chromatic passages from music by Mozart, Chopin, and Debussy. A preliminary version of this article was presented at the Clough Memorial Conference, New Haven, Connecticut, June 13, 2012. I...

... as always comparative and context dependent. Illustrating these claims, repertoires of Viennese string quartet minuets and piano pieces by Chopin are analyzed. Christopher Brody is assistant professor of music theory at the Eastman School of Music. His research focuses on baroque music, keyboard...

...Example 1. Chopin, Fantasy , mm. 1–5. ...

... to be the most important collection of analyses of tonal music. Most of the essays in The Masterwork in Music focus on specific compositions by Bach, D. Scarlatti, Haydn, Mozart, Beethoven, Chopin, and Reger, in- cluding Mozart’s Symphony No. 40 in G Minor, K. 550 (in Volume II) and Beethoven’s Eroica...

... techniques. Abraham, Gerald. 1973 . Chopin's Musical Style . New York: Oxford University Press. Anson-Cartwright, Mark. 1998 . “The Development Section in Haydn's Late Instrumental Works.” Ph.D. diss., City University of New York. Cadwallader, Allen. 1992 . “More on Scale Degree Three...

... a little odd that Der freie Satz features 147 examples based on Beethoven’s music, and 108 on Chopin’s, but only 34 on that of Brahms. Profiling the Oster Collection’s File 34, the “Brahms folder,” Cadwallader and Pastille dis- close it does contain a surprisingly large cache of material regarding...

... resistant to any single analyti- cal bias. The book orders its essays chronologically, beginning with one on Schubert, followed by two on Chopin, and a larger group on later nine- teenth- and early twentieth-century composers. (Wagner, Liszt, Bruckner, Debussy, Wolf, Mahler, Schoenberg, and Pfitzner...

..., Beethoven, Chopin, and Brahms. To make this distinction is to suggest that The Art of Tonal Analysis be valued not only for its expert Schenkerian readings but also for its engagement with more general musical matters for which no explicit theories have yet been...

... for the Instrumental Music of Haydn, Mozart, and Beethoven . New York: Oxford University Press. Chopin, Frédéric. 1943 . Preludes for the Piano . Ed. Rafael Joseffy. G. Schirmer: New York. ____. 1968 . Préludes . Ed. Ewald Zimmermann. G. Henle Verlag: Munich. Cone, Edward T. 1977 . “Three Ways to Read...

.... Schenker Studies 2: 120. 16. Schenker Studies 2: 122. 17. The “twelve” included J.S. Bach, Handel, D. Scarlatti, C.P.E. Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, Mendelssohn, Schumann, and Brahms. 18. For Schenkerian studies involving the music of Gabriel Fauré, see: Taylor Greer, “Modal...

... and Interpretation .” In Chopin Studies 2 , edited by Rink John Samson Jim , 161 – 82 . Cambridge : Cambridge University Press . Schoenberg Arnold . (1947) 1975 . “ Brahms the Progressive ”. In Style and Idea: Selected Writings of Arnold Schoenberg , edited by Stein Leonard , 398...