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Published: 01 October 2022
Example 2. Chopin, Fantasy , mm. 127–43, exposition's closing theme: march integrated with chorale.
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Chopin, Nocturne in C minor, op. 48/1, mm. 25–42 (segment of the middle sec...
Available to PurchasePublished: 01 October 2022
Example 5. Chopin, Nocturne in C minor, op. 48/1, mm. 25–42 (segment of the middle section).
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Chopin, Nocturne in C minor, op. 48/1, mm. 49–52 (segment of the “dynamized...
Available to PurchasePublished: 01 October 2022
Example 6. Chopin, Nocturne in C minor, op. 48/1, mm. 49–52 (segment of the “dynamized” reprise, fusing four topics: recitative-declamation, chorale, march, and tempest/whirlwind).
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Journal Article
The Path from Tonic to Dominant in the Second Movement of Schubert's String Quintet and in Chopin's Fourth Ballade
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Journal of Music Theory (2000) 44 (2): 451–485.
Published: 01 October 2000
... and Reinterpretation in Chopin.” In Chopin Studies 2 , ed. John Rink and Jim Samson. Cambridge: Cambridge University Press. Darcy, Warren. 1997 . “Bruckner's Sonata Deformations.” In Bruckner Studies , ed. Timothy L. Jackson and Paul Hawkshaw. Cambridge: Cambridge University Press. Everett, Walter. 1990...
View articletitled, The Path from Tonic to Dominant in the Second Movement of Schubert's String Quintet and in <span class="search-highlight">Chopin's</span> Fourth Ballade
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for article titled, The Path from Tonic to Dominant in the Second Movement of Schubert's String Quintet and in <span class="search-highlight">Chopin's</span> Fourth Ballade
Journal Article
Metrical Dissonance and Directed Motion in Paderewski's Recordings of Chopin's Mazurkas
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Journal of Music Theory (2009) 53 (1): 57–94.
Published: 01 April 2009
...Alan Dodson This is an analytical study on metrical structure in Chopin's Mazurka op. 17/4 (complete) and excerpts from his Mazurkas opp. 59/2 and 63/3, and on the effects of expressive details in Paderewski's recordings upon that structure. The methodology is based mainly on Harald Krebs's theory...
View articletitled, Metrical Dissonance and Directed Motion in Paderewski's Recordings of <span class="search-highlight">Chopin's</span> Mazurkas
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for article titled, Metrical Dissonance and Directed Motion in Paderewski's Recordings of <span class="search-highlight">Chopin's</span> Mazurkas
Includes: Supplementary data
Journal Article
Ironic Narrative, Ironic Reading
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Journal of Music Theory (2009) 53 (1): 95–136.
Published: 01 April 2009
.... As such, the archetypes function as ideologies of the musical text and as ideologies of the reader. The article illustrates these ideas with analyses of Chopin's Nocturne in B, op. 32/1, Chopin's Second Ballade, and Brahms's Rhapsody in E♭, op. 119/4. Yale University 2009 Michael L. Klein is Associate Professor...
Journal Article
You're There and You're Not There: Musical Borrowing and Cavell's “Way”
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Journal of Music Theory (2010) 54 (1): 91–105.
Published: 01 April 2010
... Friedman borrowing Bach in Gavotte (1948); Cavell borrowing Emerson versus Berio borrowing Mahler in Sinfonia (1960); and Cavell borrowing Derrida reading Austin versus Richard Beaudoin borrowing Martha Argerich reading Chopin in Étude d'un prélude IV—Black Wires (2009). Cavell's theories of the voice...
Journal Article
Dancing with the Scales: Subchromatic Generated Tone Systems
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Journal of Music Theory (2014) 58 (2): 179–233.
Published: 01 October 2014
... of generated heptachords leading to an attractive scalar model. The theoretical model is illustrated by analyses of chromatic passages from music by Mozart, Chopin, and Debussy. A preliminary version of this article was presented at the Clough Memorial Conference, New Haven, Connecticut, June 13, 2012. I...
Journal Article
Parametric Interaction in Tonal Repertoires
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Journal of Music Theory (2016) 60 (2): 97–148.
Published: 01 October 2016
... as always comparative and context dependent. Illustrating these claims, repertoires of Viennese string quartet minuets and piano pieces by Chopin are analyzed. Christopher Brody is assistant professor of music theory at the Eastman School of Music. His research focuses on baroque music, keyboard...
Journal Article
Topic Theory in Soviet Musicology
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Journal of Music Theory (2022) 66 (2): 189–222.
Published: 01 October 2022
...Example 1. Chopin, Fantasy , mm. 1–5. ...
FIGURES
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Journal Article
Journal of Music Theory (2001) 45 (1): 162–169.
Published: 01 April 2001
... to be
the most important collection of analyses of tonal music. Most of the
essays in The Masterwork in Music focus on specific compositions by
Bach, D. Scarlatti, Haydn, Mozart, Beethoven, Chopin, and Reger, in-
cluding Mozart’s Symphony No. 40 in G Minor, K. 550 (in Volume II)
and Beethoven’s Eroica...
View articletitled, The Masterwork in Music: A Yearbook , 3 Vols. Heinrich Schenker Edited by William Drabkin Translated by Ian Bent, Alfred Clayton, William Drabkin, Richard Kramer, Derrick Puffet, John Rothgeb, and Hedi Siegel Studies in Music Theory and Analysis Vols. 5, 8, and 10 Ian Bent, General Ed. New York: Cambridge University Press, 1994, 1996, 1997
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for article titled, The Masterwork in Music: A Yearbook , 3 Vols. Heinrich Schenker Edited by William Drabkin Translated by Ian Bent, Alfred Clayton, William Drabkin, Richard Kramer, Derrick Puffet, John Rothgeb, and Hedi Siegel Studies in Music Theory and Analysis Vols. 5, 8, and 10 Ian Bent, General Ed. New York: Cambridge University Press, 1994, 1996, 1997
Journal Article
On Voice Exchanges
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Journal of Music Theory (2009) 53 (2): 191–226.
Published: 01 October 2009
... techniques. Abraham, Gerald. 1973 . Chopin's Musical Style . New York: Oxford University Press. Anson-Cartwright, Mark. 1998 . “The Development Section in Haydn's Late Instrumental Works.” Ph.D. diss., City University of New York. Cadwallader, Allen. 1992 . “More on Scale Degree Three...
Journal Article
Schenker Studies 2
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Journal of Music Theory (2001) 45 (2): 470–483.
Published: 01 October 2001
... a little odd
that Der freie Satz features 147 examples based on Beethoven’s music,
and 108 on Chopin’s, but only 34 on that of Brahms. Profiling the Oster
Collection’s File 34, the “Brahms folder,” Cadwallader and Pastille dis-
close it does contain a surprisingly large cache of material regarding...
Journal Article
Are There Two Tonal Practices in Nineteenth-Century Music?
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Journal of Music Theory (1999) 43 (1): 135–163.
Published: 01 April 1999
... resistant to any single analyti-
cal bias.
The book orders its essays chronologically, beginning with one on
Schubert, followed by two on Chopin, and a larger group on later nine-
teenth- and early twentieth-century composers. (Wagner, Liszt, Bruckner,
Debussy, Wolf, Mahler, Schoenberg, and Pfitzner...
Journal Article
The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory by Carl Schachter
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Journal of Music Theory (2018) 62 (1): 145–154.
Published: 01 April 2018
..., Beethoven, Chopin, and Brahms. To
make this distinction is to suggest that The Art of Tonal Analysis be valued not
only for its expert Schenkerian readings but also for its engagement with
more general musical matters for which no explicit theories have yet been...
Journal Article
Narrative Archetypes: A Critique, Theory, and Method of Narrative Analysis
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Journal of Music Theory (2003) 47 (1): 1–39.
Published: 01 April 2003
... for the Instrumental Music of Haydn, Mozart, and Beethoven . New York: Oxford University Press. Chopin, Frédéric. 1943 . Preludes for the Piano . Ed. Rafael Joseffy. G. Schirmer: New York. ____. 1968 . Préludes . Ed. Ewald Zimmermann. G. Henle Verlag: Munich. Cone, Edward T. 1977 . “Three Ways to Read...
Journal Article
Analysis of Tonal Music: A Schenkerian Approach
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Journal of Music Theory (2001) 45 (2): 483–487.
Published: 01 October 2001
.... Schenker Studies 2: 120.
16. Schenker Studies 2: 122.
17. The “twelve” included J.S. Bach, Handel, D. Scarlatti, C.P.E. Bach, Haydn,
Mozart, Beethoven, Schubert, Chopin, Mendelssohn, Schumann, and Brahms.
18. For Schenkerian studies involving the music of Gabriel Fauré, see: Taylor Greer,
“Modal...
Journal Article
Generic Sequences and the Generic Tonnetz
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Journal of Music Theory (2020) 64 (1): 63–103.
Published: 01 April 2020
... and Interpretation .” In Chopin Studies 2 , edited by Rink John Samson Jim , 161 – 82 . Cambridge : Cambridge University Press . Schoenberg Arnold . (1947) 1975 . “ Brahms the Progressive ”. In Style and Idea: Selected Writings of Arnold Schoenberg , edited by Stein Leonard , 398...
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