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chopin

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Published: 01 October 2022
Example 1. Chopin, Fantasy , mm. 1–5. More
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Published: 01 October 2022
Example 2. Chopin, Fantasy , mm. 127–43, exposition's closing theme: march integrated with chorale. More
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Published: 01 October 2022
Example 3. Chopin, Nocturne in C minor, op. 48/1, mm. 1–4. More
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Published: 01 October 2022
Example 5. Chopin, Nocturne in C minor, op. 48/1, mm. 25–42 (segment of the middle section). More
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Published: 01 October 2022
Example 6. Chopin, Nocturne in C minor, op. 48/1, mm. 49–52 (segment of the “dynamized” reprise, fusing four topics: recitative-declamation, chorale, march, and tempest/whirlwind). More
Journal Article
Journal of Music Theory (2009) 53 (1): 57–94.
Published: 01 April 2009
...Alan Dodson This is an analytical study on metrical structure in Chopin's Mazurka op. 17/4 (complete) and excerpts from his Mazurkas opp. 59/2 and 63/3, and on the effects of expressive details in Paderewski's recordings upon that structure. The methodology is based mainly on Harald Krebs's theory...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2000) 44 (2): 451–485.
Published: 01 October 2000
... and Reinterpretation in Chopin.” In Chopin Studies 2 , ed. John Rink and Jim Samson. Cambridge: Cambridge University Press. Darcy, Warren. 1997 . “Bruckner's Sonata Deformations.” In Bruckner Studies , ed. Timothy L. Jackson and Paul Hawkshaw. Cambridge: Cambridge University Press. Everett, Walter. 1990...
Journal Article
Journal of Music Theory (2009) 53 (1): 95–136.
Published: 01 April 2009
.... As such, the archetypes function as ideologies of the musical text and as ideologies of the reader. The article illustrates these ideas with analyses of Chopin's Nocturne in B, op. 32/1, Chopin's Second Ballade, and Brahms's Rhapsody in E♭, op. 119/4. Yale University 2009 Michael L. Klein is Associate Professor...
Journal Article
Journal of Music Theory (2010) 54 (1): 91–105.
Published: 01 April 2010
... Friedman borrowing Bach in Gavotte (1948); Cavell borrowing Emerson versus Berio borrowing Mahler in Sinfonia (1960); and Cavell borrowing Derrida reading Austin versus Richard Beaudoin borrowing Martha Argerich reading Chopin in Étude d'un prélude IV—Black Wires (2009). Cavell's theories of the voice...
Journal Article
Journal of Music Theory (2014) 58 (2): 179–233.
Published: 01 October 2014
... of generated heptachords leading to an attractive scalar model. The theoretical model is illustrated by analyses of chromatic passages from music by Mozart, Chopin, and Debussy. A preliminary version of this article was presented at the Clough Memorial Conference, New Haven, Connecticut, June 13, 2012. I...
Journal Article
Journal of Music Theory (2016) 60 (2): 97–148.
Published: 01 October 2016
... as always comparative and context dependent. Illustrating these claims, repertoires of Viennese string quartet minuets and piano pieces by Chopin are analyzed. Christopher Brody is assistant professor of music theory at the Eastman School of Music. His research focuses on baroque music, keyboard...
Journal Article
Journal of Music Theory (2022) 66 (2): 189–222.
Published: 01 October 2022
...Example 1. Chopin, Fantasy , mm. 1–5. ...
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Journal Article
Journal of Music Theory (2001) 45 (1): 162–169.
Published: 01 April 2001
... to be the most important collection of analyses of tonal music. Most of the essays in The Masterwork in Music focus on specific compositions by Bach, D. Scarlatti, Haydn, Mozart, Beethoven, Chopin, and Reger, in- cluding Mozart’s Symphony No. 40 in G Minor, K. 550 (in Volume II) and Beethoven’s Eroica...
Journal Article
Journal of Music Theory (2009) 53 (2): 191–226.
Published: 01 October 2009
... techniques. Abraham, Gerald. 1973 . Chopin's Musical Style . New York: Oxford University Press. Anson-Cartwright, Mark. 1998 . “The Development Section in Haydn's Late Instrumental Works.” Ph.D. diss., City University of New York. Cadwallader, Allen. 1992 . “More on Scale Degree Three...
Journal Article
Journal of Music Theory (2001) 45 (2): 470–483.
Published: 01 October 2001
... have been motivated to pursue theoretical work when he saw Brahms’s artistic influence wane, it does seem a little odd that Der freie Satz features 147 examples based on Beethoven’s music, and 108 on Chopin’s, but only 34 on that of Brahms. Profiling the Oster Collection’s File 34, the “Brahms...
Journal Article
Journal of Music Theory (1999) 43 (1): 135–163.
Published: 01 April 1999
... resistant to any single analyti- cal bias. The book orders its essays chronologically, beginning with one on Schubert, followed by two on Chopin, and a larger group on later nine- teenth- and early twentieth-century composers. (Wagner, Liszt, Bruckner, Debussy, Wolf, Mahler, Schoenberg, and Pfitzner...
Journal Article
Journal of Music Theory (2018) 62 (1): 145–154.
Published: 01 April 2018
..., Beethoven, Chopin, and Brahms. To make this distinction is to suggest that The Art of Tonal Analysis be valued not only for its expert Schenkerian readings but also for its engagement with more general musical matters for which no explicit theories have yet been...
Journal Article
Journal of Music Theory (2003) 47 (1): 1–39.
Published: 01 April 2003
... for the Instrumental Music of Haydn, Mozart, and Beethoven . New York: Oxford University Press. Chopin, Frédéric. 1943 . Preludes for the Piano . Ed. Rafael Joseffy. G. Schirmer: New York. ____. 1968 . Préludes . Ed. Ewald Zimmermann. G. Henle Verlag: Munich. Cone, Edward T. 1977 . “Three Ways to Read...
Journal Article
Journal of Music Theory (2001) 45 (2): 483–487.
Published: 01 October 2001
.... Schenker Studies 2: 120. 16. Schenker Studies 2: 122. 17. The “twelve” included J.S. Bach, Handel, D. Scarlatti, C.P.E. Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, Mendelssohn, Schumann, and Brahms. 18. For Schenkerian studies involving the music of Gabriel Fauré, see: Taylor Greer, “Modal...
Journal Article
Journal of Music Theory (2020) 64 (1): 63–103.
Published: 01 April 2020
... the scherzo of Beethoven s Ninth Symphony,12 or f A c E g B . . . in mm. 43 60 of Chopin s fantasy in F minor, op. 49. Though both of these examples are RL-chains, the first descends by thirds (a generic t5 sequence) while the second ascends (generic t2). Though some theorists may be disinclined to call...