1-20 of 44 Search Results for

chant

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Journal of Music Theory (2008) 52 (1): 123–149.
Published: 01 April 2008
...Jennifer Bain The music of Hildegard of Bingen (1098-1179) has often been described as standing outside medieval chant traditions. This article argues that although many features of her music deviate from early chant, her repertoire conforms instead in remarkable ways with a late chant style, which...
Image
Published: 01 April 2021
Example 5. Franco-Italian “four-cycle” counts. Tchaikovsky, Sleeping Beauty , prologue, no. 3 pas de six , variation 4, Canari qui chante , mm. 1–12. Example 5. Franco-Italian “four-cycle” counts. Tchaikovsky, Sleeping Beauty, prologue, no. 3 pas de six, variation 4, Canari qui chante, mm More
Image
Published: 01 April 2021
Example 14. The dancer articulates R2−1, consonant with the music's R4−3. Tchaikovsky, Sleeping Beauty , prologue, no. 3 pas de six , variation 4, Canari qui chante , mm. 9–12. Example 14. The dancer articulates R2−1, consonant with the music's R4−3. Tchaikovsky, Sleeping Beauty, prologue More
Journal Article
Journal of Music Theory (2008) 52 (1): 75–122.
Published: 01 April 2008
...-century troubadours and trouvères that delineate a “high style,” including chansons , and a “low style,” including dances and pastourelles . The dichotomy originated in the nineteenth century with Gaston Paris's concept of amour courtois , from which Roger Dragonetti later derived the term grand chant...
Journal Article
Journal of Music Theory (2015) 59 (1): 63–97.
Published: 01 April 2015
.... 1893 . Glavneĭshie pesnopeniia bozhestvennoĭ liturgii, molebnogo peniia, panikhidy i vsenoshchnogo bdeniia (The Main Chants of the Divine Liturgy, the Moleben, the Memorial Service, and the All-Night Vigil) . N.p. Sposobin Igor . [1951] 1994 . Elementarnaia Teoriia Muzyki (Elementary...
Journal Article
Journal of Music Theory (2008) 52 (1): 13–40.
Published: 01 April 2008
.... New Haven: Yale University Press. Bailey, Terence. 1974 . The Intonation Formulas of Western Chant . Toronto: Pontifical Institute of Medieval Studies. ____, trans. 1979 . Commemoratio Brevis de Tonis et Psalmis Modulandis . Ottawa: University of Ottawa Press. Bernhard, Michael. 1990...
Journal Article
Journal of Music Theory (2013) 57 (2): 373–381.
Published: 01 October 2013
..., that assumption is mistaken. To be sure, there are good reasons that Hollandrinus has remained a rather obscure figure until now. Although his name did pop up in a few manuscripts known to scholars in the early twentieth century as a “Magister” of chant pedagogy, we knew nothing of the person. Hugo...
Journal Article
Journal of Music Theory (2008) 52 (1): 151–158.
Published: 01 April 2008
... to correspond to the four finals of chant or that this scale provided the basis for the diatonic matrix that defined the notation of pitch for the next three centuries. The entry on Alia Musica emphasizes its use of type melodies for the modes as a distinguishing feature, even though...
Journal Article
Journal of Music Theory (2003) 47 (2): 371.
Published: 01 October 2003
... CONTRIBUTORS Jennifer Bain is Associate Professor of Music Theory at Dalhousie Uni- versity. Her upcoming publications and research projects center on chant analysis, comparing striking melodic similarities in the music of Hilde- gard of Bingen and Hermannus Contractus...
Journal Article
Journal of Music Theory (2015) 59 (2): 235–271.
Published: 01 October 2015
... shall see, these subtle shifts in Morley’s musical rhetoric are crucial to the sense of tonality that his bal- letts evoke. For example, though Sing we and chant it shares much of its skeleton with its model, Gastoldi’s L’innamorato (A lieta vita), Morley imparts a dynamic sense...
Journal Article
Journal of Music Theory (2003) 47 (2): 325–362.
Published: 01 October 2003
... the grammarians call “colon,” “comma,” and “period” in prose, this in chant certain musicians call diastema, systema, and teleusis. Now diastema . . . occurs when the chant makes a suitable pause, not on the final but elsewhere; systema . . . [occurs] whenever a suitable pause in the melody comes...
Journal Article
Journal of Music Theory (2021) 65 (1): 107–137.
Published: 01 April 2021
...Example 5. Franco-Italian “four-cycle” counts. Tchaikovsky, Sleeping Beauty , prologue, no. 3 pas de six , variation 4, Canari qui chante , mm. 1–12. Example 5. Franco-Italian “four-cycle” counts. Tchaikovsky, Sleeping Beauty, prologue, no. 3 pas de six, variation 4, Canari qui chante, mm...
FIGURES | View All (18)
Journal Article
Journal of Music Theory (2007) 51 (1): 137–159.
Published: 01 April 2007
... e de' più celebri artisti di tutte le nazioni sì antiche che moderne.... 4 vols. Palermo: Dalla Tipografia reale di guerra. Biferi. 1770 . Traité de musique abrégé, divisé en trois parties. La première traite du Chant, la seconde de l'accompagnement du clavecin, et la troisième de la...
Journal Article
Journal of Music Theory (2008) 52 (1): 9–12.
Published: 01 April 2008
...–23. 1997. Review of Guillaume de Machaut: A Guide to Research, by Lawrence Earp. Plainsong and Medieval Music 6/2: 180–84. 1997. Review of La Réforme cistercienne du Plain-Chant: Étude d’un traité théorique, by Claire Maître. Notes 53/4: 1132–34. 1997. Review of Musica...
Journal Article
Journal of Music Theory (2003) 47 (2): 305–323.
Published: 01 October 2003
... goût du chant” (1722, 320). 14. This harmonic use of the term supposition can also be described as positing an “assumed chord-root”: see Cohen 1971, 77. 15. This is why I have preferred to follow Thomas Christensen’s brilliant synthesis here. 16. Throughout his book, Lester prefers to render...
Journal Article
Journal of Music Theory (2015) 59 (1): 99–119.
Published: 01 April 2015
... chordes harmoniques, & des autres corps •Traité de mechanique [Supplemental addition of work by Gilles Personne de Roberval] II. Traitez de la voix, et des chants *4. Livre premier de la voix, des parties qui servent à la former, de se...
Journal Article
Journal of Music Theory (2013) 57 (1): 119–129.
Published: 01 April 2013
... with It? What Shall We Do about It? London: Harper. Dubois, Théodore. 1921. Réalisations des basses et chants du traité d’harmonie. Paris: Heugel. Gjerdingen, Robert O. 2007. Music in the Galant Style: Being an Essay on Various Schemata Char- acteristic of Eighteenth-Century Music for Courtly...
Journal Article
Journal of Music Theory (2021) 65 (1): 171–183.
Published: 01 April 2021
... would unequivocally call “tonal” today: plainchant, medieval song, and popular song. 3 Chapter 2, “Chant,” examines how Fétis's characterization of plainchant as the paragon of tonalité ancienne inspired church authorities to call for the purge of all “parasitic notes” suggesting appellative...
Journal Article
Journal of Music Theory (2010) 54 (1): 91–105.
Published: 01 April 2010
... as a structural foundation for new writing: Péro- tin borrows a Gregorian chant as a cantus firmus, and St. Thomas Aquinas comments on each line of a text by Aristotle. (4) Critical borrowing, exemplified by the third movement of Berio’s...
Journal Article
Journal of Music Theory (2008) 52 (1): 159–180.
Published: 01 April 2008
... embellies par la melodie et les teneurs, trebles et contreteneurs du chant de la musique artificiele. Et neantmoins est chascune de ces deux plaisant a ouir par soy” (Natural music is delightful, and embel- lished by the melody and the tenors, trebles...