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Journal Article
Journal of Music Theory (2008) 52 (1): 75–122.
Published: 01 April 2008
...-century troubadours and trouvères that delineate a “high style,” including chansons , and a “low style,” including dances and pastourelles . The dichotomy originated in the nineteenth century with Gaston Paris's concept of amour courtois , from which Roger Dragonetti later derived the term grand chant...
Journal Article
Journal of Music Theory (2021) 65 (1): 1–2.
Published: 01 April 2021
... of Europe sometimes accompanied both partners, although usually only one at a time. Many music analysts have written about historical lieder, chansons, and operas, with close attention to the texts that they set. Many fewer have written about historical gigues, waltzes, and Slavonic dances with comparable...
Journal Article
Journal of Music Theory (2000) 44 (1): 45–79.
Published: 01 April 2000
... Musicological Society 51 : 630 -36. Brothers, Thomas. 1997 . Chromatic Beauty in the Late Medieval Chanson: An Interpretation of Manuscript Accidentals . Cambridge: Cambridge University Press. Crocker, Richard L. 1962 . “Discant, Counterpoint and Harmony.” Journal of the American Musicological...
Journal Article
Journal of Music Theory (2001) 45 (1): 73–118.
Published: 01 April 2001
... des Chansons à Troys: A Mirror of the French Chanson in Italy between Ottavio Petrucci and Antonio Gardano.” Journal of the American Musicological Society 26 ( 1973 ), 8 –13. Brown, Howard M., Cambridge, Magdalene College, Pepys Ms. 1760 . Renaissance Music in Facsimile 2 (New York...
Journal Article
Journal of Music Theory (2008) 52 (1): 9–12.
Published: 01 April 2008
... Enchiriadis and Scolica Enchiriadis, trans. with intro-
duction and notes by Raymond Erickson, ed. Claude V. Palisca. Music
Theory Online 3/1.
1999. Review of Chromatic Beauty in the Late Medieval Chanson: An Interpretation
of Manuscript Accidentals, by Thomas Brothers. Speculum 74/4...
Journal Article
Journal of Music Theory (2008) 52 (1): 159–180.
Published: 01 April 2008
... Performance Practice.” In Studies in the Performance of Late Mediaeval Music , ed. Stanley Boorman, 253 -70. Cambridge: Cambridge University Press. Hasselman, Margaret Paine. 1970 . “The French Chanson in the Fourteenth Century.” Ph.D. diss., University of California, Berkeley. Holsinger, Bruce...
Journal Article
Journal of Music Theory (2003) 47 (2): 325–362.
Published: 01 October 2003
.... Brothers, Thomas. 1997 . Chromatic Beauty in the Late Medieval Chanson: An Interpretation of Manuscript Accidentals. Cambridge: Cambridge University Press. Brown, Howard Mayer. 1987 . “A Ballade for Mathieu de Foix: Style and Structure in a Composition by Trebor.” Musica disciplina 41 : 75 -107...
Journal Article
Journal of Music Theory (2024) 68 (1): 141–148.
Published: 01 April 2024
...-Escobar John . 2021 . “ An Intervallic Approach to Sixteenth-Century Chromaticism .” Journal of Music Theory 65 , no. 2 : 239 – 85 . Van Orden Kate . 2015 . Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe . New York : Oxford University Press . Vuvan...
Journal Article
Journal of Music Theory (2021) 65 (1): 171–183.
Published: 01 April 2021
..., mounted by those who located the origins of tonalité moderne in the chanson populaire , is surveyed in chapter 4, “Song.” While Jean-Georges Kastner was scouring the street cries of Paris, meticulously transcribing the chromatics of pea sellers and perfect fifths of milk peddlers, others like...
Journal Article
Journal of Music Theory (2005) 49 (1): 189–206.
Published: 01 April 2005
... cultural context. Her discussion is nuanced and
clear.
L. Poundie Burstein, “Les chansons des fous:
On the Edge of Madness with Alkan”
In this essay, Burstein discusses the idiosyncratic music of late-
nineteenth-century composer Charles-Valentin Alkan...
Journal Article
Journal of Music Theory (2010) 54 (2): 179–234.
Published: 01 October 2010
..., Track 13; Machaut: Chansons et motets d’amour, Ensemble
2:74) briefly summarizes the isorhythmic and textual struc- Ferrara, Arcana 305, Track 1; and, Frese Nouvele!, Musica
ture of the motet, and discusses the presence of various Mensurata, FCD 97736 TVD, Track 17. See...
Journal Article
Journal of Music Theory (2021) 65 (2): 287–323.
Published: 01 October 2021
... la Chanson’: Rhythm, Text, and Diegetic Performance in Nineteenth-Century French Opera .” Music Theory Online 21 , no. 3 . mtosmt.org/issues/mto.15.21.3/mto.15.21.3.pau.html . Rosen Charles . 1988 . Sonata Forms . New York : Norton . Rothstein William . 1989 . Phrase...
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Journal Article
Journal of Music Theory (2003) 47 (1): 1–39.
Published: 01 April 2003
.... Beginning with the motets, chansons,
and madrigals of the sixteenth century, and continuing into the nineteenth
and twentieth centuries, some composers included among their composi-
tional goals a desire to achieve dramatic effect. It is not surprising, there-
fore, that narrative organization begins...
