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Journal Article
Journal of Music Theory (2009) 53 (2): 305–328.
Published: 01 October 2009
...David Temperley is associate professor of Music Theory at Eastman School of Music. His book Music and Probability was published in 2007 by MIT Press. Danuta Mirka Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 Oxford University Press, 2009: 332 pp...
Journal Article
Journal of Music Theory (2018) 62 (2): 339–346.
Published: 01 October 2018
...Scott Burnham Klorman Edward , Mozart’s Music of Friends: Social Interplay in the Chamber Works Cambridge University Press , 2016 : 358 pp. ( $120.00 cloth) Copyright © 2018 by Yale University 2018 Works Cited Beethoven Ludwig van . 1981 . Ludwig van Beethovens...
Journal Article
Journal of Music Theory (2020) 64 (2): 203–240.
Published: 01 October 2020
... study of subordinate theme closure in Dvořák’s mature chamber music responds both to Horton’s interest in asynchrony between formal design and tonal structure and to his and Vande Moortele’s calls for expanding the range of composers included in these endeavors. Attention to a less studied composer...
Journal Article
Journal of Music Theory (2016) 60 (1): 51–88.
Published: 01 April 2016
...’: Schumann's 1842 Chamber Music and the Rethinking of Classical Form.” Ph.D. diss. , Yale University . ———. 2004 . “Higher Echoes of the Past in the Finale of Schumann's 1842 Piano Quartet.” Journal of the American Musicological Society 57 / 3 : 511 – 64 . Bryant Hannah , trans. 1987...
Journal Article
Journal of Music Theory (2014) 58 (1): 67–77.
Published: 01 April 2014
...Danuta Mirka Danuta Mirka is reader in music at the University of Southampton and the editor of The Oxford Handbook of Topic Theory (forthcoming). Her book Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791 (2009) won the 2011 Wallace Berry Award from...
Journal Article
Journal of Music Theory (2023) 67 (1): 71–98.
Published: 01 April 2023
... no. 1” type 3 variant seems unobjectionable (in op. 25, admittedly, the movement later turns out to be a birotational design, although the effect of exposition feint is nevertheless initially present). But in most of Brahms's examples—and noticeably in all the later chamber music following the First...
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Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
... Form . Cambridge : Cambridge University Press . Tovey Donald Francis . 1949 . “ Brahms’s Chamber Music .” In The Main Stream of Music and Other Essays , 220 – 70 . New York : Oxford University Press . Vande Moortele Steven . 2017 . The Romantic Overture and Musical Form from...
Journal Article
Journal of Music Theory (2014) 58 (1): 25–56.
Published: 01 April 2014
...’: Schumann’s 1842 Chamber Music and the Rethinking of Classical Form .” Ph.D. diss., Yale University . ———. 2004 . “ Higher Echoes of the Past in the Finale of Schumann’s 1842 Piano Quartet .” Journal of the American Musicological Society 57 : 511 – 64 . ———. 2011 . “ Schumann and the style...
Journal Article
Journal of Music Theory (2018) 62 (1): 155–164.
Published: 01 April 2018
...
the music thereafter, especially in chamber music rehearsals.13 Swinkin’s
point that physical playing habits should not unduly constrain the interpreta-
tion recalls a precept of the violinist Rudolf Kolisch, who encouraged his stu-
dents to analyze, interpret...
Journal Article
Journal of Music Theory (2004) 48 (2): 337–354.
Published: 01 October 2004
... the New Musicological Regime.” Journal of Musicology 15 : 297 -307. Avins, Styra, ed. 1997 . Johannes Brahms: Life and Letters , trans. Josef Eisinger. Oxford: Oxford University Press. Brodbeck, David. 1999 . “Medium and Meaning: New Aspects of the Chamber Music.” In The Cambridge Companion...
Journal Article
Journal of Music Theory (2010) 54 (2): 235–282.
Published: 01 October 2010
... of Krzysztof Penderecki (1997) and Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (2009). Berger, Karol. 1992 . “Toward a History of Hearing: The Classic Concerto, a Sample Case.” In Convention in Eighteenth- and Nineteenth-Century Music: Essays in Honor of Leonard...
Journal Article
Journal of Music Theory (2021) 65 (1): 81–106.
Published: 01 April 2021
.... In this section I explore how contredanse experience might shape music listening outside the dance hall through brief analyses of the finales from two chamber works. Lawrence Zbikowski ( 2008 ) analyzes the finale of Haydn's String Quartet op. 76/4 as a “sonic analogue” for the bourrée, but while the movement...
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Journal Article
Journal of Music Theory (2013) 57 (1): 87–118.
Published: 01 April 2013
...: Interactions with Hypermeter and Phrase Structure .” Music Theory Spectrum 28/1 : 23 – 56 . Meyer Leonard B . 1956 . Emotion and Meaning in Music . Chicago : University of Chicago Press . Mirka Danuta . 2009 . Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787...
Journal Article
Journal of Music Theory (2013) 57 (2): 245–286.
Published: 01 October 2013
... in Time: Psychological Aspects of Musical Meter . New York : Oxford University Press . Mirka Danuta . 2009 . Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791 . Oxford : Oxford University Press . Mooney Michael Kevin . 1996 . “ The ‘Table of Relations...
Journal Article
Journal of Music Theory (2001) 45 (1): 151–162.
Published: 01 April 2001
... to the custom of the time
(18–19). The culmination of his career as an accompanist was perhaps
his three-week tour in 1899 with the acclaimed Dutch baritone Johannes
Messchaert. Schenker apparently did not perform in public after about
1911, but he continued to play chamber music in private circles...
Journal Article
Journal of Music Theory (2017) 61 (1): 29–57.
Published: 01 April 2017
... : Southern Illinois University Press . Mirka Danuta . 2009 . Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 . Oxford : Oxford University Press . Rothstein William . 1981 . “Rhythm and the Theory of Structural Levels.” Ph.D. diss. , Yale University...
Journal Article
Journal of Music Theory (2001) 45 (2): 470–483.
Published: 01 October 2001
...” and “decrescendi,” and sustained emphasis on ¡ to ex-
tend the initial ascent to the primary tone. Gagné’s intimation that the
increasing complexity of Mozart’s chamber music in the early 1780s in-
spired the pronounced richness and depth of his last four symphonies
deserves further investigation...
Journal Article
Journal of Music Theory (2014) 58 (1): 57–65.
Published: 01 April 2014
..., evocations
of the “Sailor’s Chorus” from Tristan in Andre’s song in scene I, act 2, and
quotations of the trumpet signals in Berg’s military training manuals. Of
central importance are the many allusions to Schoenberg’s music, including
his Chamber...
Journal Article
Journal of Music Theory (2020) 64 (1): 1–36.
Published: 01 April 2020
... . Chicago : University of Chicago Press . Meyer Leonard B . 1957 . “ Meaning in Music and Information Theory .” Journal of Aesthetics and Art Criticism 15 , no. 4 : 412 – 24 . Mirka Danuta . 2009 . Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791...
Journal Article
Journal of Music Theory (2021) 65 (1): 107–137.
Published: 01 April 2021
... . Bloomington : Indiana University Press . Mirka Danuta . 2009 . Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 . New York : Oxford University Press . Rothstein William . 2008 . “ National Metric Types in Music of the Eighteenth and Early Nineteenth...
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