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Journal Article
Journal of Music Theory (2009) 53 (2): 305–328.
Published: 01 October 2009
...David Temperley is associate professor of Music Theory at Eastman School of Music. His book Music and Probability was published in 2007 by MIT Press. Danuta Mirka Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 Oxford University Press, 2009: 332 pp...
Journal Article
Journal of Music Theory (2018) 62 (2): 339–346.
Published: 01 October 2018
... Late Quartets .” Musical Quarterly 93 / 3 : 450 – 513 . Lerdahl Fred Jackendoff Ray . 1983 . A Generative Theory of Tonal Music . Cambridge, MA : MIT Press . Mirka Danuta . 2009 . Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 . New York...
Journal Article
Journal of Music Theory (2020) 64 (2): 203–240.
Published: 01 October 2020
... study of subordinate theme closure in Dvořák’s mature chamber music responds both to Horton’s interest in asynchrony between formal design and tonal structure and to his and Vande Moortele’s calls for expanding the range of composers included in these endeavors. Attention to a less studied composer...
Journal Article
Journal of Music Theory (2016) 60 (1): 51–88.
Published: 01 April 2016
...-
Shostakovich believed that the orchestral writing reflected lier stages of Schumann’s career. This is the case, for
Schumann’s mental illness. On the somewhat complicated instance, with the critical reception of the compositions
history of the Concerto’s composition and early perfor- of the chamber music...
Journal Article
Journal of Music Theory (2014) 58 (1): 67–77.
Published: 01 April 2014
...Danuta Mirka Danuta Mirka is reader in music at the University of Southampton and the editor of The Oxford Handbook of Topic Theory (forthcoming). Her book Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791 (2009) won the 2011 Wallace Berry Award from...
Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
... : 44 – 59 . Taylor Benedict . 2011 . Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form . Cambridge : Cambridge University Press . Tovey Donald Francis . 1949 . “ Brahms’s Chamber Music .” In The Main Stream of Music and Other Essays , 220 – 70 . New York...
Journal Article
Journal of Music Theory (2014) 58 (1): 25–56.
Published: 01 April 2014
.... In an otherwise perceptive essay on Schu
mann’s chamber music, Linda Correll Roesner writes of the String Quartet
2 From Schumann’s lead editorial in the Neue Zeitschrift
für Musik 2 (1835, 3), as quoted...
Journal Article
Journal of Music Theory (2018) 62 (1): 155–164.
Published: 01 April 2018
...
the music thereafter, especially in chamber music rehearsals.13 Swinkin’s
point that physical playing habits should not unduly constrain the interpreta-
tion recalls a precept of the violinist Rudolf Kolisch, who encouraged his stu-
dents to analyze, interpret...
Journal Article
Journal of Music Theory (2004) 48 (2): 337–354.
Published: 01 October 2004
... the New Musicological Regime.” Journal of Musicology 15 : 297 -307. Avins, Styra, ed. 1997 . Johannes Brahms: Life and Letters , trans. Josef Eisinger. Oxford: Oxford University Press. Brodbeck, David. 1999 . “Medium and Meaning: New Aspects of the Chamber Music.” In The Cambridge Companion...
Journal Article
Journal of Music Theory (2010) 54 (2): 235–282.
Published: 01 October 2010
... of Krzysztof Penderecki (1997) and Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (2009). Berger, Karol. 1992 . “Toward a History of Hearing: The Classic Concerto, a Sample Case.” In Convention in Eighteenth- and Nineteenth-Century Music: Essays in Honor of Leonard...
Journal Article
Journal of Music Theory (2021) 65 (1): 81–106.
Published: 01 April 2021
... . 2014 . “ Ballroom Dances of the Late Eighteenth Century .” In The Oxford Handbook of Topic Theory , edited by Mirka Danuta , 164 – 93 . Oxford : Oxford University Press . Mirka Danuta . 2009 . Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 . New...
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Journal Article
Journal of Music Theory (2013) 57 (1): 87–118.
Published: 01 April 2013
.... Emotion and Meaning in Music. Chicago: University of Chicago Press.
Mirka, Danuta. 2009. Metric Manipulations in Haydn and Mozart: Chamber Music for Strings,
1787–1791. Oxford: Oxford University Press.
Pascall, Robert. 1989. “Genre and the Finale of Brahms’s Fourth Symphony.” Music Analysis...
Journal Article
Journal of Music Theory (2013) 57 (2): 245–286.
Published: 01 October 2013
... York: Oxford Univer-
sity Press.
Mirka, Danuta. 2009. Metric Manipulations in Haydn and Mozart: Chamber Music for Strings,
1787–1791. Oxford: Oxford University Press.
Mooney, Michael Kevin. 1996. “The ‘Table of Relations’ and Music Psychology in Hugo Rie-
mann’s Harmonic...
Journal Article
Journal of Music Theory (2001) 45 (1): 151–162.
Published: 01 April 2001
... to the custom of the time
(18–19). The culmination of his career as an accompanist was perhaps
his three-week tour in 1899 with the acclaimed Dutch baritone Johannes
Messchaert. Schenker apparently did not perform in public after about
1911, but he continued to play chamber music in private circles...
Journal Article
Journal of Music Theory (2017) 61 (1): 29–57.
Published: 01 April 2017
... in Haydn and Mozart: Chamber Music for Strings,
1787–1791. Oxford: Oxford University Press.
Rothstein, William. 1981. “Rhythm and the Theory of Structural Levels.” Ph.D. diss., Yale
University.
Salzer, Felix, and Carl Schachter. 1969. Counterpoint in Composition. New York: McGraw-Hill...
Journal Article
Journal of Music Theory (2001) 45 (2): 470–483.
Published: 01 October 2001
... of Mozart’s chamber music in the early 1780s in-
spired the pronounced richness and depth of his last four symphonies
deserves further investigation.
475
Preeminent within Schenker Studies 2 is John Rink’s “‘Structural
Momentum’ and Closure...
Journal Article
Journal of Music Theory (2020) 64 (1): 1–36.
Published: 01 April 2020
... . Chicago : University of Chicago Press . Meyer Leonard B . 1957 . “ Meaning in Music and Information Theory .” Journal of Aesthetics and Art Criticism 15 , no. 4 : 412 – 24 . Mirka Danuta . 2009 . Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791...
Journal Article
Journal of Music Theory (2014) 58 (1): 57–65.
Published: 01 April 2014
..., evocations
of the “Sailor’s Chorus” from Tristan in Andre’s song in scene I, act 2, and
quotations of the trumpet signals in Berg’s military training manuals. Of
central importance are the many allusions to Schoenberg’s music, including
his Chamber...
Journal Article
Journal of Music Theory (2013) 57 (1): 47–85.
Published: 01 April 2013
... for Representing Knowledge.” In The Psychology of Com-
puter Vision, ed. Patrick Henry Winston, 211–77. New York: McGraw-Hill.
Mirka, Danuta. 2009. Metric Manipulations in Haydn and Mozart: Chamber Music for Strings,
1787–1791. New York: Oxford...
Journal Article
Journal of Music Theory (2021) 65 (1): 107–137.
Published: 01 April 2021
... . Mirka Danuta . 2009 . Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 . New York : Oxford University Press . Rothstein William . 2008 . “ National Metric Types in Music of the Eighteenth and Early Nineteenth Centuries .” In Communication in Eighteenth...
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