Search Results for century

...: Breitkopf und Härtel. Guillaume de Machaut. 1956 . The Works of Guillaume de Machaut . Ed. Leo Schrade. Polyphonic Music of the Fourteenth Century, vols. 2 and 3. Monaco: Editions de L'Oiseau-Lyre. Petrus palma ociosa Ars. 1336/1914. Ars Compendium de discantu mensurabili. Ed. Johannes Wolf. “Ein...

... rhythme, des effets qu'il produit et de leurs causes . Paris: Denur; Niort: Robin et L. Favre. Bent, Ian, ed. 1994 . Music Analysis in the Nineteenth Century . 2 vols. Cambridge: Cambridge University Press. Bernstein, David W. 1993 . “Symmetry and Symmetrical Inversion in Turn-of-the-Century...

.... ______. 1969 . “The Vogue of the Instrumental Rondo in the Late Eighteenth Century.” Journal of the American Musicological Society 22 : 425 –55. Cone, Edward T. 1968 . Musical Form and Musical Performance . New York: W. W. Norton. Cramer, Carl Friedrich. 1783 . Magazin der Musik Hamburg. Facs...

... Instruments . Trans. William Mitchell. New York: W. W. Norton. Baker, Nancy Kovaleff. 1988 . “Der Urstoff der Musik: Implications for Harmony and Melody in the Theory of Heinrich Koch.” Music Analysis 7/1 : 3 -30. Barnett, Gregory. 2002 . “Tonal Organization in Seventeenth-Century Music Theory...

... and Visual Perception: A Psychology of the Creative Eye . Berkeley: University of California Press. Bailey, Robert. 1977 . “The Structure of the Ring and Its Evolution.” 19th Century Music 1/1 : 48 -61. Baker, James. 1990 . “The Limits of Tonality in the Late Music of Franz Liszt.” Journal...

...Edward Pearsall 2004 © Yale University, New Haven, Connecticut 06520 2004 Antokoletz, Elliot. 1984 . The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music. Berkeley and Los Angeles: University of California Press. Baker, James. 1993 . “Post...

...Benjamin Steege Myles W. Jackson Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany MIT Press, 2006: x+395 pp. ($40.00 cloth, $23.00 paper) Matthias Rieger Helmholtz Musicus: Die Objektivierung der Musik im 19. Jahrhundert durch Helmholtz' Lehre...

... coordinator at Indiana University. In 2009, he presented work on sixteenth-century music at the Society for Music Theory annual meeting and was invited to speak on the analysis of rap music at the biannual Stop.Spot! festival in Linz, Austria. Adams, Kyle. 2006 . “A New Theory of Chromaticism from...

...Lee Rothfarb German-speaking aestheticians of the nineteenth century followed various paths of inquiry stimulated by Kant’s Critique of Judgment . One path leads in a formalist direction, through Johann Friedrich Herbart and Robert Zimmermann; the other leads in an empathist direction, from Johann...

...Danuta Mirka Two closely interrelated techniques of phrase expansion occasionally used by eighteenth-century composers but so far not recognized by music theorists are twisted caesuras and overridden caesuras . Both of them represent complex games played by composers with their listeners on two...

... News Letter 15/1 : 1 – 3 . Cone Edward T. 1982 . “ Schubert’s Promissory Note: An Exercise in Musical Hermeneutics .” 19th-Century Music 5/3 : 233 – 41 . Reprinted in Schubert: Critical and Analytical Studies, ed. Walter Frisch, 13–30. Lincoln: University of Nebraska Press, 1986...

...Robert O. Gjerdingen Robert O. Gjerdingen is the author of several books, articles, and reviews in the fields of music theory, music perception, and eighteenth-century musical style. He has served on the editorial boards of Music Theory Spectrum , the Journal of Music Theory...

..., Design and Rhetoric appeared in 2010. Schmalfeldt Janet In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music . Oxford University Press , 2011 : xi+333 pp. ( $49.95 cloth ) © 2013 by Yale University 2013 Works Cited...

...Joel Galand Joel Galand is associate professor of music theory and associate director of the School of Music at Florida International University. James Hepokoski and Warren Darcy Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata...

... . “Are There Two Tonal Practices in Nineteenth-Century Music?” Journal of Music Theory 43 / 2 : 135 – 63 . ———. 2010 . “Two Early Schoenberg Songs: Monotonality, Multitonality, and Schwebende Tonalität.” In The Cambridge Companion to Schoenberg , ed. Shaw Jennifer Auner Joseph , 53 – 67...

..., and expectation. These concepts allow him to develop detailed speculations about a range of conscious and unconscious dispositions of perception. This study explicates the Essay ’s speculative theories and contextualizes them both within eighteenth-century music theory and in light of contemporary psychology...

... Hepokoski and Darcy’s sonata theory, Caplin’s theory of formal functions, and Schenkerian concepts of tonal content argue in favor of a type 2 interpretation of nineteenth-century manifestations. The analyses presented demonstrate some of the ways these theories may prove mutually reinforcing, even when...

...Megan Kaes Long At the beginning of the seventeenth century English composers used only a handful of keys: they combined five keynotes (G, A, C, D, and F) with the three signatures documented in English solmization theory (♮,♭, and♭♭). By the end of the century English theorists described eighteen...

...-division/68565 . 297 Journal of Music Theory 64:2, October 2020 DOI 10.1215/00222909-8550831 © 2020 by Yale University Pedagogy into Practice: Teaching Music Theory in the Twenty-First Century. Conference organized and sponsored by the Gail Boyd de Stwolinski Center for Music Theory Pedagogy. Held...

...Trevor Bača [email protected] Daphne Leong . Performing Knowledge: Twentieth-Century Music in Analysis and Performance . Oxford University Press , 2019 : 432 pp. ( $69.00 cloth). Copyright © 2022 by Yale University 2022 WHAT HAPPENS WHEN music analysis centers...