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cadenz

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Journal Article
Journal of Music Theory 9930937.
Published: 08 September 2022
... be marked by somet­hing else than a perf­ect authent­ic cadence. His argu­ment hinges on the interr­el­a­ tions established between the mod­ern con­cept of perf­ect authen­tic cadence and Koch s conc­epts of Cadenz and förmliche Cadenz. To begin with, he identifies per­fect authen­tic cadence with Cadenz...
Journal Article
Journal of Music Theory (2000) 44 (1): 81–99.
Published: 01 April 2000
... The discussion of harmonic logic is broken into five sections. Rie- mann first determines the logical meaning of the tonic, subdominant, and dominant Hauptakkorde, with reference to a paradigm he calls the grosse 83 Cadenz. This progression, which we...
Journal Article
Journal of Music Theory (2007) 51 (1): 51–83.
Published: 01 April 2007
... discuss only those that are used in the realization of the subsequent musical examples. The patterns are arranged according to the class of the rules. Some partimento patterns and rules Class 1: Basic axioms and procedures Cadenze  In partimento...
Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
... of the alto clausula. This doppia cadence is designated by a multiplicity of terms quasi identity between figurations of bass and alto clausulae like cadenza major, große Cadenz, grande cadence, great...
Journal Article
Journal of Music Theory (2000) 44 (1): 100–126.
Published: 01 April 2000
... of the cadence is the prototype of all musical form.12 [12] This so-called große Cadenz thus has three prominent ele- ments, which we shall call thetic elements: thesis, thetic fifth, and thetic third. We call the transitional elements antithesis and synthesis.13 More strictly understood, thesis...
Journal Article
Journal of Music Theory (2007) 51 (1): 85–135.
Published: 01 April 2007
... the Prinner schema. These variants account for an additional seven measures. Only eight measures remain, all involving cadenze semplici (simple cadences). The game of a partimento really could be that simple, though learning to per...
Journal Article
Journal of Music Theory (2007) 51 (1): 161–186.
Published: 01 April 2007
... added to the triad on V). In his ensuing discussion of the Rule of the Octave, in the standard Fenaroli version, he calls cadenze all the descending fifth-progressions along the scale. In doing so, he departs considerably from Neapolitan theory, which considers...