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Journal Article
Journal of Music Theory 9930937.
Published: 08 September 2022
...Danuta Mirka danuta.mirka@northwestern.edu L. Poundie Burstein . Journeys through Galant Expositions . Oxford University Press , 2020 : xi +295 pp. ( $45.00 cloth, $44.99 e-book). Copyright © 2022 by Yale University 2022 ADVANCE PUBLICATION REVIEWS L. Poundie Burstein...
Journal Article
Journal of Music Theory (2005) 49 (1): 189–206.
Published: 01 April 2005
... cultural context. Her discussion is nuanced and clear. L. Poundie Burstein, “Les chansons des fous: On the Edge of Madness with Alkan” In this essay, Burstein discusses the idiosyncratic music of late-­ nineteenth-century composer Charles-Valentin Alkan...
Journal Article
Journal of Music Theory (2020) 64 (1): 1–36.
Published: 01 April 2020
... Christopher . 2016 . “ Parametric Interaction in Tonal Repertoires .” Journal of Music Theory 60 , no. 2 : 97 – 148 . Budden Julian . 1973–81 . The Operas of Verdi . 3 vols . London : Cassell . Burstein L. Poundie . 2015a . “Functial Formanality ”. In Formal Functions...
Journal Article
Journal of Music Theory (2001) 45 (2): 470–483.
Published: 01 October 2001
... will serve numerous pedagogical purposes in graduate-level analysis classes and composer and era surveys, in addition to Schenker seminars. L. Poundie Burstein’s “Comedy and Structure in Haydn’s Symphonies,” may find its way to syllabi of each, thanks to its conversational tone, clear prose...
Journal Article
Journal of Music Theory (2006) 50 (2): 143–179.
Published: 01 October 2006
.... I thank Poundie International Schenker Symposium, Mannes College the Burstein and Patrick McCreless for the critical feedback they New School for Music, March 17, 2006, and at the confer- provided during the preparation of this final version. ence Crosscurrents: Explorations in the History...
Journal Article
Journal of Music Theory (2016) 60 (1): 1–21.
Published: 01 April 2016
...). of unquenched striving, auxiliary dividers proved a valuable device for many composers of the late nineteenth and 7  Poundie Burstein, however, provides a carefully consid- early twentieth centuries. In exceptional cases, one...
Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
... , edited by Kok Roe-Min Tunbridge Laura , 265 – 99 . New York : Oxford University Press . Burstein L. Poundie . 2011 . “ True or False? Re-assessing the Voice-Leading Role of Haydn’s So-Called ‘False Recapitulations .’” Journal of Schenkerian Studies 5 : 1 – 37 . Caplin...
Journal Article
Journal of Music Theory (2017) 61 (1): 29–57.
Published: 01 April 2017
...- tions.” Elliptic anticipations leap to a different note of the 3 Such overlaps are also common of auxiliary cadences. forthcoming chord before the point of harmonic arrival. Quoting Schenker, L. Poundie Burstein (2005, 163–64) explains that while...
Journal Article
Journal of Music Theory (2001) 45 (2): 233–261.
Published: 01 October 2001
... Schoenberg 1969, 19. 5. On the auxiliary cadence, see Schenker 1979, 88–90. For a detailed account of auxiliary cadences as structures for complete works, see Burstein 1988, especially Chapter 3. In the case of an auxiliary cadence beginning on I6, the inital I6 may represent a structural I; see...
Journal Article
Journal of Music Theory (2005) 49 (2): 241–275.
Published: 01 October 2005
.... ———. 1998 . “Schenkerian Analysis of Modern Jazz: Questions about Method.” Music Theory Spectrum 20 : 209 –41. ———. 2006 . “Rhythmic Displacement in the Music of Bill Evans.” Structure and Meaning in Tonal Music: A Festschrift for Carl Schachter , ed. David Gagné and L. Poundie Burstein, 103 –22...
Journal Article
Journal of Music Theory (2001) 45 (1): 162–169.
Published: 01 April 2001
.... 10, No. 6, mm. 1–8 in The Masterwork in Music I, 85. As early as 1922, Schenker used the interruption symbol in an unpublished graph. See Hedi Siegel, “Looking at the Urlinie: Schenker and the Visual Arts,” in David Gagné and L. Poundie Burstein, eds., Structure and Meaning in Tonal Music...
Journal Article
Journal of Music Theory (2013) 57 (2): 383–418.
Published: 01 October 2013
... Peter . 1994 . “ Aesthetics and Ideology: What Happened to Poetics? ” Critical Inquiry 20 : 509 – 23 . Burstein L. Poundie . 2005 . “ Unraveling Schenker’s Concept of the Auxiliary Cadence .” Music Theory Spectrum 27/2 : 159 – 85 . ———. 2006 . “ The Trimodular Block, the Three...
Journal Article
Journal of Music Theory (2007) 51 (2): 245–276.
Published: 01 October 2007
... with Signs: A Semiotic Interpretation of Classic Music . Princeton: Princeton University Press. Bent, Ian. 1981 . “The Terminology of Silence.” In IMS Report, Berkeley, 1977 , 792 -94. Kassel: Bärenreiter. Burstein, L. Poundie. 2005 . “Unraveling Schenker's Concept of the Auxiliary Cadence...
Journal Article
Journal of Music Theory (2015) 59 (1): 63–97.
Published: 01 April 2015
... . Sergei Rachmaninoff: A Lifetime in Music . New York : New York University Press . Burns Lori . 1995 . Bach’s Modal Chorales . Stuyvesant, NY : Pendragon . Burstein Poundie . 2006 . “ Schenker’s Concept of the Auxiliary Cadence .” In Essays from the Third International Schenker...
Journal Article
Journal of Music Theory (2020) 64 (2): 203–240.
Published: 01 October 2020
... Theme Closure 6 I argue this point in greater detail in Smith 2005: 31 65, including analysis of the exposition of the first movement of Brahms s First Symphony and other Brahms sonata forms in C minor. 7 For a thorough explication of auxiliary cadence, see Burstein 2005. 8 The combination of thematic...
Journal Article
Journal of Music Theory (2006) 50 (2): 181–210.
Published: 01 October 2006
.... “The Andante from Mozart’s Symphony no. 40, K. 550: The Opening Theme and Its Consequences.” In Structure and Meaning in Tonal Music: Festschrift in Honor of Carl Schachter, ed. L. Poundie Burstein and David Gagné, 247–58. Hillsdale, NY: Pendragon...