Search Results for boulez

...Joseph Salem Joseph Salem is completing a Ph.D. on Pierre Boulez at Yale University. His research investigates the creative process through the analysis of musical manuscripts and contemporaneous writings, as well as the influence of musical form, media, and social function...

...C. Catherine Losada This article examines the transfer between precompositional material and score in Pierre Boulez’s Domaines . It demonstrates how this stage of the compositional process and the gestural content of the work derive from and are linked to Boulez’s innovative serial and derivational...

... and Postmodernism: Strands of Continuity in Collage Compositions by Rochberg, Berio, and Zimmermann .” Music Theory Spectrum 31/1 : 57 – 100 . ———. 2013 . “ Between Freedom and Control: Composing-Out, Common Subsets, and Structure in an Open Work by Boulez .” Paper presented at the annual meeting...

... . New York : New Directions . Boulez Pierre . [ 1952 ] 1991 . `` Schoenberg Is Dead .'' Reprinted in Stocktakings from an Apprenticeship , ed. Thévenin Paul , trans. Walsh Stephen , 209 – 15 . Oxford : Clarendon . Cavell Stanley . 1969 . `` Music Discomposed...

... Moore Joseph . 2010 . `` Conceiving Musical Transdialection .'' Journal of Aesthetics and Art Criticism 68 / 2 : 105 – 117 . Berio Luciano . 1986 . `` Sinfonia .'' Sinfonia / Eindrücke , by Orchestre National de France, cond. Pierre Boulez [CD liner notes] , 4 – 5 . ECD 88151...

... her doctorate at the University of Oxford, and has held teaching positions at Oxford, Cambridge, and the Royal Academy of Music. Her research interests include Schoenberg, Boulez, and Cage, nineteenth-century song, and performance studies. She is also a professional mezzo-soprano, having trained...

... title) is surprising in a work so given to dialectics and pluralism. Cross scarcely needs to supply evidence for the claim that Stravinsky’s influence has been pervasive: the string of adulatory quotations from Boulez, Tippett, Carter, Birtwistle, Tavener, and Andriessen on p. 6 is gratuitous. What...

... Schütz and Monteverdi, through Bach, Haydn and Bee- thoven and on to Webern, Wolpe, Boulez, Babbitt and others offers him the chance to illustrate the consequences of his approach over a gratify- ingly wide time-scale. As he notes, “it is a general feature of analysis that musical process tends...

... to Boulez in Honor of Charles Rosen on His Eightieth Birthday , edited by Curry Robert Gable David Marshall Robert , 185 – 204 . Rochester NY : University of Rochester Press . Ohriner Mitch . 2010 . “ On Methodological Pluralism in Music Analysis: A Review of William Caplin, James...

..., William L. 1995 . “Working Memory in Music: A Theoretical Model.” Music Perception 12 ( 3 ): 353 -64. Boulez, Pierre. 1971 . Thoughts on Music Today, trans. S. Bradshaw and R. R. Bennett, Harvard University Press. Bregman, Albert. 1990 . Auditory Scene Analysis . Cambridge: MIT Press...

...Mark McFarland 2004 © Yale University, New Haven, Connecticut 06520 2004 Barraqué, Jean. 1954 . “Rhythme et développement.” Polyphonie 3/1-2 : 52 -58. Boulez, Pierre. 1968 . “Stravinsky Remains.” In Notes of an Apprenticeship , trans. Herbert Weinstock, 72 -145. New York...

... Theorie der informellen Musik . Laaber : Laaber-Verlag . Born Georgina . 1995 . Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Avant-Garde . Berkeley : University of California Press . ———. 2000 . “ Introduction: On Difference, Representation...

..., Jack. “Schoenberg's Op. 22 Radio Talk and Developing Variation in Atonal Music.” Music Theory Spectrum 14/2 ( 1992 ): 125 -49. ____. “Schoenberg on Ornamentation and Structural Levels.” Journal of Music Theory 38/2 ( 1994 ): 187 -216. Boulez, Pierre. “Arnold Schoenberg...

... Boulez. 2. What is the modern ontology of the musical work? If, broadly speaking, modernism marks aesthetic movements that challenge the ontological definitions of what music is, any prescriptive measure intended to shore up a proper version...

... . Here and Now . 2010 . “ Conductor Pierre Boulez Reflects on his Legacy .” TheWorld , January 28 , https://theworld.org/stories/2010-01-28/conductor-pierre-boulez-reflects-his-legacy . Huron David . 2006 . Sweet Anticipation: Music and the Psychology of Expectation . Cambridge, MA...

... artistic categories. (Cavell mentions that he is drawn in this way by Anthony Caro’s sculpture but not by pop art or Karlheinz Stockhausen; I am similarly drawn by Steve Reich’s Piano Phase but not by Pierre Boulez’s Structures Ia, even...

... against the grain, though, as in Hatten s remarks on agency in Pierre Boulez s Structures [220 21 Across levels, virtual agents are always embedded in some context; they emerge as figures against some musical 286 J O U R N A L o f M U S I C T H E O R Y background. Actants, lacking human intentions...

... . Rumph Stephen . 2004 . Beethoven after Napoleon . Berkeley : University of California Press . Toop Richard . 1974 . `` Messiaen/Goeyvaerts, Fano/Stockhausen, Boulez .'' Perspectives of New Music 13 / 2 : 141 – 69 . ———. 1979 . `` Stockhausen and the Sine-Wave: The Story...

... of the body s doings in response to sound can have the greatest impact on interpretation and appreciation. In truth, I myself have at times struggled to convince under- graduate students of the aesthetic value of Pierre Boulez or the visceral beauty of Morton Feldman. Having the framework of affective avenues...

...”; “Urlinie”; “Ursatz”; “Zug” Anyone who keeps an ear to the disciplinary ground has heard it said: to paraphrase Pierre Boulez, Schenker est mort. Those inclined to believe 204 ...