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Journal Article
Journal of Music Theory (2019) 63 (1): 35–70.
Published: 01 April 2019
... of the corpus data summarizes the sectional makeup of each of the twenty-two normative pieces. Formal and hermeneutical accounts of three deviational pieces demonstrate the flexibility and expressive potential of the system. A retrofit of the formal framework onto thirteen notable big-band arrangements...
Journal Article
Journal of Music Theory (2017) 61 (2): 171–200.
Published: 01 October 2017
... practice. Copyright © 2017 by Yale University 2017 sonata form big data recapitulation double return end-rhyme Works Cited Allsop Peter . 1999 . Arcangelo Corelli: New Orpheus of Our Times . Oxford : Oxford University Press . Bonds Mark Evan . 1988 . “ Haydn’s False...
Journal Article
Journal of Music Theory (2018) 62 (1): 145–154.
Published: 01 April 2018
... of other features, including the movement’s formal proportions. (Schachter thinks, for example, that the retransition is too long.) Occasionally, a generalizing statement appears not so much to report an empirical fact based on big data as simply to orient us to a convention. While...
Journal Article
Journal of Music Theory (2017) 61 (2): 143–170.
Published: 01 October 2017
..., VT : Ashgate . Murphy Gregory . 2002 . The Big Book of Concepts . Cambridge, MA : MIT Press . Neal Jocelyn . 2007 . “ Narrative Paradigms, Musical Signifiers, and Form as Function in Country Music .” Music Theory Spectrum 29 / 1 : 41 – 72 . Nobile Drew . 2014...
Journal Article
Journal of Music Theory (2013) 57 (1): 159–191.
Published: 01 April 2013
Journal Article
Journal of Music Theory (2016) 60 (2): 295–305.
Published: 01 October 2016
... that a major virtue of In Other Shoes is how consistently it takes seriously the data supplied by music-theoretical intuitions and practices. This is apparent in “Metaphor and Prop-Oriented Make-Believe,” in which Walton “explore[s] the applicability of the notion...
Journal Article
Journal of Music Theory (1999) 43 (1): 83–99.
Published: 01 April 1999
..., a rule that preserves content on level I.14 But where did we get that rule? It is doubtful that we derived it a posteriori, or though empirical means, say by amassing data that would show a correlation between one level II content and another. It is not as if we have to (or that we do) go about...
Journal Article
Journal of Music Theory (1999) 43 (2): 315–347.
Published: 01 October 1999
... and hired a well-known agent, Louis Shurr. Almost immediately, Porter signed a contract for Paris, his first big hit. Stories about the popular composers of this era turning out a song a day are relatively common, but Porter’s more traditional training stuck with him in his work habits. Moss Hart...
Journal Article
Journal of Music Theory (2005) 49 (1): 141–180.
Published: 01 April 2005
..., usually reluctant to acknowledge a discrepancy between the acoustical data given in the corps sonore and the cognitive information the listening subject derives from it, here has to resort to the activity of the ear to keep the problem of enharmonicism under control (on the issue of the “ear,” see...
Journal Article
Journal of Music Theory (2007) 51 (1): 85–135.
Published: 01 April 2007
.... 1800 . Partimenti ossia Basso numerato . Rome. Fox, Gwyneth. 1998 . “Using Corpus Data in the Classroom.” In Materials Development in Language Teaching , ed. Brian Tomlinson, 25 -43. Cambridge: Cambridge University Press. Galeazzi, Francesco. 1796 . Elementi teorico-pratici di musica con un...