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Journal Article
Journal of Music Theory (1 October 1999) 43 (2): 349–358.
Published: 01 October 1999
...Dave Headlam Style and Idea in the Lyric Suite of Alban Berg by George Perle Stuyvesant, NY: Pendragon Press, 1995 68 pp. 1999 © Yale University, New Haven, Connecticut 06520 1999 REVIEWS Style and Idea in the Lyric Suite of Alban Berg by George Perle Stuyvesant, NY: Pendragon...
Journal Article
Journal of Music Theory (1 April 2014) 58 (1): 57–65.
Published: 01 April 2014
... Practice , edited by Felix Wörner, Ullrich Scheideler, and Philip Rupprecht (2012). Hall Patricia . Berg’s “Wozzeck” . Oxford University Press , 2011 : x+211 pp. ( $80.00 cloth ) © 2014 by Yale University 2014 Works Cited Ashby Arved . 2008 . “ The Lyric Suite and Berg’s...
Journal Article
Journal of Music Theory (1 October 2016) 60 (2): 181–212.
Published: 01 October 2016
...Philip Stoecker In this article I investigate aligned cycles. First identified by Alban Berg in a letter to Arnold Schoenberg and later discussed by George Perle and David Headlam, an aligned cycle is when two (or more) interval cycles unfold in the same direction in a note-against-note alignment...
Journal Article
Journal of Music Theory (1 October 1999) 43 (2): 231–255.
Published: 01 October 1999
... remaining fixed in memory, are acts of reconstruction, a perspective that encourages one to view music less as a collection of immutable structures and more as a subject for intentional creative perception. An analysis of Berg's Op. 2, No. 3 tests these ideas by bringing intentionalism and the biological...
Journal Article
Journal of Music Theory (1 April 2006) 50 (1): 77–101.
Published: 01 April 2006
... Fanny Mendelssohn Hensel's setting of Bach's “Das alte Jahr” in the concluding “Nachspiel” of her piano song cycle, Das Jahr , as suggesting interactions of public and private sonic worlds. I follow potential tonal-harmonic alternatives (after Schoenberg and Berg on the chorale) and implications of...
Journal Article
Journal of Music Theory (1 October 2013) 57 (2): 193–243.
Published: 01 October 2013
... use of instrumental “residue” creates an “articulate unity” in a passage from Lohengrin , Theodor Adorno describes how Alban Berg’s orchestration of the Frühen Lieder combines particular instrumental colors and generalized orchestral sonorities into articulate Mischfarben that distinguish whole-tone...
Journal Article
Journal of Music Theory (1 April 2003) 47 (1): 155–214.
Published: 01 April 2003
.... Mitchell and W. V. Bloomster. New York: Seabury, 1973 . Ashby, Arved. “Of Modell-Typen and Reihenformen: Berg, Schoenberg, F. H. Klein, and the Concept of Row Derivation.” Journal of the American Musicological Association 48/1 ( 1995 ): 67 -105. Auner, Joseph. “Schoenberg's Aesthetic...
Journal Article
Journal of Music Theory (1 October 2018) 62 (2): 165–204.
Published: 01 October 2018
... New Music 23 / 1 : 348 – 59 . Headlam David . 1995 . “ Tonality and Twelve-Tone Tonality: The Recent Music of George Perle .” International Journal of Musicology 4 : 301 – 33 . Headlam David . 1996 . The Music of Alban Berg . New Haven, CT : Yale University Press...
Journal Article
Journal of Music Theory (1 April 2019) 63 (1): 71–102.
Published: 01 April 2019
... comprehension not only of its technical aspects but also of its central role in the shaping of musical form. Copyright © 2019 by Yale University 2019 liquidation dissolution Auflösung obligations Arnold Schoenberg Anton Webern Works Cited Adorno Theodor W. 1971 . Berg: Der...
Journal Article
Journal of Music Theory (1 October 2016) 60 (2): 263–279.
Published: 01 October 2016
... that surprising; after all, Schoen- berg’s examples of these theories center on the tonal masterworks and are often described in explicitly tonal terms. But as with any composer-theorist, particularly with a composer-theorist who framed most of his theoretical writ- 1 See Carpenter 1983, 1988...
Journal Article
Journal of Music Theory (1 October 2002) 46 (1-2): 207–283.
Published: 01 October 2002
...Olli Väisälä 2002 © Yale University, New Haven, Connecticut 06520 2002 Ayrey, Craig. 1982 . “Berg's `Scheideweg': Analytical Issues in Op. 2/ii.” Music Analysis 1 : 189 -202. Baker, James. 1986 . The Music of Alexander Scriabin . New Haven and London: Yale University Press...
Journal Article
Journal of Music Theory (1 April 2011) 55 (1): 89–146.
Published: 01 April 2011
... relates to that of others; I then use these theories to analyze Schenker’s and Schoen- berg’s shared conception of the tone. This analysis reveals that the stark 8  Wason has traced music theory’s separation from com- from the composition of music (2006, 25–26). Analysis is position...
Journal Article
Journal of Music Theory (1 October 2002) 46 (1-2): 153–205.
Published: 01 October 2002
... . The Structure of Atonal Music. New Haven: Yale University Press. Headlam, Dave. 1996 . The Music of Alban Berg. New Haven: Yale University Press. Hanson, Howard. 1960 . The Harmonic Materials of Modern Music: Resources of the Tempered Scale. New York: Appleton-Century-Crofts. Howe...
Journal Article
Journal of Music Theory (1 April 2019) 63 (1): 103–138.
Published: 01 April 2019
... 15 , no. 1 : 1 – 18 . Berg Pieter é, . 2009 . Musical Form, Forms and Formenlehre . Leuven : Leuven University Press . Brody Christopher . 2015 . “ The Independence of Structural Parameters in Schenkerian Accounts of Tonal Form .” Rivista di analisi e teoria musicale 21...
Journal Article
Journal of Music Theory (1 October 2008) 52 (2): 273–320.
Published: 01 October 2008
... . “Nonconformist Notions of Nineteenth-Century Enharmonicism.” Music Analysis 21 /2: 115 -60. ———. 2003 . “Rosalia, Aloysius, and Arcangelo: A Geneology of the Sequence.” Journal of Music Theory 47 : 225 -72. Headlam, David. 1996 . The Music of Alban Berg . New Haven: Yale University Press...
Journal Article
Journal of Music Theory (1 April 2010) 54 (1): 91–105.
Published: 01 April 2010
... (a) the texts themselves make no explicit quotation of others, and (b) they are historically understood as being “original writings” within their respective fields. (2) Local borrowing, exemplified by Alban Berg’s Violin...
Journal Article
Journal of Music Theory (1 October 2005) 49 (2): 333–357.
Published: 01 October 2005
... Analysis , 5th ed. Englewood Cliffs, NJ: Prentice-Hall. Hancock, Herbie. 1992 . Classic Jazz Compositions and Solos , transcribed by Bill Dobbins. Rottenberg: Advance Music. Headlam, Dave. 1996 . The Music of Alban Berg . New Haven: Yale University Press. Kahn, Ashley. 2000 . Kind of Blue...
Journal Article
Journal of Music Theory (1 April 2001) 45 (1): 31–71.
Published: 01 April 2001
... formal unit. Rotations. Example 6 shows the rotational enlargement at the end of Berg’s op. 5, no. 4 (cf. Example 3f). The beams in Example 6 show how 42 Hypothetical continuation pc retrograde pc retrograde Actual continuation...
Journal Article
Journal of Music Theory (1 October 2005) 49 (2): 209–239.
Published: 01 October 2005
...Karim Al-Zand © 2008 by Yale University 2008 Berg, Shelton. 1990 . Jazz Improvisation: The Goal-Note Method . Evergreen, CO: Lou Fischer Music. Berliner, Paul F. 1994 . Thinking in Jazz: The Infinite Art of Improvisation . Chicago: University of Chicago Press. Brownell, John...
Journal Article
Journal of Music Theory (1 October 2001) 45 (2): 470–483.
Published: 01 October 2001
... Woz- zeck” might seem alien here, at least initially. However, the author’s con- tention that Schenkerian concepts can illuminate the vestiges of tradi- tional practice in Berg’s 1925 opera grows quite persuasive. Sensing the weight of prior scholarship, as well as the obligation to meet and assim...