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atonal voice leading

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Journal Article
Journal of Music Theory (2017) 61 (2): 243–287.
Published: 01 October 2017
... chains (P/M, S/P, and S/M), polychords, and reharmonizations. The framework engages in similar voice-leading procedures as other atonal voice-leading practices, and its relations can be generalized to trichord types beyond the consonant triad. Schnittke’s triadic usage has been previously associated...
Journal Article
Journal of Music Theory (2005) 49 (1): 45–108.
Published: 01 April 2005
....” Ph.D. diss., City University of New York. Stoecker, Philip. 2002 . “Klumpenhouwer Networks, Trichords, and Axial Isography.” Music Theory Spectrum 24 : 231 –45. Straus, Joseph N. 1997 . “Voice Leading in Atonal Music.” In Music Theory in Concept and Practice , ed. James Baker, David Beach...
Journal Article
Journal of Music Theory (2018) 62 (2): 279–338.
Published: 01 October 2018
... . Straus Joseph . 2003 . “ Uniformity, Balance, and Smoothness in Atonal Voice Leading .” Music Theory Spectrum 25 / 2 : 305 – 52 . Straus Joseph . 2005 . “ Voice Leading in Set-Class Space .” Journal of Music Theory 49 / 1 : 45 – 108 . Straus Joseph . 2009 . Twelve-Tone...
Journal Article
Journal of Music Theory (2011) 55 (1): 43–88.
Published: 01 April 2011
... of Klumpenhouwer Network Theory. Ph.D. diss. , City University of New York Graduate Center . Straus Joseph N . 2001 . Stravinsky's Late Music . Cambridge : Cambridge University Press . ———. 2003 . '' Uniformity, Balance, and Smoothness in Atonal Voice Leading. '' Music Theory Spectrum 25...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2019) 63 (2): 167–207.
Published: 01 October 2019
... in Parsimony, Contextual Transformations, and Modes of Limited Transposition. Journal of Music Theory 42, no. 2: 241 63. Forte, Allen. 1973. The Structure of Atonal Music. New Haven, CT: Yale University Press. 207Leah Frederick Generic (Mod-7) Voice-Leading Spaces Hook, Julian. 2011. Spelled Heptachords...
Journal Article
Journal of Music Theory (2008) 52 (2): 219–249.
Published: 01 October 2008
... . “Uniformity, Balance, and Smoothness in atonal Voice Leading.” Music Theory Spectrum 25 : 305 -52. ———. 2005 . “Voice Leading in Set Class Space.” Journal of Music Theory 49 : 45 -108. On Pitch-Class Set Cartography Relations between Voice-Leading Spaces and Fourier Spaces...
Journal Article
Journal of Music Theory (2024) 68 (1): 35–58.
Published: 01 April 2024
... Theory Online 19 , no. 3 . https://mtosmt.org/issues/mto.13.19.3/mto.13.19.3.nobile.php . O'Donnell Shaugn J. 1997 . “ Transformational Voice Leading in Atonal Music .” PhD diss., City University of New York . Pinnington Noel John . 2019 . A New History of Medieval Japanese...
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Journal Article
Journal of Music Theory (2023) 67 (1): 1–70.
Published: 01 April 2023
...—considering voicing in atonal music, and abstract pitch-content in tonal contexts. Finally, as I have argued before, the intrinsic scale provides a natural generalization of neo-Riemannian transformations (Tymoczko 2020b ). A generalized neo-Riemannian voice leading is nothing more and nothing less than...
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Journal Article
Journal of Music Theory (2013) 57 (2): 321–371.
Published: 01 October 2013
... : Cambridge University Press . Solie Ruth . 1980 . “ The Living Work: Organicism and Music Analysis .” 19th-Century Music 4 : 147 – 56 . Straus Joseph N. 2003 . “ Uniformity, Balance, and Smoothness in Atonal Voice Leading .” Music Theory Spectrum 25 : 305 – 52 Tarasti...
Journal Article
Journal of Music Theory (2007) 51 (2): 277–332.
Published: 01 October 2007
... as Dual Inversions.” Journal of Music Theory 39 : 77 -100. Straus, Joseph. 2003 . “Uniformity, Balance, and Smoothness in Atonal Voice Leading.” Music Theory Spectrum 25 : 305 -52. Stucky, Steven. 1981 . Lutoslawski and His Music . Cambridge: Cambridge University Press. ____. 2005...
Journal Article
Journal of Music Theory (2004) 48 (1): 69–98.
Published: 01 April 2004
...-Tonal Voice-Leading.” In Models of Musical Analysis: Early Twentieth-Century Music. ed. Jonathan Dunsby. Oxford: Basil Blackwell, 20 -41. ____. 1990 . “Voice-Leading in Post-Tonal Music: Suggestions for Extending Schenker's Theory.” Music Analysis 9 : 177 -200. ____. 1983 . “Schenkerian...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 207–283.
Published: 01 October 2002
... A previous interpretation of its voice-leading structure has been presented by Craig Ayrey (1982), whose discussion focuses expressly on the relationship between “tonal” and “atonal” aspects. Ayrey regards the “atonal aspect” as “predominant” (ibid., 192) but, nevertheless, shows the bass of an E≤ “triad...
Journal Article
Journal of Music Theory (2001) 45 (1): 31–71.
Published: 01 April 2001
... of the match between an object and its enlargement? In tonal music, voice-leading transformations allow us to describe matches between strings and their enlargements. In atonal and twelve-tone music, we shall invoke pcset transformations to model these matches. Let us begin with some abstract situations...
Journal Article
Journal of Music Theory (2003) 47 (1): 155–214.
Published: 01 April 2003
...Kathryn Whitney 2003 © Yale University, New Haven, Connecticut 06520 2003 Adams, Courtney S. “Techniques of Rhythmic Coherence in Schoenberg's Atonal Instrumental Works.” Journal of Musicology 11/3 ( 1993 ): 330 -56. Adorno, T. W. Philosophy of Modern Music . Trans. A. G...
Journal Article
Journal of Music Theory (2022) 66 (2): 291–302.
Published: 01 October 2022
... . Straus Joseph N. 2014 . “ Harmony and Voice Leading in Stravinsky .” Music Theory Spectrum 36 , no. 1 : 1 – 33 . Taruskin Richard . 2010 . Music in the Early Twentieth Century . New York : Oxford University Press . Temperley David . 2018 . The Musical Language of Rock...
Journal Article
Journal of Music Theory (2024) 68 (1): 59–88.
Published: 01 April 2024
... the institutional attention placed on Schenker in the 1980s and 1990s, theorists were surprisingly ineffective at accurately identifying what “orthodox” Schenkerian analysis ought to look like. In Yust 2015 , I show that basic features of a concept fundamental to Schenker's analytical practice, voice-leading level...
Journal Article
Journal of Music Theory (1999) 43 (2): 193–230.
Published: 01 October 1999
...” in which a 4–9[0167], {A,D,E≤,A slides back to the initial sonority, 4–26[0358]. This Odd [0167] draws our atten- tion because it disrupts the mirror-symmetrical voice-leading (it moves by ic 2s in the right hand but by ic 1s in the left hand) and temporarily abandons the A≤3 pitch axis. 200...
Journal Article
Journal of Music Theory (2014) 58 (1): 57–65.
Published: 01 April 2014
... Theory Spectrum 1 : 23 – 34 . Hailey Christopher , ed. 2012 . Alban Berg and His World . Princeton, NJ : Princeton University Press . Haimo Ethan . 1996 . “ Atonality, Analysis, and the Intentional Fallacy .” Music Theory Spectrum 18 : 167 – 99 . ———. 2006...
Journal Article
Journal of Music Theory (2001) 45 (1): 190–204.
Published: 01 April 2001
...- 191 cially in respect of post-tonal and atonal voice leading, [as in] Katz’s . . . early excursion into artistic territory completely shunned by Schenker, including Wagner, Debussy, Stravinsky and Schoenberg. . . . Salzer’s Structural Hearing . . . , in contrast, offered a radical critique...
Journal Article
Journal of Music Theory (2003) 47 (1): 103–123.
Published: 01 April 2003
..., and Jack Douthett. 1994 . “Vector Products and Intervallic Weighting.” Journal of Music Theory 38/1 : 21 -41. Deliège, Célestin. 2001 . “L'harmonie atonale: de l'ensemble à l'échelle” [“Atonal Harmony: From Sets to Scales”]. In Musique contemporaine: Perspectives théoretiques et...