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Journal Article
Journal of Music Theory (2018) 62 (1): 145–154.
Published: 01 April 2018
...Kofi Agawu Schachter Carl . Edited by Straus Joseph N. , The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory , Oxford University Press , 2016 : v + 295 pp. ( $45.00 cloth) Copyright © 2018 by Yale University 2018 Works Cited Agawu Kofi . 2009...
Journal Article
Journal of Music Theory (2019) 63 (1): 139–144.
Published: 01 April 2019
... in Native Amazonians Reveals Cultural Variation in Music Perception .” Nature , no. 7613 : 547 – 50 . Copyright © 2019 by Yale University 2019 Huron David Voice Leading: The Science behind a Musical Art MIT Press , 2016 : vii + 263 pp. ( $38.00 cloth) ...
Journal Article
Journal of Music Theory (2020) 64 (2): 283–291.
Published: 01 October 2020
...Jonathan De Souza 283 Journal of Music Theory 64:2, October 2020 DOI 10.1215/00222909-8550807 © 2020 by Yale University Robert S. Hatten A Theory of Virtual Agency for Western Art Music Indiana University Press, 2018: x + 326 pp. ($85.00 cloth, $32.00 paper, $31.99 ebook) Jonathan De Souza...
Journal Article
Journal of Music Theory (2001) 45 (1): 170–176.
Published: 01 April 2001
...Leslie Kinton The Art of Performance Heinrich Schenker edited by Heribert Esser translated by Irene Schreier Scott New York: Oxford Univ. Press, 2000 xxvii, 101 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 The Art of Performance Heinrich Schenker edited by Heribert...
Journal Article
Journal of Music Theory (2013) 57 (1): 119–129.
Published: 01 April 2013
... , and the Journal of the American Musicological Society and as editor of Music Perception . His work on the teaching methods of the Neapolitan conservatories in the days of Bach and Mozart can be found through an Internet search for the term partimenti . Sanguinetti Giorgio The Art of Partimento...
Journal Article
Journal of Music Theory (2015) 59 (1): 99–119.
Published: 01 April 2015
... on J. S. Bach .” In Alte Musik: Praxis und Reflexion, ed. Reidemeister Peter Gutmann Veronika , 203 – 40 . Winterhur : Amadeus . Zarlino Gioseffo . 1558 . Le istitutioni harmoniche . Venice . Mersenne and the Art of Delivery...
Journal Article
Journal of Music Theory (2023) 67 (2): 356–368.
Published: 01 October 2023
...Gilad Rabinovitch grabinovitch@fsu.edu Nicholas Baragwanath . The Solfeggio Tradition: A Forgotten Art of Melody in the Long Eighteenth Century . Oxford University Press , 2020 . Copyright © 2023 by Yale University 2023 in   a classic Turn of Phrase , Robert O...
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Journal Article
Journal of Music Theory (2010) 54 (1): 37–60.
Published: 01 April 2010
... of time, however, the distance between Cavell's and the postmodernists' views concerning subjectivity and the role of the arts in defining it have become increasingly clear. In Cavell's scenario, a contemporary listener or critic confronted with the new music faces a sort of existentialist crisis: he...
Journal Article
Journal of Music Theory (2010) 54 (1): 61–74.
Published: 01 April 2010
...Eric Drott In his classic essay “Music Discomposed,” Stanley Cavell draws attention to the threat of fraudulence that pervades contemporary art music. With the erosion of convention, not only is the ability of listeners to comprehend new music called into question, so too is their ability...
Journal Article
Journal of Music Theory (2010) 54 (1): 5–23.
Published: 01 April 2010
...-garde art) from its more stringent critics. I then explain how my early work, while sharing Cavell's general aims, diverges from his specific claims. This involves considering some ways in which false beliefs can contribute to human flourishing. I then explore general objections to redemptive narratives...
Journal Article
Journal of Music Theory (2007) 51 (1): 51–83.
Published: 01 April 2007
... survived in many sources, but they cover only the first stage of realization because the techniques for more advanced realizations were transmitted orally. With the decadence and extinction of the living tradition, the realization of partimenti became a lost art. However, some principles for advanced...
Journal Article
Journal of Music Theory (2011) 55 (2): 167–220.
Published: 01 October 2011
... and purposive form, eschewing “charms and emotions”; and on the other hand, Hegel’s focus on art’s spirituality, its “ideal content,” in characterizing the specifically musical, which for Hanslick embodies a “full share of ideality.” Clustered ideologically around Kant, Hegel, and Hanslick in closer or more...
Journal Article
Journal of Music Theory (2010) 54 (2): 235–282.
Published: 01 October 2010
... offer some of the most intriguing proofs that late-eighteenth-century music was conceived of as an art of communication between composers and listeners. Yale University 2011 Danuta Mirka is reader in music at the University of Southampton. She is the author of The Sonoristic Structuralism...
Journal Article
Journal of Music Theory (2012) 56 (2): 121–167.
Published: 01 October 2012
... pratique (1760), with particular attention to the extensive discussion of the topic in the “Art de la basse fondamentale” (c. 1737–43). To a considerable degree, Rameau’s conception of supposition was worked out in dialogue with his critics. Retracing that dialogue helps to clarify a number of points...
Journal Article
Journal of Music Theory (2010) 54 (1): 75–90.
Published: 01 April 2010
... importance to modernist art. It functions as a metaphor in se , representing Cavell's hypothetical example of a solution to a compositional problem that “has become identical with the aesthetic result itself.” Lachenmann's Kontrakadenz (1970–71) concerns itself with the strained relation of artwork...
Journal Article
Journal of Music Theory (2013) 57 (1): 1–45.
Published: 01 April 2013
... that such categories have never ceased playing a decisive role in the production, circulation, and reception of post-1945 art music. In interrogating the assumptions that underpin the “decline-of-genre” thesis, this article underlines the utility that renewed attention to genre and its framing effects may have...
Journal Article
Journal of Music Theory (2021) 65 (1): 81–106.
Published: 01 April 2021
... often treated as musical styles or topics than as movement patterns, and the minuet, with more explicit connections to art music, has received more attention than the contredanse. This article analyzes the choreography as well as the music of eighteenth-century contredanses to show how this dance...
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Journal Article
Journal of Music Theory (2021) 65 (1): 39–80.
Published: 01 April 2021
... dance and musical structures, encouraging readers to contemplate the artful interpretations presented by experienced dance practitioners and to engage with these interesting musical passages more intimately by trying out the dance steps for themselves. Copyright © 2021 by Yale University 2021...
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Journal Article
Journal of Music Theory (2007) 51 (2): 333–340.
Published: 01 October 2007
... . “Dig They Freedom: Meditations on History and the Black Avant-Garde.” Lenox Avenue 3 : 13 -27. Kernfeld, Barry. 1983 . “Two Coltranes.” Annual Review of Jazz Studies 2 : 7 -66. Kiroff, Matthew John. 1997 . “Caseworks as Performed by Cecil Taylor and the Art Ensemble of Chicago...
Journal Article
Journal of Music Theory (2010) 54 (1): 107–120.
Published: 01 April 2010
... native to each one’s approach. Let us begin the comparison with two quotes. Cavell wrote in “Music Discomposed” of 1967: I said: in art, the chances you take are your own. But of course you are inviting others to take them...