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Journal Article
David Kraehenbuehl Prize
Available to Purchase
Journal of Music Theory (2006) 50 (1): 141.
Published: 01 April 2006
... © 2008 by Yale University 2008 Announcement
David Kraehenbuehl Prize
As part of the commemoration of our fiftieth anniversary, the Journal of Music
Theory is pleased to announce the establishment of the David Kraehenbuehl
Prize. The prize...
Journal Article
David Kraehenbuehl Prize
Available to Purchase
Journal of Music Theory (2017) 61 (1): 141.
Published: 01 April 2017
... © 2017 by Yale University 2017 ANNOUNCEMENT
David Kraehenbuehl Prize
The David Kraehenbuehl Prize, named for the visionary founding editor of
the Journal of Music Theory, was established in 2008 and is given biennially for
the best...
Journal Article
“Pedagogy into Practice: Teaching Music Theory in the Twenty-First Century”
Available to Purchase
Journal of Music Theory (2020) 64 (2): 297–308.
Published: 01 October 2020
... . The Musical Language of Rock . New York : Oxford University Press .
Wissmuller
Christian
. 2018 . “ Peaksware Holdings Announces Launch of Ventures Division .” Musical Merchandise Review , September 27 .
mmrmagazine.com/news/upfront/peaksware-holdings-announces-launch-of-ventures...
Journal Article
David Kraehenbuehl Prize
Available to Purchase
Journal of Music Theory (2023) 67 (1): 207.
Published: 01 April 2023
... Martin, and Joti Rockwell. The Journal of Music Theory is pleased to announce that the 2022 David Kraehenbuehl Prize is presented to Rebecca Simpson-Litke for her article “Flipped, Broken, and Paused Clave: Dancing through Metric Ambiguities in Salsa Music,” which appeared in volume 65, number 1...
Journal Article
Editor's Note
Free
Journal of Music Theory (2006) 50 (1): 1–2.
Published: 01 April 2006
... the next few years as we finish
closing the gap between theory and practice with respect to our cover date.
The anniversary celebration continues with the announcement of
the biennial David Kraehenbuehl Prize (see page 141), which we hope will
encourage scholars to send their best work...
Journal Article
Communications
Available to Purchase
Journal of Music Theory (2001) 45 (2): 489–490.
Published: 01 October 2001
...Margaret Kartomi 2001 © Yale University, New Haven, Connecticut 06520 2001 COMMUNICATIONS
The University of Illinois Press announces a new series, the Beethoven
Sketchbook Edition, with William Kinderman as Editor-in-Chief. Beethoven’s
creative process is more richly...
Journal Article
HEAVENLY Dissonances: THE CADENTIAL Six-Four CHORD IN FRENCH GRANDS MOTETS AND Rameau's THEORY OF THE ACCORD PAR SUPPOSITION
Available to Purchase
Journal of Music Theory (2003) 47 (2): 305–323.
Published: 01 October 2003
... a suspension
that consists of retaining the entire perfect chord of a fundamental note
when one rises a fifthThese suspensions] are quite frequent imme-
diately before a perfect cadence; they willingly announce that cadence
since they simply suspend [i.e., delay] the harmony of the dominant...
Journal Article
Ironic Narrative, Ironic Reading
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Journal of Music Theory (2009) 53 (1): 95–136.
Published: 01 April 2009
... recitative announces itself as tragic-ironic rather than
comic-ironic. The music as narrative is complete, but its unexpected conclu-
sion negates all that has gone before. As such, I read the nocturne as a token
of what Northrop Frye calls an ironic narrative...
Journal Article
Journal of Music Theory under Allen Forte's Editorship
Available to Purchase
Journal of Music Theory (2006) 50 (1): 7–23.
Published: 01 April 2006
... status as a “didactic convenience.” In the foreword
to the first issue, he announced that he sought nothing less than its “restora-
tion . . . [to] a mode of creative thought” (Kraehenbuehl 1957a, 1).1 Based at
the Yale School of Music, JMT was to serve as a catalyst for this renaissance...
Journal Article
Metrical Displacement and Metrically Dissonant Hemiolas
Available to Purchase
Journal of Music Theory (2013) 57 (1): 87–118.
Published: 01 April 2013
... adjustments by which they are announced, there
is an ever-fluctuating complex of durational alterations and emphases in the
foreground that accompanies them, too.4 On the face of it, these alterations
seem obvious: most hemiolas of the common-practice period only superim-
pose a group of three “twos...
Journal Article
REVISED SKETCH OF MOZART, K. 545/I AND COMMENTARY
Available to Purchase
Journal of Music Theory (2001) 45 (1): 144–150.
Published: 01 April 2001
... orchestrational texture the violin and cello play in alternation at the return, rather than in octaves, as they had at the beginning and 149 pointing to the relatively weak preparation of VI, calling into question its stabil- ity as a tonic. Meanwhile, Webster takes issue with Coren, and announces...
Journal Article
Thinking About Harmony: Historical Perspectives on Analysis
Available to Purchase
Journal of Music Theory (2012) 56 (2): 293–298.
Published: 01 October 2012
... interesting is that in this next-to-last analysis,
Damschroder most explicitly realizes the analytic project announced at the
outset of the book, producing not one but two analytical accounts shaped by
his understanding of nineteenth-century harmonic theory’s diverse practices.
In the chapter just...
Journal Article
Punctuation and Sense in Late-Eighteenth-Century Music
Available to Purchase
Journal of Music Theory (2010) 54 (2): 235–282.
Published: 01 October 2010
...-measure phrases. After the first phrase, based upon the tonic, the
second phrase is its displacement (Versetzung) on the dominant.1 The third
phrase announces itself as one more displacement of the phrase, bringing it
back to the tonic, but is cut off after only four measures by the sharp...
Journal Article
Modality and Death as Racism
Available to Purchase
Journal of Music Theory (2024) 68 (1): 157–163.
Published: 01 April 2024
... with which I could announce my love for European classical music, should be evident enough to any reader of the Journal of Music Theory from our current time period. But these feelings went deeper too, in a way that connects directly to Jason Yust's article on tonality and racism, and so I hope the reader...
FIGURES
Journal Article
The Art of Partimento: History, Theory, and Practice/the Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera
Available to Purchase
Journal of Music Theory (2013) 57 (1): 119–129.
Published: 01 April 2013
...
the nineteenth, I discuss Sanguinetti’s first.
Some English-speaking readers have been introduced to the tradition
of partimenti through this reviewer’s Music in the Galant Style (2007). Its sub-
title, “Being an Essay on Various Schemata . . . ,” announces its focus on the
schematic foundations...
View articletitled, The Art of Partimento: History, Theory, and Practice/the Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera
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Journal Article
The Cadenza as Parenthesis: An Analytic Approach
Available to Purchase
Journal of Music Theory (2006) 50 (2): 211–251.
Published: 01 October 2006
...—the practice in tonal music most widely believed to
exemplify parenthesis.
In speech, a distinction exists between rhetorical insertions—those
achieved through performance indications such as a pause or altered tone
of voice—and announced insertions, in which speakers explicitly state...
Journal Article
Flow: The Rhythmic Voice in Rap Music
Available to Purchase
Journal of Music Theory (2022) 66 (2): 303–314.
Published: 01 October 2022
... when they announce that they are “flipping” or altering their flow midverse. Comparing a before-flow with a flipped-flow across several examples, Ohriner deduces a set of musical parameters that define the focus of his subsequent analyses: the cardinality of the metric space in which an emcee raps...
FIGURES
Journal Article
The Oxford History of Western Music
Available to Purchase
Journal of Music Theory (2006) 50 (1): 128–139.
Published: 01 April 2006
... that in the 9 See the forum, “Music Theory at the Turn of the Millen-
introduction (1:xxvii) Taruskin announces a general suspicion nium,” Intégral 14–15 (2000–2001): 1–76, for the prophecies
of the “false dichotomies” posed by, among others, Carl of various established figures in the discipline...
Journal Article
Moved by Nothing: Listening to Musical Silence
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Journal of Music Theory (2007) 51 (2): 245–276.
Published: 01 October 2007
... and the unresolved soprano E from the first chord finally
falls to D≥. The two-chord opening recalls the kind of “profound announce-
ment” identified by Michael Klein at the start of Chopin’s G minor Ballade
in his narrative analysis...
Journal Article
Interpreting Hucbald on Mode
Available to Purchase
Journal of Music Theory (2008) 52 (1): 13–40.
Published: 01 April 2008
... of symbols designed for
exact notation of those pitches. The announced purpose of these notational
symbols, which he derives from the Boethian signs for Lydian-mode pitches, is
so that with them “any notated melody . . . may be sung even without the aid
of a teacher” (Musica, 194). This is of prime...
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